Cinema Junkie

Satisfy your celluloid addiction and mainline film 24/7 with Cinema Junkie’s Beth Accomando. So if you need a film fix, want to hear what filmmakers have to say about their work, feel like taking a deep dive into a genre, or just want to know what's worth seeing this weekend, then you've come to the right place. You can also find Beth's coverage of other arts and culture events here.
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SD Fringe top pick: 'Smile'

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SD Fringe adds SDSU filmmaker showcase

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Join me in a three-part tribute to film editors. Most people can name a film's director and maybe even its writer, cinematographer or composer but far fewer can name editors. But film editors can alter performances, determine pace, and affect cinematic storytelling in so many ways. To kick off this three-part series is Tatiana S. Riegel, Oscar-nominated editor of "I, Tonya."
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This episode of Cinema Junkie serves up a Halloween Double Dare, playwright Michael Mizerany and I dare you to listen to a pair of his one-act horror plays. So turn out the lights, put on some headphones and enjoy an audio treat while sheltering at home this Halloween. Please note the plays contain explicit language and mature content. "Johnny and Babs Versus the Apocalypse" by Michael Mizerany Babs: Sydney Joyner Johnny: Marc Caro Stage Directions: David Janisch Inspired by the film "Night Of The Living Dead," "Johnny and Babs Versus the Apocalypse" chronicles a terror-filled evening replete with COVID chaos, civil unrest, flesh eating zombies. and sibling bickering. "Die Already!" by Michael Mizerany Branigan: Tyler Lloyd Chase: Quincy Bazen Jordan: Kevin Phan Gary: SeeJay Lewis Stage Directions: David Janisch A spoof of every horror film ever made where the killer just won’t stay dead, "Die Already!" tells the bloody tale of a one-night stand gone horribly, horribly wrong. Music for both plays was composed by Phil Nenna, who also created the Cinema Junkie theme music.
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San Diego Asian Film Festival's artistic director Brian Hu gives Cinema Junkie a preview of the most exciting films from Johnnie To's new boxing romance to Lav Diaz' epic Philippine melodrama to zombies in the Taiwan parliament. Festival runs Oct. 23 through 31 with Mystery Kung Fu Theater streaming live on Twitch!
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Can films help us remember history so that we don't repeat it? That's the question Cinema Junkie poses to Kimber Quinney, professor of history at Cal State San Marcos, and Antonio Iannotta, artistic director of the San Diego Italian Film Festival. We look at the rise of fascism in Italy in the 1920s, 30s and 40s to see what lessons we might be able to learn that might apply to the U.S. right now. We discuss films such as "Rome, Open City," "Anni Difficilli," "The Garden of the Finzi-Continis," and "Christ Stopped at Eboli."
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The 27th Annual San Diego Latino Film Festival streams its first virtual edition now through Sept. 27 and the film choices push the envelope in terms of diversity and cinematic styles. I speak with festival founder/executive director Ethan Van Thillo about the challenges of moving the event online and with exhibitions manager Moises Esparza about showcasing emerging filmmakers drawn to themes of unrest and revolution.
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As the real world feels scarier each day with a pandemic in full swing, police brutality and people just behaving badly filling social media, and a president fanning the flames of hate and unrest, the horror genre has had to adjust. This year's Horrible Imaginings Film Festival has had to move online for its annual showcase of horror, sci-fi and fantasy. Festival founder and executive director Miguel Rodriguez says that the films this year serve up less gore and tales of physical harm and instead focus on horror relating to undefined dread, to not being able to distinguish what's real from what's not, and to stories where you just can't figure out what it is that is trying to hurt you. We discuss the diverse array of shorts, features and documentaries available through Sept. 7 as well as discuss the role horror can play in a world that makes us increasingly anxious.
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Get a first look, I mean, listen, to Troma Entertainment's latest film "#Shakespeare's Sh--storm." Troma founder Lloyd Kaufman talks with me about finally being old enough to play Prospero in his 100% Troma-tized adaptation of the Bard's "The Tempest." We also talk about being kicked off YouTube, starting a streaming channel, and surviving more than four decades outside Hollywood as a truly independent film studio. But be warned, this podcast contains potentially offensive material because, well, it's all about Troma, which specializes in gross-out, gore-filled, politically incorrect yet somehow endearing z-grade films. But if you don't know Troma, maybe don't listen. You've been warned!
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As if the zombies knew a real pandemic was heading our way, there was a surge of undead films in 2019 with more than a dozen infecting cinemas. So as we deal with a real pandemic Cinema Junkie gets its annual check up with the Doctor of the Dead, Arnold T. Blumberg, whose diagnosis is that COVID is ruining the fun of the zombie apocalypse by giving us something far scarier in the willful ignorance of humans facing the coronavirus in the real world. So to celebrate the 200th episode of the podcast we discuss zombies in the time of coronavirus, and what we might learn from them. Blumberg has written books on zombies, film, and pop culture, and teaches courses using zombies as well as superheroes.
