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In 1993, Adam Duritz and his band Counting Crows took roots-rock to new heights with their debut August and Everything After. More than 30 years later, they offer a new album, cut from the same cloth.

The water in California’s mountain snowpack is just shy of average as spring begins, but a winter storm set to hit the Sierra Nevada in the coming days will offer a boost.

We will explore the fundamentals of watercolor—adding pen-and-ink as well. The class is designed to break down fear and encourage spontaneity. All levels are welcome in this positive and encouraging class. Materials: Paper: two 22” x 30” sheets of 100%, 140 lb., rag, cold-pressed paper (such as Arches or Fabriano). Brushes: one #8, #10, or #12 round brush (with a good point); one 3/4” or 1” flat brush; one large (2” or 2 1/2”) cheap bristle brush (from hardware store). Other: palette (any palette with eight or more color wells will do); water container; sketchbook; two No. 2 pencils; 3/4” or 1”–wide masking tape; small drawing board (Gatorfoam board or Masonite, 12” x 16” minimum); paper towels (Viva preferred). Paint: Any colors you have. Must-have colors (at least 14 ml) are Daniel Smith New Gamboge; Winsor & Newton Burnt Sienna (do not substitute another brand for this one); Alizarin Crimson Permanent; French Ultramarine Blue; Phthalo Blue; Burnt Umber. Please prepare a selection of photo references. Have ready several still-life or landscape reference photos. Max students: 13 Athenaeum Music & Arts Library on Instagram and Facebook

This class will explore the range of techniques possible when using acrylics, with emphasis on saturated color and creativity. Students will be encouraged to paint freely and spontaneously. Materials: Paint: Fast-drying acrylics are recommended, although students may opt for the “open” (slow-drying) type if they prefer. Brand names include Liquitex, Golden, Utrecht, and Winsor & Newton. Colors: Cadmium Yellow Medium, Yellow Oxide or Yellow Ochre, Cadmium Red Light, Naphthol Crimson, Phthalo Blue, Ultramarine Blue, Titanium White. Other useful colors: Brilliant Purple, Dioxazine Purple, Hookers Green Deep Hue Permanent. The first six colors and Titanium White are a must-have. Any other colors the student may have are encouraged. Brushes: Brights, #2, #4, #6. (Winsor & Newton University brand is good.); any bristle brush students may have. Supports: Small canvas panels, 5” x 7”, 6” x 8”, 8” x 8”, 8” x 10.” These can be purchased at Michaels (quite inexpensive and good quality). Other: Support for the panels (thick cardboard, etc.); disposable or covered palette; paper towels; finger sprayer; water container; roll of masking tape; selection of photo references (still life, flowers, landscape, and people in groups). Contact Stan for art store suggestions: stanaws@earthlink.net. Max students: 13 Athenaeum Music & Arts Library on Instagram and Facebook

The Dalai Lama turned 90 on Sunday surrounded by thousands of followers, who thronged the Himalayan town of Dharamshala.

Iran' s Supreme Leader Ayatollah Ali Khamenei on Saturday made his first public appearance since the 12-day war between Israel and Iran began, attending a mourning ceremony on the eve of Ashoura.

San Diego New Music invites composers to apply to the Emerging Composers Workshop in spring 2025. In this program, students will participate in a three-part seminar with San Diego State University (SDSU) music composition and theory professor, Dr. Texu Kim. The workshop will culminate in a public reading session of new works by selected high school students on Wednesday, May 7, at the Athenaeum Art Center in Logan Heights. This workshop is free to attend. This concert is underwritten by the Sleet Music Performance Fund in memory of San Diegans Don Sleet (jazz trumpeter), Marshall Sleet (band leader and composer), Anna Mae Sleet (vocalist), and Jeffery Sleet (concert cellist). Submit a statement demonstrating eligibility and interest in the workshop, including which school they currently attend Submit a brief recommendation from a music teacher or professional musician who knows of their work and ambition Submissions are requested to be sent to: ericstarr@sandiegonewmusic.com In 1994, the only place in San Diego where you could hear an entire concert of 20th-century music was on a college campus. San Diego New Music pitched the idea of a concert series devoted to modern music and 20th-century classics at the Athenaeum. The concerts of modern music perfectly complement the exhibitions of modern art held in the Athenaeum’s galleries. In 1996, San Diego New Music presented its first season. The series was called "Noise at the Library," and the ensemble would later adopt the name, as well. San Diego New Music and the Athenaeum have been happily co-presenting concerts of new music ever since. Get Tickets San Diego New Music on Instagram and Facebook

The Los Angeles fires impacted many musical artists, destroying instruments, record collections and hard drives of irreplaceable work.

The Trump administration cut a clause from federal contracting rules that had been on the books since the 1960s: Companies are no longer explicitly prohibited from having segregated facilities.

A federal appeals court said it would not intervene — at least for now — to thwart the Trump administration's plans for the near-total dismantlement of Voice of America.