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  • Robert Pattinson plays a space traveler who's repeatedly killed and resurrected in the name of scientific research in this otherworldly farce. It's Bong's first movie since his Oscar-winning Parasite.
  • In recent weeks, you've likely heard a lot about rare-earth substances with hard-to-pronounce names, but experts warn that the shortage of another crucial metal, copper, could be just as concerning.
  • Each week, guests and hosts on NPR's Pop Culture Happy Hour share what's bringing them joy. This week: James Acaster's comedy special, the '90s show Legends of the Hidden Temple, and SZA's album Lana.
  • Black Mirror season 7 is out now on Netflix. Charlie Brooker, the show's creator, says he's "worrying in what I hope is an entertaining way" in an interview with NPR's A Martínez.
  • The 88-year-old Francis has been hospitalized for a week with a complex lung infection.
  • Outdoor enthusiast Sam Jones left Australia after posting a video of herself separating a baby wombat from its mom on a dark road. Australians are cheering her departure and worrying about the animal.
  • A whistleblower tells Congress and NPR that DOGE may have taken sensitive labor data and hid its tracks. "None of that ... information should ever leave the agency," said a former NLRB official.
  • The man behind the New Year's Day attack in New Orleans said in videos that he was inspired by ISIS and had joined the group this summer. This attack shows ISIS' resonance and resilience persists.
  • The South African actor has been speaking out about racial injustice for decades, often in collaboration with the late playwright Athol Fugard. Kunene and the King is Kani's latest project.
  • Bringing their recent debut to San Diego for two nights only, Seattle duo Jenny Peterson and Kaitlin McCarthy present a dance work of horror, humor, and friendship. Told through their distinctive aesthetic of the unhinged and uncanny, "DRIVE WOLVES MAD" tracks the aftermath of an inciting event and ambiguous line between victim and perpetrator. A musical score by Jenny Peterson riffs on predatory pop songs, altering and abstracting them as an act of reclamation. Peterson/McCarthy’s journey seeks to transcend archetypes authored by men, finding their way to a place of survival and remediation–a way to exist in a context of their own creation. Through the dance they move from a place of dissociation into states of empowerment–which sometimes looks like camaraderie, sometimes wild physical abandon, and sometimes a complete release of the societal obligation to be a palatable, consumable feminine entity. Featuring original costume design by Kaitlin McCarthy, this physical and vulnerable dance work culminates a decade of development in the duo’s most ambitious and risky performance to date! Visit: https://www.drivewolvesmad.com/
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