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Arts & Culture

GREAT PERFORMANCES AT THE MET: Lulu

Marlis Petersen in the title role and Franz Grundheber as Schigolch.
Courtesy of Ken Howard/Metropolitan Opera
Marlis Petersen in the title role and Franz Grundheber as Schigolch.

Airs Sunday, May 29, 2016 at 12 p.m. on KPBS TV

Alban Berg's tragedy of a sexually irresistible woman who destroys the lives of everyone around her, “Lulu,” airs on THIRTEEN’S GREAT PERFORMANCES AT THE MET. William Kentridge, who made his GREAT PERFORMANCES AT THE MET debut with an innovative staging of Shostakovich's “The Nose,” follows up with this new production.

Marlis Petersen in the title role and Daniel Brenna as Alwa in Berg's "Lulu."
Courtesy of Ken Howard/Metropolitan Opera
Marlis Petersen in the title role and Daniel Brenna as Alwa in Berg's "Lulu."
Marlis Petersen in the title role and Johan Reuter as Dr. Schön in Berg's “Lulu.“
Courtesy of Ken Howard/Metropolitan Opera
Marlis Petersen in the title role and Johan Reuter as Dr. Schön in Berg's “Lulu.“
Marlis Petersen in the title role and Paul Groves in Berg's “Lulu.”
Courtesy of Ken Howard/Metropolitan Opera
Marlis Petersen in the title role and Paul Groves in Berg's “Lulu.”
Marlis Petersen in the title role and Franz Grundheber as Schigolch.
Courtesy of Ken Howard/Metropolitan Opera
Marlis Petersen in the title role and Franz Grundheber as Schigolch.

German soprano Marlis Petersen, who has sung the title role to great acclaim around the world, leads the cast. Susan Graham, who has appeared in 18 different operas at the Met, adds a new role to her company repertory as the Countess Geschwitz, one of Lulu's most devoted admirers. The men around them include American tenor Daniel Brenna as Alwa; Johan Reuter as Dr. Schön and Jack the Ripper; Paul Groves as the Painter and African Prince; and Franz Grundheber as Schigolch. Welsh National Opera music director Lothar Koenigs leads the performance. Soprano Deborah Voigt hosts the broadcast.

One of the most important—not to mention notorious—stage works of the 20th century, “Lulu” is the drama of a young woman who sexually and emotionally dominates a wide range of willing victims, both male and female. Herself a victim of society, she seems to embody all the frightening aspects of the human condition, a combination of primal instinct and distinctly modern amorality.

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Berg’s score employs the twelve-tone technique pioneered by his teacher Arnold Schönberg but in a keenly dramatic way that makes it accessible to all kinds of audiences. Berg died before completing Act III of the opera, and “Lulu” was first performed as a fragment in 1937 at the Zurich Opera House. Efforts to finish the score based on Berg’s notes were hindered by his widow and only realized, after her death, by the Austrian composer Friedrich Cerha, in 1977.

The New York Times praised the production this fall calling it "(a) masterful 'Lulu' … wrenching, ingeniously structured, grimly beautiful, especially in this visually stunning and searing production. The Met's terrific cast is headed by the charismatic German soprano Marlis Petersen as Lulu…Mr. Kentridge and his team draw compelling performances from a gifted cast, artists who clearly embraced the production concept."

And The Washington Post observed “What happened on the Met stage on Thursday was an even rarer commodity in many opera houses: serious art, on many levels…And Petersen was remarkable: a true singing actress who made this high-lying part sound almost effortless."

GREAT PERFORMANCES AT THE MET is a presentation of THIRTEEN Productions LLC for WNET. For the Met, Matthew Diamond directs the telecast. Jay David Saks is music producer. Mia Bongiovanni and Elena Park are supervising producers, and Louisa Briccetti and Victoria Warivonchik are producers. Peter Gelb is executive producer. For GREAT PERFORMANCES, Bill O’Donnell is series producer; David Horn is executive producer.

Past episodes of GREAT PERFORMANCES are available for online viewing. GREAT PERFORMANCES is on Facebook, and you can follow @GPerfPBS on Twitter. The Metropolitan Opera is on Facebook, Instagram, and you can follow @MetOpera on Twitter.

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