Cinema Junkie

Satisfy your celluloid addiction and mainline film 24/7 with Cinema Junkie’s Beth Accomando. So if you need a film fix, want to hear what filmmakers have to say about their work, feel like taking a deep dive into a genre, or just want to know what's worth seeing this weekend, then you've come to the right place. You can also find Beth's coverage of other arts and culture events here.
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There is nothing quite like a Bollywood film. It’s about impossibly gorgeous stars, deliciously overripe melodrama, spectacular production numbers, an explosion of colors, and music with such an irresistible beat that even someone with two left feet feels inspired to get up and dance. This month, in honor of Indian Independence, I look to Bollywood cinema. In order to tackle the huge expanse of Bollywood film I decided to invite the trio of Moviewallas podcasters --Yazdi Pithavala, Rashmi Gandhi, and Joseph Djan -- onto the show. In Part 1 we define what makes a Bollywood film and look to its golden era. For a list of all the films discussed, go to bit.ly/CJBollywood1. And joining us for Share Your Addiction and Cold Turkey is Nora Fiore, the Nitrate Diva. Plus, check out the latest Geeky Gourmet video where you can learn how to make Bollywood popcorn as you watch some Indian films. Here's the Geeky Gourmet playlist on the KPBS YouTube Channel: https://bit.ly/CJGeekyGourmet And if you'd like to contribute your own Share Your Addiction or Cold Turkey, then just email baccomando@kpbs.org and put Share Your Addiction in the subject line.
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When Brad Martin goes into work there’s a very real possibility his boss could ask to set him on fire. That's because he’s a stunt man. Comic-Con just wrapped up another virtual edition and I’ll be wrapping up July’s theme of celebrating pop culture by highlighting Brad Martin and Mickey Facchinello, who have both worked on the wildly successful Marvel franchise. They share stories about how you can become a stunt person and what the job entails from being set on fire to wire work to motion capture. Join me in paying tribute to the people who often take your breath away and make your jaw drop down in awe. And check out the latest Geeky Gourmet video where you can learn how to make delicious edible blood that can also enhance any stunt work you might do at home. Here's the Geeky Gourmet playlist on the KPBS YouTube Channel: https://bit.ly/CJGeekyGourmet And if you'd like to contribute your own Share Your Addiction or Cold Turkey, then just email baccomando@kpbs.org and put Share Your Addiction in the subject line.
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Cinema Junkie has been on a quarantine break but I decided that July, the month of Comic-Con, would be a great time to make a comeback. My first guest is someone who not only fits the spirit of Comic-Con, but also is a longtime friend and frequent Cinema Junkie guest and that is Dr. Arnold T. Blumberg, a.k.a. Doctor of the Dead. We've bonded over zombies in the past and now I want to tap into a different side of his expertise to talk about comic book movies. Join the KPBS Cinema Junkie LIVE Relaunch Twitch Party at 7 p.m. Thursday, July 15. The party is being hosted on Twitch by DJ (and neuroscientist) Eric Leonardis. Details here: www.facebook.com/events/1799194123584814 Follow Cinema Junkie online at www.kpbs.org/cinemajunkie or on Facebook (www.facebook.com/cinemajunkieblog). Follow Beth Accomando on Instagram and Twitter as Cinebeth. If you would like to be considered for a Share Your Addiction or Cold Turkey segment then send an email to baccomando@kpbs.org and put "Rant" or "Rave" in the subject line. Cinema Junkie was created and written by Beth Accomando with help from Kinsee Morlan, Emily Jankowski and Rebecca Chacon.
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To close out Black History Month I will be speaking with Caroline Collins, a post doctoral fellow in the department of Communication at UC San Diego, about films that look to Black people and a sense of place. We discuss films such as "Daughters of the Dust," "Eve’s Bayou," "Get Out," "Sorry To Bother You," "Last Black Man in San Francisco," and "Black Panther," and look to how each of those films defines a connection to the land or a place. She says, "There's just so much that we learn about ourselves and each other through the medium of film and through popular culture. [I hope you] watch films that you might not feel are something you would normally watch and really think about 'How are these films helping to shape your understanding of your rootedness or disconnectivity to a place?' And how might you be able to rethink your own relationship to your place through the films that you're watching?"
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My celebration of Black History Month continues with Part Two of my interview with David F. Walker, author of the new graphic novel "The Black Panther Party." We finish our discussion about the Black Panthers with a focus on their social programs and how the FBI infiltrated the organization from its very beginning in order to bring it down. This leads into our discussion of the new film "Judas and the Black Messiah" that just started streaming on HBO Max. The film looks to Black Panther member Fred Hampton, his murder, and FBI informant William O'Neal.
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For Black History Month I am dedicating a two-part podcast to the Black Panthers and speaking with author David F. Walker ("Bitter Root," "Shaft," "The Life of Frederick Douglas") about his new graphic novel "The Black Panther Party." In Part One, we discuss what inspired the book, about historical context (including the Kerner Commission Report), and about Marcus Kwame Anderson who illustrated the book. In Part Two we extend the conversation to the new film "Judas and the Black Messiah."
