Tom Fudge On The Horton Hears A Who! Controversy:  The Intersection Of Politics And Art

What do we hear when we hear a who?

By Tom Fudge 

Last week protestors caused a ruckus around the opening of a movie called Horton Hears a Who. The movie is based on a children’s book by the late Dr. Seuss, a one-time San Diego resident whose real name was Ted Geisel.  The demonstration was inspired by the story’s proclamation, by kind-hearted elephant Horton, that “a person’s a person, no matter how small.” Anti-abortion activists came to the movie’s premiere and handed out flyers afterwards, telling people that Horton’s statement explains why we need to protect the unborn.

The demonstration irked a few pro-choicers. But it didn’t bother me. I have no idea what Ted Geisel’s views on abortion were or whether he even gave the subject any thought. I do know that art speaks to different people in different ways, and the producer of the art is only half of the equation. Consumers make up the other half. And if Horton’s love of people “no matter how small” makes you think of a fetus, so be it.

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