Stories by Beth
Remake, sequel, prequel, reboot, reimagining – whatever you want to call it, Hollywood does love to return to something familiar. So what makes a good remake? Is it really a bad thing to remake an old film? Is this a new trend or have we always had to deal with remakes? Find out the answers with Midday Movies and The Geek Roundtable.
When "Aida" closes this weekend it not only marks the end of the San Diego Opera’s 2013 season but also the end of their property master’s 25-year career. Ned W. Krumrey provides a behind the scenes glimpse of what a property master is responsible for -- everything from human sacrifices to taking out the trash.
"A horror horde of crawl-and-crush giants clawing out of the earth from mile-deep catacombs!" They don't write taglines like that any more, and they don't make sci-fi like they did in the 1950s. That's why TheNAT's screening of "Them!" this Wednesday night at 7:00pm on the big screen is such a delight.
“Sympathy for Mr. Vengeance” (playing as part of the Park Chan Wook Retrospective I'm hosting on March 9 at 4:00pm at Reading’s Town Square Cinemas) was the first of Park Chan-wook’s Revenge Trilogy yet it arrived in the U.S. after Park’s "Oldboy," which is the second installment. But it doesn’t matter what order you see these devastating films in, just see them, and you'll have a chance to catch all three this weekend.
Back in 2005, South Korean director Park Chan-Wook was not well known in the U.S. But that changed when his film “Oldboy” hit American theaters. The film won the Grand Prize at the Cannes Film Festival and has celebrity fans such as Quentin Tarantino singing its praises. The film plays Saturday March 9 at Reading’s Town Square Cinemas as part of the Park Chan-Wook retrospective that I’m hosting.
If the person who said “Hell hath no fury like a woman scorned” had met Geum-ja, he might have revised his sentiments and said “hell hath no fury like a woman seeking revenge.” Geum-ja is the main character in “Lady Vengeance,” (playing Sunday March 10 at Reading’s Town Square Cinemas as part of the Park Chan-wook Retrospective) and she’s hellbent for revenge in this concluding chapter of Park Chan-wook’s deliciously twisted South Korean Revenge Trilogy. If you thought Uma Thurman was on a roaring rampage of revenge in the Kill Bill films, then fasten your seatbelts for “Lady Vengeance.”