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  • San Diego Black Arts & Culture District Music Festival Saturday, June 28, 2025 Gates Open: noon – 8 p.m. Martin Luther King Jr. Park 6401 Skyline Drive, San Diego, CA 92114 (Festival takes place on the 65th Street side of the park) Free and open to the public | Family-friendly | All ages welcome The San Diego Black Arts & Culture District Music Festival returns on Saturday, June 28, 2025, for a full day of live music, cultural exhibits, family activities, and community celebration. Held at Martin Luther King Jr. Park in the heart of Southeast San Diego, this free event honors the depth and diversity of Black artistic expression. Curated by Artistic Director Kamau Kenyatta and hosted by Dominic Malone, the festival features an exciting lineup of live performances. The music begins at noon with an opening set from Miki Vale, followed by performances starting at 1:45 p.m. in the following order: Miki Vale, C.C. Carter, Daneen Wilburn, Lenny “Fuzzy” Rankins, and Ben Williams. All-day activities include a STEAM Tent hosted by the Elementary Institute of Science, an African Artifacts Exhibit presented by San Diego Mesa College, and a sneak peek at “We Stand on Their Shoulders,” an augmented reality exhibit presented by the San Diego African American Museum of Fine Art. A wide range of food and non-food vendors will also be available throughout the day. Attendees are encouraged to bring lawn chairs and blankets and enjoy a full day of music, culture, and community connection. This event is a celebration of Black creativity, heritage, and unity. The San Diego Black Arts & Culture District Music Festival is made possible through the generous support of the County of San Diego, the City of San Diego, the San Diego African American Museum of Fine Art, and the United Brotherhood of Carpenters and Joiners of America. We invite you to be a part of this vibrant and meaningful celebration. General Policies and Safety Information are available on our website. San Diego Black Arts & Culture District on Instagram
  • Learn from Keith Chan and Irene Gonzalez about the use of masks in Mesoamerica as a case study of cultural contact and change. They will discuss the archaeology masks as ritual and funerary items in societies such as Teotihuacan, as well as explore the community role of masks and mask makers in present day danzas. Keith and Irene will also describe their methodology and experiences in generating 3D models of a mask collection at San Diego State University and their progress in incorporating them in education. Meet your lecturers: Keith Chan is a local anthropology instructor at Grossmont College, MiraCosta College, and San Diego State University. He is especially interested in using immersive technology in his teaching to bring students face-to-face with culture and biology. He created the virtual anthropology museum AnVRopomotron, which won the first Poly Award for Best Educational Experience, and is working on PaleoCalifornia, which turns the Pleistocene into a virtual reality theme park ride. He was also a recent research fellow at SDSU's Virtual Immersive Learning and Teaching center, in which he launched the current project on masks. Irene Gonzalez received her M.A. in Latin American Studies from San Diego State University, where her research focused on cultural preservation. Her work has explored the importance of community museums, specifically in Mexico, where she conducted field research in Oaxaca. She is currently the Collections Coordinator for the Mesoamerican Mask Collection at SDSU’s Center for Latin American Studies. Irene is passionate about bridging technology and cultural heritage in ways that are equitable and grounded in deep respect for Indigenous knowledge systems. Visit: Archaeology Lecture: Modeling Mesoamerican Masks San Diego Archaeological Center on Instagram and Facebook
  • Trump vowed in January to send up to 30,000 migrants to Guantánamo, but so far about 500 have been flown to and from there. Critics say his goal appears to be frightening migrants into self-deporting.
  • Marc Maron has interviewed Robin Williams, Nicole Kidman, former President Barack Obama and many more. But after 16 years and 1,600+ episodes, he's ready to call it quits.