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The final episode in Cinema Junkie's Giving Thanks to Film Editors trilogy. This time I speak with Oscar-nominated film editor Paul Machliss. He has had a wildly creative and innovative partnership with director Edgar Wright on films such as "Baby Driver" and "Scott Pilgrim Vs. the World." He talks about having to edit on the set for "Baby Driver" and then has some surprising recommendations for films that highlight diverse editing styles.
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On the last episode of Cinema Junkie I kicked off a trio of podcasts that give thanks to film editors. I started with an interview with Tatiana S Riegel, the Oscar-nominated film editor of "I, Tonya." Now I speak with Stephen Mirrione who has worked repeatedly with Steven Soderbergh and Alejandro Gonzales Innaritu, and won an Oscar for his editing on "Traffic." He provides insights into the craft of film editing and recommends what films you need to watch to appreciate how an editor can impact cinematic storytelling.
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Earlier this week I highlighted the film "Immobilité" that's being touted as the first "feature-length foreign film shot entirely on a mobile phone." The film by artist Mark Amerikia is showing in The Project Room for New Media at Chelsea Art Museum in New York through May 9, with a remix version exhibited in the Streaming Museum that presents exhibitions in cyberspace. The unique nature of the project inspired me to seek Amerika out for an interview. Here's what he had to say about his provocative new film.
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Following on the heels of the animated "Monsters Vs. Aliens," "Alien Trespass" (opening April 3 at Landmark's Hillcrest Cinemas) covers somewhat similar ground. Both films present us with an alien who comes to earth and then the films try to use the trappings of 50s sci-fi movies to sell the premise. But unlike "Monsters Vs. Aliens," "Alien Trespass" is live action. It also comes from R. W. Goodwin who should know what he's doing since he worked on the cult TV show "The X-Files," which frequently dealt with aliens although usually in a more serious vein.
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Most films that deal with border issues focus on immigrants and immigration along the California or Texas state lines. But the new film "Sin Nombre" (opening April 3 at Landmark's Hillcrest Cinemas) shows us how people living deeper in Mexico and Central America get to that border. The film played last month at the San Diego Latino Film Festival and just about everyone I spoke to at the fest was recommending it. I spoke with first time feature filmmaker Cary Fukunaga at the festival just before he presented the film to a full house.
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Just a quick reminder that the San Diego Latino Film Festival is not the only festival in town screening films this week. The San Diego Italian Film Festival will screen Incantesimo Napoletano/A Neopolitan Spell on Thursday, March 12 at 7:00 pm at the Museum of Photographic Arts in Balboa Park. The tageline for the film asks: "In Naples, what could be worse than not being Neapolitan?" Written and directed by Paolo Genovese, "Incantesimo Napoletano" serves up a fanciful tale about the shock felt by a fifth-generation Neopolitan couple whose daughter's first words are in Milanese. Mama mia! This film features Chiara Papa, Gianni Aiello, Serena Improta and Clelia Bernacchi. Although it's nice to have choice it's too bad these festivals are up against each other.
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Here's a little twist on Trailer Tuesday: Instead of posting a preview of a big Hollywood movie or cool indie title you get to see an entire movie.
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The teen critics have spoken out on The Last House on the Left (opened March 13 throughout San Diego) and I was curious to hear what they had to say since they weren't even born when the original film came out (OK, that made me feel old). I was glad that at least one of them had seen the original and found it more disturbing than the remake.
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The 16th San Diego Latino Film Festival kicked off last night with films, music, and a gala party. Now we can get down to the business of seeing films. Here are a few suggestions for what you might want to seek out and mini-reviews of some of the films that I had a chance to screen in advance. All films are at the UltraStar Mission Valley Theaters at Hazard Center.
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Real life French teacher François Bégaudeau plays an on-screen version of himself in "The Class/Entre les murs" (held over at Landmark's La Jolla Village Theaters), based on his book about his own classroom experiences. We discussed the film on last month's Film Club but I also wanted to highlight the film on my blog. Director Laurent Cantet (who also made "Time Out" and "Heading South") collaborated with Bégaudeau to bring his story to the screen. The ressult is a documentary style portrait of teaching in a contemporary French school. Cantet chose to shoot multiple improvised takes using real students and multiple cameras to chronicle what happens in a single classroom of middle school age students. The film was nominated this year for an Oscar for Best Foreign Language Film and took home the Palm D'Or at Cannes. While there were definitely more worthy films to pick as the best of the year, the Cannes Award is telling because it reflects France's need and maybe desire to try and come to terms with its increasing multi-ethnice make-up, a fact that's been harder to ignore inlight of recent riots and protests.
Beth Accomando is taking a short break from film reviews and arts coverage to create a six-part video podcast called Stripper Energy. Check it out!