Cinema Junkie

Satisfy your celluloid addiction and mainline film 24/7 with Cinema Junkie’s Beth Accomando. So if you need a film fix, want to hear what filmmakers have to say about their work, feel like taking a deep dive into a genre, or just want to know what's worth seeing this weekend, then you've come to the right place. You can also find Beth's coverage of other arts and culture events here.
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Everything you need to know you can learn from zombies. Author Max Brooks pretty much laid out a lot of what we're been dealing with during this coronavirus pandemic in his novel "World War Z" that came out in 2006. He will have a virtual panel at this year's Comic-Con@Home called "Zombies and Coronavirus: Planning for the Next Big Outbreak." Brooks says of his panel, "People can expect to hear us discuss this real plague that we're dealing with. But through the metaphor of zombies, because the best tool of education is pop culture." His panel is at noon on July 24 but the YouTube link will remain on the Comic-Con Channel even after the convention ends, which allows anyone to watch the discussion any time. We also discuss his new book "Devolution." I know this is not cinema but it is zombies, which I love, and Brooks is the son of filmmaker/comedian Mel Brooks and film actress Anne Bancroft so there is a cinema connection! In addition to his writing, Brooks holds duel fellowships at the Atlantic Council’s Brent Scowcroft Center for Strategy and Security and the Modern War Institute. Check out a podcast that aims for the head.
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While in quarantine I discovered the Apple TV show "Mythic Quest: Raven's Banquet" created by "It's Always Sunny in Philadelphia's" Rob McElhenney, Charlie Day and Megan Ganz. The show debuted in February but had a bonus quarantine episode released at the end of May. So for this podcast I wanted to look to the gaming world and creating a show about the dynamics of running a game design company. I also wanted to focus on the ingenious quarantine episode so I speak with two of the writers from that show Megan Ganz and actor David Hornsby (who you may remember as Cricket from "It's Always Sunny in Philadelphia").
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David F. Walker, author of the upcoming "The Black Panther Party: A Graphic Novel," talks more about the research he's done for his book and I have my full interview with a member of the San Diego Original Black Panther Party, Henry Lee Wallace V. So I stray off the film path for this bonus or perhaps it's better titled a companion podcast to Black Films That Matter. Walker talks about the Black Panthers and their legacy while Wallace recounts how he joined the party as a teenager and now serves as chairman of the reactivated San Diego Black Panther Party. A little history rather than cinema for a change of pace. Check out the companion Black Films that Matter Podcast: https://www.kpbs.org/podcasts/cinema-junkie/2020/jul/03/black-films-matter/
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David F. Walker (writer of "Shaft" and "Luke Cage" comics, and graphic novels on Frederick Douglass and The Black Panther Party) picks some Black films that matter to provide context for today's protests. We discuss the controversial 1973 film "The Spook Who Sat By The Door" that United Artists pulled from release; Melvin Van Peebles' "The Watermelon Man" in which Godfrey Cambridge plays a white man who wakes up Black one morning; "Cornbread, Earl and Me" about an innocent Black kid shot dead by police; and more. We explore why these films are still relevant and how that provide insight into race in America. WARNING: Contains explicit language and language that may be offensive.
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This month and into July Shudder is hosting the Etheria Film Festival, a showcase of genre shorts by women filmmakers, and a Queer Horror Collection featuring the new documentary "Scream Queen! My Nightmare on Elm Street." I will highlight the best of Etheria and then speak with filmmakers Tyler Jensen and Roman Chimienti about making "Scream Queen!" and finally speak with Mark Patton (Jesse in "Nightmare on Elm Street 2") about how being in a film labeled "the gayest horror film ever made" impacted the career of a young actor in 1985 Hollywood when the AIDS pandemic was at its height. So join me as we go from the final girls of Etheria to the final boy of Elm Street. WARNING: Contains explicit language.
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Matt Berry has given us a gallery of hilarious characters from the buffoonish Douglas Reynholm in "The IT Crowd" to full of himself actor Steven Toast in "Toast of London" to the Staten Island vampire Laszlo Cravensworth in "What We Do In The Shadows," which has its season finale on June 10, 2020. I had the pleasure of speaking with Berry about his career including such cult classics as "Snuff Box" and "Garth Marenghi's Darkplace." Plus I get to play some of his music. WARNING: This podcast contains explicit language and adult humor... because it contains Matt Berry.