  • Nocturnal scenes of San Diego’s ubiquitous taco stands and a massive shipyard are the subjects of “Night Light,” an exhibit at The Photographer’s Eye Gallery that will feature fine art images by Philipp Scholz Rittermann and Marshall Williams. This free show will open May 10 and run through June 7. Rittermann and Williams are both accomplished San Diego artists, commercial photographers and teachers whose works have been shown at prominent venues locally, nationally and internationally. When Philipp Scholz Rittermann stepped into the metal shell that was to become the hull of the Exxon Valdez, he could not envision that he was documenting the first chapter of a future catastrophe. The year was 1985, and four years later the oil tanker would run aground in Prince William Sound, Alaska, bleeding its cargo of crude oil into the sea and etching the ship’s name into the log of notorious environmental disasters. Rittermann was a young man, recently arrived in the United States, when he landed an internship at the San Diego Museum of Photographic Arts, which led to his securing a pass to do night photography at the National Steel and Shipbuilding Co. (NASSCO) shipyard on San Diego Bay. The result is his collection, “Shipyard Nocturnes,” which will be shown at the nonprofit Photographer’s Eye Gallery. One of the featured images in the exhibit is Rittermann’s large black and white print shot inside the Exxon Valdez as it was being built. The work is remarkable for both its artistic appeal and what it came to signify. “I was standing inside one of the enormous holds and looking into this cavernous space that was the size of a cathedral on the inside, and an engineer walked by and I said, ‘So where are you putting the oil tanks?’ And he said, ‘You're looking at it.’ And I said, ‘Do you mean they go here?’ And he goes, ‘No, you're looking at it.’ “And I said, ‘Oh … this is the tank?’ And he goes, ‘Uh-huh,’ and walks away,” Rittermann said. “I thought, geez, what happens when you put a zipper in this?” Rittermann recalled, “and then four years later, that's exactly what happened.” Rittermann’s images stand as tributes both to industrial might and technology, and to the human fallibility that enabled such a disaster. “While the images haven’t changed since I made them,” Rittermann said, “the way I feel about them has.” Marshall Williams was inspired to create images of San Diego’s taco stands when he found himself waiting for a traffic light to turn green, and a neighborhood fixture caught his eye. “I was staring at the taco stand across the street when it illuminated and in that moment I was a bit startled by the transformation,” Williams said. “I saw this structure in a way I hadn't seen it before." “I came back to photograph it at the same time of the evening and from that point on I began to notice the different taco stands around town all shared many of the same elements, but no two seem to be the same,” he said. The result is “Taco Stand Vernacular,” a collection of images that captures the folk nature of one of San Diego’s most common fixtures — one so common that it is easily overlooked. Williams photographs them as day yields to night, and he produces his images in black and white. “As a photographer, we love that transitional moment between day and night when there is a balance and ‘best of both worlds’ from a lighting perspective,” he said. In daylight, these small structures are swallowed by their surroundings, he noted, “but in the early evening they are cloaked in a subdued ambiance and emitting their own light, exuding a sort of theatrical like presence.” “This has been an exercise in taking the commonplace and attempting to elevate it to an object of appreciation,” Williams said. “If taking the time to observe the details of a taco stand can change our view of it, what other details have we missed or left unappreciated in the hustle of our busy lives?” “Night Light” opens on May 10 and closes June 7. The gallery is open Fridays and Saturdays, from 11 a.m. to 5 p.m., and by appointment. There will be an artists’ walk-through on opening day at 4 p.m., followed by a reception at 5 p.m. Artists Rittermann and Williams will conduct a night photography walkabout on May 15. Consult The Photographer’s Eye website for details. Visit: https://www.thephotographerseyecollective.com/ and https://www.marshallwilliamsphotographs.com/taco-stand-vernacular The Photographer's Eye: A Creative Collective on Instagram
  • Zohran Mamdani, a 33-year-old state assembly member and Democratic socialist, came in first in Tuesday's ranked-choice primary. Here's what to know about his policies, personal life and past.
  • Scientists have created a broadly effective antivenom using the blood of a Wisconsin man who has spent years exposing himself to deadly snakebites from black mambas, taipans, cobras and many others.
