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  • Here are photos from the energized campaigns leading up to Sunday's Venezuelan election. Now, with both sides claiming victory, there's a sense of uncertainty.
  • Katy Perry and Rihanna weren't at the Met Gala on Monday night, despite the viral AI-generated photos showing them on the red carpet. Here are some tips for recognizing and investigating deep fakes.
  • A Maryland county will be the first in the nation to offer pickleball as a varsity sport in its high schools this fall.
  • The so-called Park Fire had scorched more than 550 square miles in Northern California as of Sunday, contributing to poor air quality in a large swath of the Northwestern U.S. and western Canada.
  • Marine Corps members and former Frontwave employees said many recruits have no choice but to use the Oceanside-based credit union, which collects significant revenue from overdraft fees. The company’s CEO argues the practice isn’t predatory.
  • The Apple store in the Baltimore suburb of Towson was the first in the U.S. to unionize. The contract agreement must be approved by roughly 85 employees there. A vote is scheduled for Aug. 6.
  • From The Old Globe: The 11th annual Powers New Voices Festival is a three-day event of readings of 10 new American plays by emerging and award-winning playwrights writing for the American theatre today, including new works by San Diegans. The free festival opens on January 12, 2024 and closes on January 14 in the Sheryl and Harvey White Theatre, part of the Globe’s Conrad Prebys Theatre Center. Celebrating Community Voices, an evening of short works created by San Diego playwrights through the Globe’s arts engagement programs Community Voices and coLAB, is scheduled on January 12, 2024. The evening will feature readings of six 10-minute plays by local artists MG Green, Marie Vasari Hislop, Eliza Hugee, Ms. JHawk, Brian T. Josten, and Ric Scales. The first of four full-length new American play readings continues on January 13 with Emerson Loses Her “Miand” by Laura Winters, followed by Globe-commissioned Pleasant by Inda Craig-Galván, The Hispanic/Latino/Latina/Latinx/Latine Vote by Bernardo Cubría, and Globe-commissioned Empty Ride by Keiko Green. Powers New Voices Festival Schedule: FESTIVAL SERIES OF NEW AMERICAN PLAY READINGS SATURDAY, JANUARY 13, 2024 - 4:00 p.m. Emerson Loses Her “Miand” By Laura Winters Emerson Greenblatt just got engaged! And you’re invited to join her and her five friends as they complete a sacred rite of bridal party passage: a beer trolley tour through Nashville. The memories are flowing. The rosé is flowing. The debate over every single aspect of this interfaith wedding is, unfortunately, also flowing. Emerson Loses Her “Miand” is a nonstop comedic send up of the absurdity of bridesmaid culture. Cheers! SATURDAY, JANUARY 13, 2024 - 7:30 p.m. Globe-commissioned "Pleasant" By Inda Craig-Galván Mary Ellen Pleasant was a 19th-century abolitionist, an entrepreneur, a real estate tycoon, and the first African American millionaire... and you’ve probably never heard of her. Pleasant uses contemporary music, humor, and unconventional storytelling to explore the life of this self-described “capitalist by profession” who used her role as a humble domestic worker to cloak her badassery. Scandals, rumors, and one angry Karen threatened to bury her legacy, but Pleasant seeks to unearth her invaluable and lasting accomplishments. SUNDAY, JANUARY 14, 2024 - 4:00 p.m. "The Hispanic/Latino/Latina/Latinx/Latine Vote" By Bernardo Cubría University professor Paola Aguilar desperately needs money for... well, she’ll tell you. So when the Political Party offers her a substantial paycheck to help them understand the Hispanic/Latino/Latina/Latinx/Latine vote, she reluctantly takes the job. Can she help these political strategists understand all of the nuances of her community to save the election? Or will her own journey ultimately be more important than who controls the White House? SUNDAY, JANUARY 14, 2024 - 7:30 p.m. Globe-commissioned "Empty Ride" By Keiko Green Kisa, a Japanese painter in Paris, returns to her small hometown of Ishinomaki, taking over her father’s taxi cab as he grows increasingly ill. Ishinomaki was left devastated after the 2011 tsunami, which took Kisa’s mom in addition to over 3,000 other locals in