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  • Four beautiful, bad-ass women lose their heads in this irreverent, girl-powered comedy set during the French Revolution’s Reign of Terror. Playwright Olympe de Gouges, assassin Charlotte Corday, former queen (and fan of ribbons) Marie Antoinette, and Haitian rebel Marianne Angelle hang out, murder Marat, and try to beat back the extremist insanity in 1793 Paris. This grand and dream-tweaked comedy is about violence and legacy, art and activism, feminism and terrorism, compatriots and chosen sisters, and how we actually go about changing the world. It’s a true story. Or total fiction. Or a play about a play. Or a raucous resurrection…that ends in a song and a scaffold. Featuring Nicki Barnes as Marianne Angelle, Gaby Jentzsch as Marie Antoinette, Jenna Renee Pekny as Charlotte Corday, and Adina Silva as Olympe de Gouges. Advisory: Adult language. Brief discussions of political struggle, sexism, racism, and the violence that accompanies oppression. For more information visit: lamplighterslamesa.com Stay Connected on Facebook
  • The Trump administration may end leases for some of NOAA's offices while the agency terminates several advisory committees at the important weather and climate agency.
  • El discurso en horario de máxima audiencia de Trump fue el último hito en su toma de control de la capital del país, donde la Cámara de Representantes y el Senado —liderados por los republicanos— han hecho poco para frenar al mandatario mientras él y sus aliados trabajan para reducir el tamaño del gobierno federal y redefinir el lugar del país en el mundo.
  • Celebrate the spooky season and enjoy daily chapters of Mary Shelley's "Frankenstein; or The Modern Prometheus" sent straight to your email. Register to be sent a chapter of the story each day. No strings, no time commitments!* Your email will not be shared with other participants. Late sign-ups will receive a link to previous chapters and be added to the main newsletter list within two business days. New sign-ups may not be accepted after October 13. *An entirely optional Zoom discussion will be held on November 4 from 6:30-7:30 p.m., a few days after the final chapter is sent out. A Zoom link will be included in the final email and the session is visible on our event calendar to register for without joining the email newsletter club. For parents: This book is generally considered appropriate for older teens and adults, particularly high school age and up. There are descriptions of murder, child death, death, depression, xenophobia (briefly), corpses, and some common horror elements. Descriptions are not overly gratuitous or severely graphic. Some themes are a product of their time and should be read with that context in mind. Newsletter extras and linked-to documents will usually have content warnings, but you are the best judge for what is appropriate for your child. The views and descriptions within this book and the newsletter extras are those of their individual creators and do not represent the views of the San Diego Public Library. https://sandiego.librarymarket.com/event/frankenstein-spooky-email-serial-401659
  • Join us for an artist talk with Kelly Akashi, whose first major solo exhibition "Formations" is on view at MCASD. "Formations" features a selection of glass and cast bronze objects, multipart sculptural installations, and photographic work made over the past decade Program Details | 5 p.m. - Tour led by Museum education staff 6 p.m. - Introduction by MCASD Senior Curator Jill Dawsey 6:20–8 p.m. - Kelly Akashi artist talk and Q&A Cash bar will be available by The Kitchen. A Pop-up shop will also set up by the artist talk. About Kelly Akashi | Born in 1983 in Los Angeles, Kelly Akashi currently lives and works in Los Angeles, California. The artist graduated with a MFA from University of Southern California in 2014. Akashi studied at the Staatliche Hochschule für Bildende Künste - Städelschule in Frankfurt am Main and received her BFA at Otis College of Art and Design in 2006.   The artist has presented solo projects at Aspen Art Museum (2020) and the Sculpture Center, New York (2017). Other notable group exhibitions include the Clark Art Institute (2021); Hammer Museum’s biennial, Made in L.A. (2016); Museum of Contemporary Art, Detroit (2017); Musée d’art contemporain de Lyon, France (2017); The Jewish Museum, New York (2016); Can’t Reach Me There, Midway Contemporary Art, Minneapolis (2015). Winner of the 2019 Carolyn Glasoe Bailey Foundation Art Prize the artist had a residency at the foundation in Ojai, California. Other residencies include ARCH Athens, Greece (2019) and at Headlands Center for the Arts, Sausalito, CA (2019) - both of which concluded with a solo exhibition.   Kelly Akashi’s work can be found in the permanent collections of the Los Angeles County Museum of Art; Hammer Museum, Los Angeles; Brooklyn Museum, New York; CC Foundation, Shanghai; M WOODS, Beijing; and Sifang Museum, Nanjing, China, among others.
  • Inductees this year also included A Tribe Called Quest and Dave Matthews Band, and posthumous recognition for Jimmy Buffett, MC5, Alexis Korner, John Mayall, Norman Whitfield and Big Mama Thornton.
  • Duolingo's mascot faked his death to get users to do their daily lessons, and attention from pop star Dua Lipa. Here's how he masterminded it — and why one expert sees the campaign as a success.
  • Friday, March 7, 2025 at 9 p.m. on KPBS 2 / PBS app. This episode reveals the essential role that craft appreciators play in the community. It examines how collectors affirm and inspire the artists they support and how the art enriches the lives of the collectors in turn. The episode highlights collections from Chicano art to teapots to wooden spoons, looking at what drives collectors and how their support furthers artists at all stages of their careers.
  • With uncertainties around federal funding for higher education, some schools are cutting back. Experts say that could hurt not only students and faculty, but ultimately make the U.S. less competitive.
  • A concert celebratng All Saints and All Souls Days with J.S. Bach’s Komm, süßer Tod (Come, sweet death, come, blessed rest, BWV 478), an arrangement of Borodin’s Au Couvent (In the monastery), and Rutter’s Requiem. The Greater San Diego Chamber Orchestra and Chorus is directed by Dr. Angela Yeung, with featured soloists Irene Marie Patton, soprano, and Andrew Garrett, baritone. Free admission with free-will donation at the door. Donation via Venmo, Zelle, or by check can be tax deductible. Visit: A Celebration of All Saints and All Souls with Rutter's Requiem Greater San Diego Music Coterie on Facebook
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