Bond, Not James Bond Spy Films
"Dr. Goldfoot and the Bikini Machine" (1965)
“Kiss the Girls and Make Them Die” (1966)
“Our Man Flint” (1966)
“Murderer’s Row” (1966)
“Special Mission Lady Chaplain” (1966)
"Deadlier Than the Male" (1967)
“Lucky The Inscrutable” (1967)
“Top Secret” (1984)
“OSS 117: Cairo – Nest of Spies” (2006)
And for Honor Blackman
"The Avengers" (1962-64)
"Life at the Top" (1964)
This was the month we were supposed to get Bond 25, "No Time To Die," but the coronavirus pandemic has pushed the opening to November so here are some fun, more tongue-in-cheek spy films for you to seek out while in quarantine.
This was also the month that we lost Honor Blackman, Pussy Galore in "Goldfinger" and Cathy Gale in "The Avengers" TV series. Blackman died just days before "No Time To Die" was scheduled to open. I don’t care if people today frown on the Bond films as misogynistic or chauvinistic because to a five-year-old girl Blackman’s Pussy Galore was empowering— she was smart, sexy, didn’t take crap from anyone, was a pilot, ran her own company, could trade quips with a super villain and could kick Bond’s butt. Blackman was inspiring to that little girl. I’m sad that she’s gone but glad she will remain with us forever in the characters she created.
But since Bond was on my mind and Blackman died, I felt like I needed to dedicate a podcast to spy movies. I also wanted to do a podcast about escapist spy films as a follow up to my earlier podcast about the escapism offered by screwball comedies. With people sheltering at home, binge viewing has become a regular pastime and people seem eager for lists of films to seek out.
To help me pay tribute to the late Honor Blackman and to also guide us through the most ridiculous and just plain fun spy movies is James Patrick, whose obsession with James Bond in particular has led him to create the #Bond_age_Podcast and The James Bond Social Media Project.
But for today, I’m only letting him talk about Bond during our tribute to Honor Blackman, because after that it’s going to be about spy films that are a little more off the beaten path and with tongue sometimes placed more firmly or ridiculously in cheek.