the sleepy, coastal town full of fascinating characters. In this funny, tragically warm, supernatural story of those left behind, Kisa navigates finding her place in the world by rediscovering where she comes from, and where she’s been. CELEBRATING COMMUNITY VOICES FRIDAY, JANUARY 12, 2024 - 7:30 p.m. An evening of six 10-minutes plays Love Song for Pru By Marie Vasari Hislop Pru, an eccentric aspiring social media influencer, tries to craft the perfect series of posts to impress her boyfriend’s rich family—before they realize she might be a complete fraud. True School By Ric Scales Two fundamentally different rappers—one young and trending, the other a legend on his way out—must find a way to collaborate on a once-in-a-lifetime project without destroying their careers… or each other. Take Care By Eliza Hugee Anna and her new husband try everything they can think of to get his ex-fiancée Gladys to finally move out of their house. But her drinking, unpredictability, stubbornness, and unexpected condition make her both the rock and the hard place. Spectrum By MG Green To survive the big road trip to meet their partner’s parents, Basil, a trans, gender non-conforming, queer person must learn to bring all that they are into a new relationship where they are not exactly upfront with their partner about all that is truly at stake. Proper Provider By Brian T. Josten Set right after World War II, culture, dark history, and generations clash when an American father demands that his young daughter spend less time at the German neighbor’s house, the only place that gives her solace after her brother’s tragic death. Mirror By Ms. JHawk A person fractured from the inside out must fight pieces of herself to find her way home and become whole again. Festival details: The 11th annual Powers New Voices Festival will begin January 12, 2024 and conclude on January 14, 2024. The Festival will take place in the Sheryl and Harvey White Theatre, part of the Globe’s Conrad Prebys Theatre Center. Tickets to all festival readings require reservations and are free. Reservations for Globe subscribers and donors are available beginning Friday, December 15, 2023 at 12:00 noon. Subject to availability, reservations for the general public will be available beginning Thursday, January 4, 2024 at 12:00 noon. Tickets can be reserved by calling the Ticket Services Department at (619) 234-5623. A line for standby seating will form 30 minutes before each performance of the Powers New Voices Festival. Based on ticket-holder attendance, those standing in the standby line may be seated. Seating is based on seat availability and is not guaranteed. Latecomers with tickets are also not guaranteed admittance. For more information visit www.TheOldGlobe.org.
  • Carlo Acutis, who died at 15 in 2006, has long been called the "patron saint of the internet." After many years, two miracles and Vatican approval, he's officially set to be canonized, likely in 2025.
  • From the museum: The Bonita Museum & Cultural Center presents Contemporary Art: Folklore, Fakelore, Personal Myths & Narratives with juror Patrick Ela at the Bonita Museum & Cultural Center, November 4 – December 2, 2023. The public is invited to meet the artists at the reception Saturday, November 11, 4:30 – 6:30pm. The exhibition is sponsored by the Artist Mentor Project in conjunction with the Negri Foundation. This exhibition is a survey of artists working in the field of visual storytelling throughout the United States. Sixty contemporary artists from fourteen states tell tales, present personal narratives and display contemporary craft through the exhibition. The Bonita Historical Society is home to Proctor Valley Monster lore including the Proctor Valley Monster footprint. Through this exhibition we hope visitors will share their personal stories about urban legends and myths from around the world. Artists in the exhibition: Karen A Gaudette, Robin Adsit, Ellery Akers, Jessica Alazraki, Hilda Alsabrook, Magnolia Altamirano, Stephanie Angelo, Norman Aragones, Marsha Balian, Brandin Barón, Molly Blauvelt, Jovanna Briscoe Catherine Carlton, Denise Cerro, Therese Cipiti Herron, Helen Cox, Bronle Crosby, Jessica Damsky, Christopher Daniggelis, Elaine Dunham, John Flores, Norman Gabitzsch , Ronald Gonzalez, Julia C R Gray, Linda Guenste, Lindsay Hirsch, Jennifer Hoffecker, Ariane