  • Get ready to experience a revival! Zach Williams is hitting the road this fall with friends We The Kingdom, Ben Fuller, and Leanna Crawford for the Revival Nights Tour! This is more than just a concert — it’s a night of revival and renewal. Come as you are and experience the transforming power of music, worship, and community. Whether you’re seeking hope, healing, or simply a night of incredible music, Zach Williams’ Revival Nights Tour is sure to be an experience like no other. Zach Williams on Facebook / Instagram
  • **What: Live Jazz! **When: Every Thursday starting around 4 for 2 hours or so (subject to weather) **Where: Outside at 5626 Bloch St. San Diego (University City) 92122 **Seating is outside around the neighborhood or in your parked car. Bring your own chairs or a blanket. Picnicking and wine tasting are popular. Perfect for a jazzy happy hour. Dogs on leash are always welcome. Masks and other Covid protocols are at the audience’s discretion. **FREE for all ages; kids to seniors. **Who: Here’s the expanded collective of scoundrels (a.k.a. The Front Porch Pandemic Jazz Band): Saxophones - Greg Pardue Keyboards - Jack Hoffman, Chris Penny, Biz Nguyen or Max Zape Bass - Roy Jenkins, Mark Phelps, Mark Delin or Gedeon Deak Guitar - Alex Lopez Drums - Larry Friedman, Jack Hoffman, Mike Masessa or Gary Chun Trumpet & Flugelhorn - Jim Napier Vocals – Mark Phelps or Gary Chun (Plus additional guest musicians and vocalists) The music we play is classic jazz, standards, swing & blues from the Great American Songbook along with Latin & island styles like Bossa Nova, Samba, Calypso and Reggae plus we've even been known to funk it up. Most of the songs are classics by musicians & composers such as Duke Ellington, Miles Davis, Herbie Hancock, Antonio Carlos Jobim, Cole Porter, George Gershwin, Charlie Parker, Stan Getz, Louis Armstrong, Sonny Rollins, Thelonious Monk, the Beatles, Nora Jones, Sting, Grover Washington Jr. and many more. We know (or can fake) 100’s of songs and we’re always expanding the song list so you never know what we might pull out of our hat. We happily take requests if we know the song or have a chart. Songs are called out on the spot, arrangements can be on the fly and it’s never the same song list from week to week. Even the lineup of musicians changes slightly from week to week. It’s loose, it’s flexible & most of all it’s fun. Come join us and tell your friends! HISTORY of the FRONT PORCH PANDEMIC JAZZ JAM (2020-2025): "Back in April 2020, 3 long time professional San Diego musicians found themselves without any gigs or opportunities to play with other musicians because of the new Covid 19 Pandemic. Having gigged together in various bands for many years, on April 30, 2020 (UNESCO International Jazz Day); Greg Pardue (saxophones), Jack Hoffman (piano) and Roy Jenkins (bass) decided to try jamming outdoors on Greg's front porch where there was plenty of fresh air, a light breeze and room to observe the new concept of "social distancing". They had so much fun and the neighbors were delighted, so they decided to make it a weekly jam and invited a few friends to check it out because, being outside in San Diego with mild weather, it was relatively safe for an audience and the musicians even in the throes of the pandemic. Word got out about great live jazz every Thursday afternoon when public live music performances were almost non-existent. Several local TV stations checked them out and even interviewed Greg and the event garnered local and even a little international media coverage. During the first couple of years the band grew from 3 to 6 musicians in any given week and the audience grew to 30-50 people from all corners of San Diego county. There's also been other musicians and audience members from all around the US and Europe stop by to check it out while visiting San Diego. Word has really gotten out and it proves Jazz is truly an international music. Because the musicians are having so much fun, it has become a rotating collective of around 20 musicians from all over San Diego county and southern CA. And as the world has started to get a handle on Covid, the audience has also been having more and more fun. It's now become a regular "All Ages Jazz Happy Hour". Audience members bring picnics, have wine tastings and some bring their kids, dogs and bicycles. A weekly local running club now has the event on it's route. Another nice surprise has been on the academic side. USD Music professor, Dr. Angela Yeung, has made the Front Porch Pandemic Jazz Jam a class field trip every year since 2022. Thankfully the neighbors and the University City community have enthusiastically supported the weekly event since the beginning. Now April 30, 2025 marks the 5th Anniversary of the Front Porch Pandemic Jazz Jam and the musicians and audience are still having so much fun each week it shows no signs of stopping any time soon. In keeping with the regular Thursday afternoon schedule, their anniversary will be celebrated on May 1 (weather permitting). THE BASICS: San Diego Reader Best of 2021 – Winner - Best Local Band San Diego Reader Best of 2022/2023/2024 – Finalist - Best Local Band San Diego Reader Best of 2021/2022/2023/2024 – Finalist – Best Cover Band San Diego Reader Best of 2021/2022/2023 – Finalist – Best Neighborhood Event San Diego Reader Best of 2024 - Finalist - Best Place to See Live Music Outside
  • San Diego fiction writer and Small Press Nite founder Kevin Kearney’s latest novel follows a young and impressionable rideshare driver as his job — and the app behind it — begins to take over his life.
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