Cinema Junkie

Satisfy your celluloid addiction and mainline film 24/7 with Cinema Junkie’s Beth Accomando. So if you need a film fix, want to hear what filmmakers have to say about their work, feel like taking a deep dive into a genre, or just want to know what's worth seeing this weekend, then you've come to the right place. You can also find Beth's coverage of other arts and culture events here.
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Are you ready to binge on Fringe?

SD Fringe adds SDSU filmmaker showcase

'Park Opera' redefines opera in Balboa Park

Unpacking the virtues of Ryan Coogler's 'Sinners'
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On the heels of Oscar snubbing black actors and filmmakers again, and on the eve of Black History Month, Cinema Junkie sits down with a pair of black San Diego independent filmmakers to talk about some under-appreciated African-American directors whose works are worth seeking out.
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The San Diego Black Film Festival reveals the diversity of contemporary black filmmaking.
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The screening of a documentary about the Black Panthers at the Human Rights Watch Film Festival this weekend seems oddly appropriate on the heels of the very white Academy Award nominations. Would the Black Panthers be boycotting the Oscars?
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Cinema Junkie Podcast is back from a holiday break with a three-part show all about the Oscars.
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Awards season is in full swing so it must be time to make a Ten Best List and hand out some awards.
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For some, "Star Wars" is a way of life and the arrival of a new movie set in a galaxy far, far away is cause for both great excitement and great concern. A group of "Star Wars" fans rent a van and drive up to Los Angeles for the opening night of "Episode VII: The Force Awakens."
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After much anticipation and build up, J.J. Abrams "Star Wars: The Force Awakens" has finally screened and fans can breathe a big sigh of relief.
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Kent Jones dropped out of film school but then started working in Martin Scorsese's office. That led to a series of documentaries on movies. Now Jones talks about "Hitchcock/Truffaut" (opening at Landmark's Ken Cinema).
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"Bedtime Stories" (opening December 25 throughout San Diego) is an excellent movie. It's the kind of movie where you can have a family outing and everyone can enjoy the film. It is about this guy who owns a hotel and sells it to another guy named Naughtingham under one condition: his son is to run the hotel when he is older. Little does he know that his son Skeeter (Adam Sandler) would be running repairs instead of the actual hotel. Some years later when Skeeter and his sister are fully grown and his sister has two children, Skeeter is asked to babysit his niece and nephew. They have been deprived of almost everything that makes life fun by their mother and it is up to Skeeter to correct that. He feeds them junk food and lets them watch TV. They have a pet guinea pig with ridiculously huge eyes that seems to be the main point of almost all the jokes. When the first night is coming to a close Skeeter decides that he should tell the kids a good story to finish the day. He comes up with a story that basically narrates his own life and how it is going down hill. The kids chime in every now and then with their own little twists, like having it rain gumballs or that he will save a damsel in distress. Skeeter soon finds out that everything that the children say will come true. He has all sorts of fun with this like trying to get himself a bright red Ferrari for free but because they don't say so, it never happens. Unfortunately Skeeter's boss is going to tear down the kid's elementary school to build his new hotel. So Skeeter tries to get the kids to help him with his ideas to save the day.
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Frank Miller and Will Eisners were friends but they also argued all the time. Miller looked to Eisner as a mentor and now he's adapting Eisner's comic The Spirit (opening Christmas Day) to the screen. Miller's own graphic novels, Sin City and 300 have been two of the best adaptations of a comic to film. One of the reasons is the cinematic nature of Miller's graphic work. That may also be the reason that Miller, who co-directed Sin City with Robert Rodriguez, is now embarking on a directing career. Eisner's The Spirit is his first solo project and here's the latest trailer courtesy of Lionsgate. Based on the trailer and the Comic-Con panels, it looks like fun.
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"The Tale of Despereaux" (opening December 19 throughout San Diego) looked promising. The trailer was amusing and took a laidback approach to selling its story rather than the usual hysterical, frantic, in your face pitch that American animation feels compelled to use. It was based on a popular and well-written children's book by Kate DiCamillo that bore the subtitle: "Being the story of a mouse, a princess, some soup, and a spool of thread." The animation looked state of the art with an appealing big-eared mouse hero. The film also boasted some talented voice actors in Kevin Kline, Matthew Broderick, Tracey Ullmann, Robbie Coltrane, Frank Langella and Dustin Hoffman. So what went wrong?
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Remember Body Heat? Remember the sweet-faced arsonist with the soft, sexy voice? That was Mickey Rourke in his breakthrough film role. But you might not recognize him in his latest film The Wrestler (opening in San Diego in January) in which he plays a beat up and tired veteran of the wrestling circuit.
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Peter Morgan's play "Frost/Nixon" premiered in London in 2006 and in what seems like a miraculously short turnaround, "Frost/Nixon" (opening December 12 in select theaters) now arrives on the big screen. The film version also turns to the original stage actors Michael Sheen and Frank Langella (who won the Tony for his performance) to reprise their roles as the British talk show host and former president. Morgan based his play and the screenplay on the series of televised interviews that former President Richard Nixon granted David Frost in 1977. The interviews famously ended with a tacit admission of guilt regarding his role in the Watergate scandal.
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Since I won't be able to review Cadillac Records this week before it opens let me at least show you the trailer. The film looks promising and I'm especially interested in seeing Jeffrey Wright play Muddy Waters. The film focuses on Chicago in the 50s, specifically looking to the rise of Chess Records and artists like Waters, Chuck Berry and Etta James. On the down side, Beyonce serves as executive producer and gives herself the role of Etta James. Beyonce may be pretty and with a pleasing voice but as an actress she's a bit vapid and bland. The rest of the cast looks good with Adrien Brody as Leonard Chess, Eric Bogosian as Alan Freed, and Mos Def as Chuck Berry. Cadillac Records opens December 5 throughout San Diego. The trailer is courtesy of Sony Pictures.
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"Four Christmases" is an amazingly funny movie. It's about this couple -- Brad (Vince Vaughn) and Kate (Reese Witherspoon) -- that has been dating for three years, yet still don't know each other as well as they think they do. Every year, they go on some vacation around the world for the holidays and make up some lame excuse to tell their families as to why.
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"Hellboy II: The Golden Army," inspired by Mike Mignola's comics and graphic novels, arrives today on DVD and Blu-ray. The film is one of my favorites from this year. The fabulous Ron Perlman returns as the big-hearted and big-fisted red demon working for a secret paranormal government agency. This time out he's trying to announce himself to the world while he fights Prince Nuada (a beautifully tragic Luke Goss) from the underground elf world. Once again, filmmaker Guillermo Del Toro creates a vivid fantasy world where we feel the greatest connection to the monsters and creatures.
Beth Accomando is taking a short break from film reviews and arts coverage to create a six-part video podcast called Stripper Energy. Check it out!