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Cinema Junkie has been exploring escapist films to distract you from our current coronavirus pandemic but as parts of the country and some businesses start to reopen I decided it was time to explore some unconventional pandemic films that raise issues beyond just the virus itself. I will be speaking with neuroscientist and emotion researcher Eric Leonardis who has been spending his quarantined time at home watching pandemic films but he has an interesting take on these movies because he wants to see how emotions like panic and fear can spread as readily as a virus and how words can be as dangerous as germs. We will consider silents to contemporary films as well as films from China, Cambodia, South Korea and the U.S. So wash your hands, put on a mask, and defy being infected by these pandemic movies.
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Write, blogger, and classic film enthusiast Will McKinley will be your guide to becoming a more adventuresome digital explorer as you navigate the quarantine landscape. He suggest skip the entertainment fast food and pick more nourishing options from the digital buffet. We'll discuss everything from free services to boutique streaming services to bulking up on physical media. There really are so many choices!
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Earlier this week I highlighted the film "Immobilité" that's being touted as the first "feature-length foreign film shot entirely on a mobile phone." The film by artist Mark Amerikia is showing in The Project Room for New Media at Chelsea Art Museum in New York through May 9, with a remix version exhibited in the Streaming Museum that presents exhibitions in cyberspace. The unique nature of the project inspired me to seek Amerika out for an interview. Here's what he had to say about his provocative new film.
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Following on the heels of the animated "Monsters Vs. Aliens," "Alien Trespass" (opening April 3 at Landmark's Hillcrest Cinemas) covers somewhat similar ground. Both films present us with an alien who comes to earth and then the films try to use the trappings of 50s sci-fi movies to sell the premise. But unlike "Monsters Vs. Aliens," "Alien Trespass" is live action. It also comes from R. W. Goodwin who should know what he's doing since he worked on the cult TV show "The X-Files," which frequently dealt with aliens although usually in a more serious vein.
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Most films that deal with border issues focus on immigrants and immigration along the California or Texas state lines. But the new film "Sin Nombre" (opening April 3 at Landmark's Hillcrest Cinemas) shows us how people living deeper in Mexico and Central America get to that border. The film played last month at the San Diego Latino Film Festival and just about everyone I spoke to at the fest was recommending it. I spoke with first time feature filmmaker Cary Fukunaga at the festival just before he presented the film to a full house.
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Just a quick reminder that the San Diego Latino Film Festival is not the only festival in town screening films this week. The San Diego Italian Film Festival will screen Incantesimo Napoletano/A Neopolitan Spell on Thursday, March 12 at 7:00 pm at the Museum of Photographic Arts in Balboa Park. The tageline for the film asks: "In Naples, what could be worse than not being Neapolitan?" Written and directed by Paolo Genovese, "Incantesimo Napoletano" serves up a fanciful tale about the shock felt by a fifth-generation Neopolitan couple whose daughter's first words are in Milanese. Mama mia! This film features Chiara Papa, Gianni Aiello, Serena Improta and Clelia Bernacchi. Although it's nice to have choice it's too bad these festivals are up against each other.
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Here's a little twist on Trailer Tuesday: Instead of posting a preview of a big Hollywood movie or cool indie title you get to see an entire movie.
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The teen critics have spoken out on The Last House on the Left (opened March 13 throughout San Diego) and I was curious to hear what they had to say since they weren't even born when the original film came out (OK, that made me feel old). I was glad that at least one of them had seen the original and found it more disturbing than the remake.
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The 16th San Diego Latino Film Festival kicked off last night with films, music, and a gala party. Now we can get down to the business of seeing films. Here are a few suggestions for what you might want to seek out and mini-reviews of some of the films that I had a chance to screen in advance. All films are at the UltraStar Mission Valley Theaters at Hazard Center.
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Real life French teacher François Bégaudeau plays an on-screen version of himself in "The Class/Entre les murs" (held over at Landmark's La Jolla Village Theaters), based on his book about his own classroom experiences. We discussed the film on last month's Film Club but I also wanted to highlight the film on my blog. Director Laurent Cantet (who also made "Time Out" and "Heading South") collaborated with Bégaudeau to bring his story to the screen. The ressult is a documentary style portrait of teaching in a contemporary French school. Cantet chose to shoot multiple improvised takes using real students and multiple cameras to chronicle what happens in a single classroom of middle school age students. The film was nominated this year for an Oscar for Best Foreign Language Film and took home the Palm D'Or at Cannes. While there were definitely more worthy films to pick as the best of the year, the Cannes Award is telling because it reflects France's need and maybe desire to try and come to terms with its increasing multi-ethnice make-up, a fact that's been harder to ignore inlight of recent riots and protests.
Beth Accomando is taking a short break from film reviews and arts coverage to create a six-part video podcast called Stripper Energy. Check it out!