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"Bedtime Stories" (opening December 25 throughout San Diego) is an excellent movie. It's the kind of movie where you can have a family outing and everyone can enjoy the film. It is about this guy who owns a hotel and sells it to another guy named Naughtingham under one condition: his son is to run the hotel when he is older. Little does he know that his son Skeeter (Adam Sandler) would be running repairs instead of the actual hotel. Some years later when Skeeter and his sister are fully grown and his sister has two children, Skeeter is asked to babysit his niece and nephew. They have been deprived of almost everything that makes life fun by their mother and it is up to Skeeter to correct that. He feeds them junk food and lets them watch TV. They have a pet guinea pig with ridiculously huge eyes that seems to be the main point of almost all the jokes. When the first night is coming to a close Skeeter decides that he should tell the kids a good story to finish the day. He comes up with a story that basically narrates his own life and how it is going down hill. The kids chime in every now and then with their own little twists, like having it rain gumballs or that he will save a damsel in distress. Skeeter soon finds out that everything that the children say will come true. He has all sorts of fun with this like trying to get himself a bright red Ferrari for free but because they don't say so, it never happens. Unfortunately Skeeter's boss is going to tear down the kid's elementary school to build his new hotel. So Skeeter tries to get the kids to help him with his ideas to save the day.
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Frank Miller and Will Eisners were friends but they also argued all the time. Miller looked to Eisner as a mentor and now he's adapting Eisner's comic The Spirit (opening Christmas Day) to the screen. Miller's own graphic novels, Sin City and 300 have been two of the best adaptations of a comic to film. One of the reasons is the cinematic nature of Miller's graphic work. That may also be the reason that Miller, who co-directed Sin City with Robert Rodriguez, is now embarking on a directing career. Eisner's The Spirit is his first solo project and here's the latest trailer courtesy of Lionsgate. Based on the trailer and the Comic-Con panels, it looks like fun.
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"The Tale of Despereaux" (opening December 19 throughout San Diego) looked promising. The trailer was amusing and took a laidback approach to selling its story rather than the usual hysterical, frantic, in your face pitch that American animation feels compelled to use. It was based on a popular and well-written children's book by Kate DiCamillo that bore the subtitle: "Being the story of a mouse, a princess, some soup, and a spool of thread." The animation looked state of the art with an appealing big-eared mouse hero. The film also boasted some talented voice actors in Kevin Kline, Matthew Broderick, Tracey Ullmann, Robbie Coltrane, Frank Langella and Dustin Hoffman. So what went wrong?
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Remember Body Heat? Remember the sweet-faced arsonist with the soft, sexy voice? That was Mickey Rourke in his breakthrough film role. But you might not recognize him in his latest film The Wrestler (opening in San Diego in January) in which he plays a beat up and tired veteran of the wrestling circuit.
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Peter Morgan's play "Frost/Nixon" premiered in London in 2006 and in what seems like a miraculously short turnaround, "Frost/Nixon" (opening December 12 in select theaters) now arrives on the big screen. The film version also turns to the original stage actors Michael Sheen and Frank Langella (who won the Tony for his performance) to reprise their roles as the British talk show host and former president. Morgan based his play and the screenplay on the series of televised interviews that former President Richard Nixon granted David Frost in 1977. The interviews famously ended with a tacit admission of guilt regarding his role in the Watergate scandal.
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Since I won't be able to review Cadillac Records this week before it opens let me at least show you the trailer. The film looks promising and I'm especially interested in seeing Jeffrey Wright play Muddy Waters. The film focuses on Chicago in the 50s, specifically looking to the rise of Chess Records and artists like Waters, Chuck Berry and Etta James. On the down side, Beyonce serves as executive producer and gives herself the role of Etta James. Beyonce may be pretty and with a pleasing voice but as an actress she's a bit vapid and bland. The rest of the cast looks good with Adrien Brody as Leonard Chess, Eric Bogosian as Alan Freed, and Mos Def as Chuck Berry. Cadillac Records opens December 5 throughout San Diego. The trailer is courtesy of Sony Pictures.
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"Four Christmases" is an amazingly funny movie. It's about this couple -- Brad (Vince Vaughn) and Kate (Reese Witherspoon) -- that has been dating for three years, yet still don't know each other as well as they think they do. Every year, they go on some vacation around the world for the holidays and make up some lame excuse to tell their families as to why.
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"Hellboy II: The Golden Army," inspired by Mike Mignola's comics and graphic novels, arrives today on DVD and Blu-ray. The film is one of my favorites from this year. The fabulous Ron Perlman returns as the big-hearted and big-fisted red demon working for a secret paranormal government agency. This time out he's trying to announce himself to the world while he fights Prince Nuada (a beautifully tragic Luke Goss) from the underground elf world. Once again, filmmaker Guillermo Del Toro creates a vivid fantasy world where we feel the greatest connection to the monsters and creatures.
Beth Accomando is taking a short break from film reviews and arts coverage to create a six-part video podcast called Stripper Energy. Check it out!