Play Live Radio
Next Up:
0:00
0:00
Available On Air Stations
Watch Live

Search results for

  • For more than three decades, conguero Poncho Sanchez has stirred up a fiery stew of straightahead jazz, gritty soul music, and infectious melodies and rhythms from a variety of Latin American and South American sources. Throughout his career Sanchez has held aloft the torch lit by such innovators as Mongo Santamaria, Tito Puente and Cal Tjader, embraced by each of those icons and entrusted to carry forward the traditions of Latin Jazz.Sanchez’s influences are numerous, and his catalogue is rich with his homages to several of his mentors – Santamaria, Puente and Tjader among them. But alongside those Latin pioneers, among the more prominent figures that inform his music is the iconic saxophonist John Coltrane. On his latest album Trane’s Delight, Sanchez pays tribute to the late jazz legend with Latin-tinged reimaginings of Coltrane classics as well as new pieces composed in honor of the tenor titan.Trane’s Delight continues Sanchez’s remarkable 37-year relationship with Concord, a rich legacy that has now yielded 27 albums. The album features the conguero alongside his longtime band; trombonist and musical director Francisco Torres, trumpet and flugelhorn master Ron Blake, saxophonist Robert Hardt, pianist Andy Langham, bassists Rene Camacho and Ross Schodek, and percussionists Joey DeLeon and Giancarlo Anderson. The album provides a direct link from the 67-year old conguero to his 11-year old self, who spent his own money on an album for the first time when he bought the 1962 classic Coltrane. Ultimately, Trane’s Delight offers a tribute not only to the stellar music and influence of the great John Coltrane, but a spotlight for the myriad ways that the tenor giant’s explorations have fueled courageous artists like Poncho Sanchez. The results, as on this passionate new album, would no doubt delight Trane’s searching spirit. Although born in Laredo, Texas, in 1951 to a large Mexican-American family, Sanchez grew up in a suburb of Los Angeles, where he was raised on an unusual cross section of sounds that included straightahead jazz, Latin jazz and American soul. By his teen years, his musical consciousness had been solidified by the likes of John Coltrane, Miles Davis, Cal Tjader, Mongo Santamaria, Wilson Pickett and James Brown. Along the way, he taught himself to play guitar, flute, drums and timbales, but eventually settled on the congas.At 24, after working his way around the local club scene for several years, he landed a permanent spot in Cal Tjader's band in 1975. "I learned a great deal from Cal," says Sanchez, "but it wasn't as though he sat me down and taught me lessons like a schoolteacher. Mostly it was just a matter of being around such a great guy. It was the way he conducted himself, the way he talked to people, the way he presented himself onstage. He was very elegant, very dignified, and when he played, he played beautifully. The touch that he had on the vibes – nobody has that sound. To me, he was – and is, and always will be – the world's greatest vibe player."Sanchez first formed his own group in 1980, leading his ensemble during Tjader's vacation periods and recording two albums for Discovery. The conguero remained with Tjader until the bandleader's death in 1982. That same year, he signed with Concord for the release of Sonando, an album that marked the beginning of a musical partnership that has spanned nearly four decades and yielded more than two dozen recordings. Trane’s Delight is the latest installment in that ongoing partnership.After more than two decades in music, Sanchez's efforts paid off when his album Latin Soul received a Grammy award as Best Latin Album of 1999. Throughout the next decade, Sanchez continued to record, releasing such albums as 2000's Soul of the Conga, 2001's Latin Spirits, 2003's Out of Sight!, 2005's Do It!, 2007's Raise Your Hand, and 2009's hard bop-influenced Psychedelic Blues. In 2011, he paid tribute to the innovative Afro-Cuban recordings of Dizzy Gillespie and Chano Pozo by teaming up with trumpeter Terence Blanchard for Chano y Dizzy! Sanchez followed that up with a vibrant concert set with his Latin Jazz Band entitled Live in Hollywood.With Trane’s Delight, Poncho Sanchez continues to honor the giants whose music has helped shape his own, while building upon the rich legacy they’ve left behind. As this celebratory and heartfelt album exemplifies, he’s long since joined the ranks of the luminaries to whom he pays such profound tribute. Sanchez’s deeply personal reimagining of the jazz canon, as well as his own spirited original compositions, affirm his place at the forefront of Latin Jazz’s trailblazers.Social Media Facebook | Instagram | Twitter
  • Bogaerts joins an already deep lineup that includes third baseman Manny Machado and outfielder Juan Soto.
  • It was a pretty wild year for music. Here are some KPBS staff picks for the best albums of 2022.
  • In 1961, actor and Civil Rights activist Ossie Davis wrote the blistering play Purlie Victorious: A Non-Confederate Romp Through the Cotton Patch. Now, Leslie Odom Jr. stars in the revival.
  • Judge Arthur Engoron finds that Trump and his associates exaggerated the former president's net worth in order to complete deals and receive more financing.
