Skip to main content

ALERT: KPBS 89.5FM is undergoing scheduled upgrade work which may result in a temporary signal outage. Click here to listen on our radio stream.

LATEST UPDATES: Tracking COVID-19 | Vaccines | Racial Justice

Film Review: 'Gone Girl'

October 2, 2014 1:07 p.m.

KPBS film critic Beth Accomando reviews "Gone Girl."

Related Story: 'Gone Girl' Is Perfect First Date Movie — Well Sort Of

Transcript:

This is a rush transcript created by a contractor for KPBS to improve accessibility for the deaf and hard-of-hearing. Please refer to the media file as the formal record of this interview. Opinions expressed by guests during interviews reflect the guest’s individual views and do not necessarily represent those of KPBS staff, members or its sponsors.

ANCHOR INTRO: Gone Girl was a New York Times bestseller before author Gillian Flynn adapted it to the screen. KPBS arts reporter Beth Accomando says the film opens this weekend and examines long term relationships from a fresh perspective.


Gone Girl opens with a man looking at his wife’s head and telling us how he ponders opening her skull, unspool¬ing her brain and sifting through it to try to figure out what she’s thinking. Many people may have similar thoughts about trying to unravel the mystery of a partner. But – as we quickly find out -- Nick and Amy have anything but a typical relationship.

CLIP As you all know my wife Amy Elliott Dunne disappeared 3 days ago, I had nothing to do with my wife’s disappearance, I have nothing to hide.

But there’s a lot that’s hidden in Gone Girl, a story fueled by unreliable narrators. David Fincher has a knack for endowing films with a pervasive sense of unease, which makes him the ideal director to bring Gillian Flynn’s book to the screen. He even imbues the couple’s meet-cute flashback with foreboding thanks to Trent Reznor’s score.

CLIP And who are you?... I’m the guy to save you from all this awesomeness…

Fincher gives us a perversely perfect first date movie – if a couple emerges still trusting each other, they might have a shot at a healthy relationship. Gone Girl is a disquieting thriller. It’s also a great example of how to create female characters. Women drive this film but not in ways you’d expect, and the female characters display a fascinating range of types. That’s rare. So too is an engrossing, cunning tale that manages to continually surprise and impress you.

Beth Accomando, KPBS News.