Cinema Junkie

Satisfy your celluloid addiction and mainline film 24/7 with Cinema Junkie’s Beth Accomando. So if you need a film fix, want to hear what filmmakers have to say about their work, feel like taking a deep dive into a genre, or just want to know what's worth seeing this weekend, then you've come to the right place. You can also find Beth's coverage of other arts and culture events here.
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2025 Eisners: Highlights and backstage
Comic-Con Museum celebrates Mexico's lucha libre in new exhibit

Go behind the scenes of Primal Pro Wrestling School

Highlights from the Lucas Museum Panel
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Cinema Junkie speaks with a veteran filmmaker and a newcomer whose works were featured in this month's San Diego Latino Film Festival.
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WonderCon 2016 took place over the weekend in Los Angeles, and KPBS' Beth Accomando took advantage of the event to talk with Seth Laderman of Comic-Con HQ and Ted Adams of IDW Publishing.
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"Mad Max: Fury Road" was nominated for a Best Picture Oscar this year and took home more awards than any other film, but none of the stunt people received any recognition from the Academy. Stuntman Jeff Wolfe talks about a rally and petition to get an Oscar category for stunts.
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Masked wrestlers, nunsploitation, monsters, and San Diego Latino Film Festival's Un Mundo Extraño — Cinema Junkie looks to extreme Latin cinema with Horrible Imaginings' Miguel Rodriguez.
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Turner Classic Movies launches its March spotlight program, Condemned, a look at more than four decades of censorship, the Catholic Legion of Decency, and the film industry.
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For almost two decades, starting in the late 1950s, you could count on Hammer Films for breathtakingly lurid Gothic horror tales that served up vampires, werewolves, monsters and luscious ladies. British author Antony Earnshaw talks about the studio and it legacy for the launch of a yearlong film series Get Hammered at the Digital Gym Cinema.
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Filmmaker Joshua Oppenheimer talks about making documentaries from a subjective point of view in "The Act of Killing" and "The Look of Silence," which is up for a Best Documentary Oscar this Sunday.
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This year is off to a good start with "Bone Tomahawk" and "The Witch" (now playing throughout San Diego) serving up well-crafted horror tales that challenge expectations about the genre.
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Just a quick reminder that the San Diego Latino Film Festival is not the only festival in town screening films this week. The San Diego Italian Film Festival will screen Incantesimo Napoletano/A Neopolitan Spell on Thursday, March 12 at 7:00 pm at the Museum of Photographic Arts in Balboa Park. The tageline for the film asks: "In Naples, what could be worse than not being Neapolitan?" Written and directed by Paolo Genovese, "Incantesimo Napoletano" serves up a fanciful tale about the shock felt by a fifth-generation Neopolitan couple whose daughter's first words are in Milanese. Mama mia! This film features Chiara Papa, Gianni Aiello, Serena Improta and Clelia Bernacchi. Although it's nice to have choice it's too bad these festivals are up against each other.
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Here's a little twist on Trailer Tuesday: Instead of posting a preview of a big Hollywood movie or cool indie title you get to see an entire movie.
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The teen critics have spoken out on The Last House on the Left (opened March 13 throughout San Diego) and I was curious to hear what they had to say since they weren't even born when the original film came out (OK, that made me feel old). I was glad that at least one of them had seen the original and found it more disturbing than the remake.
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The 16th San Diego Latino Film Festival kicked off last night with films, music, and a gala party. Now we can get down to the business of seeing films. Here are a few suggestions for what you might want to seek out and mini-reviews of some of the films that I had a chance to screen in advance. All films are at the UltraStar Mission Valley Theaters at Hazard Center.
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Real life French teacher François Bégaudeau plays an on-screen version of himself in "The Class/Entre les murs" (held over at Landmark's La Jolla Village Theaters), based on his book about his own classroom experiences. We discussed the film on last month's Film Club but I also wanted to highlight the film on my blog. Director Laurent Cantet (who also made "Time Out" and "Heading South") collaborated with Bégaudeau to bring his story to the screen. The ressult is a documentary style portrait of teaching in a contemporary French school. Cantet chose to shoot multiple improvised takes using real students and multiple cameras to chronicle what happens in a single classroom of middle school age students. The film was nominated this year for an Oscar for Best Foreign Language Film and took home the Palm D'Or at Cannes. While there were definitely more worthy films to pick as the best of the year, the Cannes Award is telling because it reflects France's need and maybe desire to try and come to terms with its increasing multi-ethnice make-up, a fact that's been harder to ignore inlight of recent riots and protests.
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A text messaged Teen Critic review from Kimi Allen and Shelby Iacometti:
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Since Christian Bale's been making news for his outburst on the set of Terminator Salvation , I thought I'd load up the trailer for the film so you could see what's going on in front of the cameras rather than just the sensationalism behind the scenes.
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In "Yonkers Joe" (opening January 30 at the Reading Gaslamp Stadium Cinemas), writer-director Robert Celestin seems to know his way around a small neighborhood cash-stakes game of craps or poker. Watching the title character (played by Chazz Palminteri) work his magic - of inserting new cards in a deck or swapping out regular dice for weighted ones - is mesmerizing. Any time a filmmaker can give you an insider's look at a secretive world, it's a tantalizing point of view. Too bad Celestin wasn't content to stick to that world.
Stripper Energy just received an Emmy for Journalistic Enterprise, you can watch the six-part video podcast now.