  • The songwriting brothers, George and Ira Gershwin were synonymous with many of the gems of the early Great American Songbook, including: “The Man I Love,” “I Got Rhythm,” “Someone to Watch Over Me,” and “Summertime.” Come enjoy Bodhi Tree favorites Mary Munger Tayler, DeAndre Simmons, and Walter DuMelle, among others, as they share these timeless classics. Concert to benefit The AjA Project.Date | Saturday, May 21 at 7 p.m. Location | La Jolla Community Center Get tickets here!For more information, please visit www.bodhitreeconcerts.org or call (858) 459-0831.
  • "The Notebooks of Leonardo da Vinci" opens at The Globe and explores the mind of one of the world's greatest thinkers.
  • Maj. Gen. Janeen Birckhead of Maryland only became a soldier to help pay for college. Three decades later, she's risen to the top military position in Maryland, leading a force of 4,600 soldiers.
  • Austin and Aaron Nola are each other's biggest fans. Unless their teams are playing each other. That happened in Game 2 of the National League Championship Series.
  • ALO
    “ALO is a lot of things. Simply put, it’s a rock band, a family, an artistic outlet, a community and a business. But that only scratches the surface of this 30-year musical vision quest,” says Zach Gill, keys player for the beloved funk n’ roll outfit that began in 1989 when Gill, Dan “Lebo” Lebowitz, and Steve Adams teamed up in their Bay Area hometown at the ripe old age of 13 to play music. “We’ve all been through so much together, there’s a lot of trust,” adds Lebo. “This long term relationship of ours is a beautiful thing.” Before their senior year of high school the three had already recorded an album, and in keeping with their shared vision and rock n’ roll dreams, they relocated as a band to Santa Barbara for college. After nine studio releases and nearly a couple decades of worldwide touring, ALO continues to defy the odds as they prepare to embark on their 14th Annual Tour "d’Amour", and unleash "Creatures Vol. 2: Weave, the second in a series of EPs".With the release of "Creatures Vol. 1: Spark" in July 2019, ALO unveiled a fresh sound and a new lineup with the addition of friend and drummer Ezra Lipp (Phil Lesh & Friends, Stu Allen & Mars Hotel, Magic In The Other), who stepped in for longtime bandmate Dave Brogan. The decision to make a series of EPs worked well for the band, whose members live in different places, and whose schedules required quicker recording sessions. “We love the full-length album process, but these days there are so many different ways to get your music out there,” Adams explains. “For us, the decision to make EPs was like, ‘Why not try it? We like new things.’ Just four songs to focus on each round in the studio. As it went, it was manageable and fun.”It’s that innovative spirit that keeps ALO’s fires of inspiration burning, along with their individual side projects and collaborations. Multi-instrumentalist Gill nurtures a solo career and records and tours with Jack Johnson, who the band befriended in college and who signed ALO to his label, Brushfire Records, in 2005. Bassist Adams has toured with many groups over the years including Nicki Bluhm & The Gramblers and Brett Dennen, and stays active in the Bay Area music scene. And along with solo and band-led work, guitarist Lebo performs with the Grateful Dead’s Phil Lesh, Rock Collection, Doobie Decibel System, and more. When these lifelong friends come together to create, however, is when the magic happens, born from familiarity and experience, of all-night drives to gigs in vans, of shared destinies and inside jokes. And the evidence is in the lyrical, head-bobbing introspection of Spark, and in the smoldering, dance-worthy grooves of Weave. Both efforts encompass the band’s multiple facets. Both translate beautifully for the band’s legendary live performances. And both are primed for those mystical, mysterious jams.“The idea is to inspire people,” Lebo explains. “As a music listener, that’s the music I tend to be drawn to, when I hear something that inspires me and gets me excited about life. That’s what we’re trying to do. As well as inspire ourselves as a band. If we can get ourselves there, then we can translate that to our audience.” That idea has been more like a mission for ALO, to approach the music with a sense of freedom, and create a liberating space for their listeners. “We want people to feel free at our shows - to participate and join along, or just step into our world for a night and enjoy the ride,” says Adams.In February, the band will continue to set eager audiences free on their highly-anticipated 14th Annual Tour "D’Amour", which traditionally benefits music programs in public schools, a cause close to each of their hearts. “In our school, in our town, we were able to be in choir, and play in a jazz band, and play in the jazz choir. There were bands and orchestras, by senior year I think I was in three music classes a day,” recalls Lebo. “A lot of schools have had to cut their music programs because they don’t have funding. Those music programs were so beneficial to us. That’s the age when you get turned on to so much. We feel like supporting music programs is a way we can give back.” “We often reflect on how important music education was in high school and how inspiring it was for us,” adds Adams. “It gave us something to build on, and helped make that connection between education and career. It gave us something to invest in and believe in. It still amazes me to see that childhood dream still playing itself out.”“When the four of us are all in a zone together, it’s really special,” Lebo says of the ALO live experience. “I feel like that’s what we’re always shooting for at a show or in the studio, or even if we’re all just hanging out in the van on the way to gigs.” And that’s what this band is, a collective whose sum is more powerful than its parts, and one that has proven that it can stand the test of time. “It feels old and new, classic and fresh,” Gill concludes. “It holds tension and dreams and possibility in its folds. It’s love and freedom collected, catalogued, then released back into the wilds from whence it came. It hopes to unveil something magical, something unheard of, something the world needs.”Social MediaFacebook & Instagram
45 of 163