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  • Palestinians say Israeli forces killed scores of people trying to reach food aid in Khan Younis on Tuesday in the deadliest attack of recent weeks on hungry crowds attempting to get food in Gaza.
  • The Adam Wolff Trio combines a love of the great American standards and jazz classics with a soulful swinging energy. Prepare to swing and be swung! About The Adam Wolff Trio: Adam Wolff has been playing the piano since he was eight years old. Raised in New York and Chicago, he spent years playing professionally and teaching music in Manhattan. Relocating to San Diego, Adam Wolff has become a widespread presence in the music scene here, playing with a diverse range of musical groups. Wolff’s music contains elements of excitement and hard swinging, soulful, creative musical expression. Caleb Furgatch has been playing the bass in the San Francisco, Los Angeles, and San Diego regions for many years. He also resided in Amsterdam for a time, touring and playing with a variety of blues and jazz groups in Europe and the U.K. Equally adept at both electric and upright, Furgatch has his own distinct style, combining a strong groove feel with a great sense of adventure and humor. Percussionist Michael Evans has been a mainstay of San Diego’s music scene for decades. In his early teens he spent several years playing gigs around Southern California with a future superstar, Nathan East (bassist for Eric Clapton). Many San Diego vocalists ask for Evans as their drummer of choice, because of his listening skills and tasteful grooves. Visit: https://coronado.librarycalendar.com/event/sv-hold-34531
  • The condensed five-day event features more than 100 films from around the world, plus live music, food and an art market.
  • It's a great day when your favorite artist releases a new record. But what if they released seven new records at once, full of music you didn't even know existed? That's what Bruce Springsteen is doing on his forthcoming box set Tracks II: The Lost Albums.
  • Chesapeake Bay is at a turning point. Once severely polluted, the bay has seen major improvements in recent years. But President Trump's proposed budget would slash key programs.
  • Christopher Hanson was appointed to serve on the commission overseeing the nation's nuclear reactors during Trump's first term in 2020.
  • The law aims to prevent officers fired by one department for bad behavior from later finding a job in another. So far, 20 officers from local departments have been decertified for offenses ranging from sexual misconduct to domestic violence to dishonesty.
  • The Los Angeles Press Club says police officers repeatedly used "less-lethal" bullets and violated the constitutional rights of reporters covering anti-ICE protests.
  • Vance Boelter, the subject of a nationwide manhunt, described himself as an experienced security professional who worked in conflict zones. A friend said at least part of that account is "fantasy."
  • Nocturnal scenes of San Diego’s ubiquitous taco stands and a massive shipyard are the subjects of “Night Light,” an exhibit at The Photographer’s Eye Gallery that will feature fine art images by Philipp Scholz Rittermann and Marshall Williams. This free show will open May 10 and run through June 7. Rittermann and Williams are both accomplished San Diego artists, commercial photographers and teachers whose works have been shown at prominent venues locally, nationally and internationally. When Philipp Scholz Rittermann stepped into the metal shell that was to become the hull of the Exxon Valdez, he could not envision that he was documenting the first chapter of a future catastrophe. The year was 1985, and four years later the oil tanker would run aground in Prince William Sound, Alaska, bleeding its cargo of crude oil into the sea and etching the ship’s name into the log of notorious environmental disasters. Rittermann was a young man, recently arrived in the United States, when he landed an internship at the San Diego Museum of Photographic Arts, which led to his securing a pass to do night photography at the National Steel and Shipbuilding Co. (NASSCO) shipyard on San Diego Bay. The result is his collection, “Shipyard Nocturnes,” which will be shown at the nonprofit Photographer’s Eye Gallery. One of the featured images in the exhibit is Rittermann’s large black and white print shot inside the Exxon Valdez as it was being built. The work is remarkable for both its artistic appeal and what it came to signify. “I was standing inside one of the enormous holds and looking into this cavernous space that was the size of a cathedral on the inside, and an engineer walked by and I said, ‘So where are you putting the oil tanks?’ And he said, ‘You're looking at it.’ And I said, ‘Do you mean they go here?’ And he goes, ‘No, you're looking at it.’ “And I said, ‘Oh … this is the tank?’ And he goes, ‘Uh-huh,’ and walks away,” Rittermann said. “I thought, geez, what happens when you put a zipper in this?” Rittermann recalled, “and then four years later, that's exactly what happened.” Rittermann’s images stand as tributes both to industrial might and technology, and to the human fallibility that enabled such a disaster. “While the images haven’t changed since I made them,” Rittermann said, “the way I feel about them has.” Marshall Williams was inspired to create images of San Diego’s taco stands when he found himself waiting for a traffic light to turn green, and a neighborhood fixture caught his eye. “I was staring at the taco stand across the street when it illuminated and in that moment I was a bit startled by the transformation,” Williams said. “I saw this structure in a way I hadn't seen it before." “I came back to photograph it at the same time of the evening and from that point on I began to notice the different taco stands around town all shared many of the same elements, but no two seem to be the same,” he said. The result is “Taco Stand Vernacular,” a collection of images that captures the folk nature of one of San Diego’s most common fixtures — one so common that it is easily overlooked. Williams photographs them as day yields to night, and he produces his images in black and white. “As a photographer, we love that transitional moment between day and night when there is a balance and ‘best of both worlds’ from a lighting perspective,” he said. In daylight, these small structures are swallowed by their surroundings, he noted, “but in the early evening they are cloaked in a subdued ambiance and emitting their own light, exuding a sort of theatrical like presence.” “This has been an exercise in taking the commonplace and attempting to elevate it to an object of appreciation,” Williams said. “If taking the time to observe the details of a taco stand can change our view of it, what other details have we missed or left unappreciated in the hustle of our busy lives?” “Night Light” opens on May 10 and closes June 7. The gallery is open Fridays and Saturdays, from 11 a.m. to 5 p.m., and by appointment. There will be an artists’ walk-through on opening day at 4 p.m., followed by a reception at 5 p.m. Artists Rittermann and Williams will conduct a night photography walkabout on May 15. Consult The Photographer’s Eye website for details. Visit: https://www.thephotographerseyecollective.com/ and https://www.marshallwilliamsphotographs.com/taco-stand-vernacular The Photographer's Eye: A Creative Collective on Instagram
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