Hudson, Adrian Huth, Julie Jenkins, Nannette Klass, Terri Lloyd, Aimée Medina Carr, Ania Modzelewski, Trini Morales, Elena Mukhina Rumyantseva, Mary Nash, Lee Oliver, Celena Peet, Lori Polak, Kari Rives, Eugene Rodriguez, Oscar Rodriguez, Joan Ryan, Karla Rydrych, Séraphine, Michael Sharber, Marc Sirinsky, Rabbia Sukkarieh, Maryam Tafreshi, Cheryl Tall, James Vogel, Amy Vulfovich, Jocelyn G Weeks, Mason Weiss, Louise Williams, Michelle Williams, Cynthia Winters, Gigi Woodward and Evany Zirul. "The selection process went on for several days as events of the world began to dominate the airways with war, famine, history, weather, the environment and the current state of affairs. Ultimately, related past, present and possibly future concerns addressed by the various artworks became more prominent in my thinking." – Juror, Patrick Ela Patrick Ela, the juror for the exhibition, is the past director of the Los Angeles CAFAM (Craft and Folk Art Museum, currently Los Angeles Craft Contemporary) and an appraiser of fine art accredited by the American Society of Appraisers. Ela began his career first working as curator for the innovative Los Angeles based lithographic/printmaking publishing house, GEMINI, where he worked alongside artists such as Jasper Johns, Claes Oldenburg, Frank Stella, Ellsworth Kelly, Roy Lichtenstein and Robert Rauschenberg. After he left GEMINI, he became an Educator for LACMA. He is currently Personal Property Governor for the American Society of Appraisers. The museum coordinator for this exhibition is San Diego based artist Lisa Bebi. Related links Bonita Museum: website | Instagram | Facebook
  • San Diego’s coast is home to iconic underwater forests of giant kelp (Macrocystis pyrifera). Towering 100 feet tall from the ocean’s rocky floor to the surface, they create homes for hundreds of animals to live in and can regulate the impacts of climate change. These forests provide many benefits to the ocean, animals and humans. Beginning January 12, 2024, the UC San Diego Library will host "Ebb and Flow: Giant Kelp Forests through Art, Science and the Archives," an exhibit curated by Oriana Poindexter ’15, Scripps Institution of Oceanography (SIO) alumna and artist. The exhibit displays works created as a result of continued observation of the local giant kelp forest environment by artists, scientists and community members over the past 134 years. The artwork, which will be displayed on the walls of Geisel Library’s main gallery and in The Nest, is the interpretation of the giant kelp forest by four contemporary artists – Julia C R Gray, Dwight Hwang, Marie McKenzie and Oriana Poindexter – in their distinct styles using ceramic, sculpture, oil painting, gyotaku and alternative photographic processes. Seaweed pressings collected in La Jolla from 1890 through 2023 will also be on display. A 1905 seaweed pressing album from the Library’s Special Collections & Archives (SC&A), created by Virginia Scripps and her sister, Ellen Browning Scripps, the founding benefactor of SIO, shows a similar diversity of seaweed species as recent pressings created by SIO Professor Jennifer Smith. Additional pressings from the SIO Herbarium Collection, now housed at the San Diego Natural History Museum (The Nat), will be on loan from the museum for this exhibit and will accompany those from SC&A. Ebb and Flow illuminates the evolution and the persistence of giant kelp forests, ebbing and flowing through time but continuing to hold fast to the rocky shorelines. The works in this collection document the giant kelp forests and associated species from 1890 to the present day by uniting archival material with contemporary art, bridging art and science to inspire awe, ignite curiosity and catalyze dialogue. [Exhibition gallery hours here] Accompanying exhibit: Birch Aquarium at Scripps is hosting an accompanying exhibit, "Hold Fast", which opens on February 8. This exhibit is an immersive art installation that explores San Diego’s local kelp forests and climate change through the lens of three local artists and scientists who use their skills and talents to take climate action. Opening reception: Save the Date: The Library will host an exhibit opening reception on Thursday, January 25, 2024. Sign up to receive our newsletter to get updates about this event.
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