Cinema Junkie
Satisfy your celluloid addiction and mainline film 24/7 with Cinema Junkie’s Beth Accomando. So if you need a film fix, want to hear what filmmakers have to say about their work, feel like taking a deep dive into a genre, or just want to know what's worth seeing this weekend, then you've come to the right place. You can also find Beth's coverage of other arts and culture events here.
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From the World of John Wick: You want action? Yeah.
SD Fringe top pick: 'Smile'
Are you ready to binge on Fringe?
SD Fringe adds SDSU filmmaker showcase
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This spoiler-filled episode examines the hidden meanings of Jordan Peele's latest box office hit with the help of a UC Riverside professor of media and cultural studies. -
With Alfonso Cuaron’s recent multiple Oscar win and San Diego Latino Film Festival entering its second quarter century, I felt it was the perfect time to pull up an archive interview I did with Mexican director Guillermo del Toro. -
You may not know Milicent Patrick's name and that's precisely why filmmaker, monster lover, and author Mallory O'Meara decided to write "The Lady From the Black Lagoon." It reveals the lost legacy of this woman who created one of Hollywood's most iconic monsters. -
Cinema Junkie celebrates Black History Month by speaking with Keithan Jones, founder of Black Comix Day, about black comics and movies, and professor John Jennings about a new collective called Scary Black Folks. -
Films made between 1930 and 1934 have come to be known as pre-Code and display defiance of the self-censorship rules Hollywood laid down for itself. I will talk about the delicious naughtiness and sensational social realism of these films with Danny Reid of Pre-Code.com. -
Oscar nominations come out Jan. 22 and, since many people may not know a lot about what a film editor does, here is an archive edition of Cinema Junkie that will enlighten you about the art and craft of film editing. -
Cinema Junkie is technically on holiday break but here's something old and something new to start the year: an archive of my Reel Science episode plus my picks for the best films of 2018. -
Holy archives! Cinema Junkie is on holiday break but enjoy this popular episode dedicated to the 1960s Batman TV show and movie, which are the subject of The Hollywood Museum's exhibit that runs through the end of the year.
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The San Diego Italian Film Festival may be the new kid on the block but they have been actively bringing films to San Diego both at their festival and for single screening film events. These are films that have not played in San Diego before and are unlikely to receive any kind of release here. -
Seth Rogen has become an unlikely star through a series of projects with Judd Apatow beginning with the TV series "Freaks and Geeks" in 1999 and reaching a peak with the feature film "Knocked Up" in 2007. Those projects played on Rogen's slacker appeal. Now Rogen tries something a little different with "Observe and Report" (opened April 10 throughout San Diego). -
For last year's closing night, FilmOut San Diego presented the world premiere of James Vasquez' homegrown film "Ready? Okay!" This San Diego-based charmer concerns a young boy named Josh who wants to join his school's cheer squad. -
Sugar (opened April 10 at Landmark Hillcrest Cinemas) is a baseball movie in the same way that Eight Men Out was a baseball movie. You cannot conceive of either film without the baseball backdrop but neither film is a formula sports movie in the sense of putting primary importance on the winning or losing of games. -
Earlier this week I highlighted the film "Immobilité" that's being touted as the first "feature-length foreign film shot entirely on a mobile phone." The film by artist Mark Amerikia is showing in The Project Room for New Media at Chelsea Art Museum in New York through May 9, with a remix version exhibited in the Streaming Museum that presents exhibitions in cyberspace. The unique nature of the project inspired me to seek Amerika out for an interview. Here's what he had to say about his provocative new film.
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Following on the heels of the animated "Monsters Vs. Aliens," "Alien Trespass" (opening April 3 at Landmark's Hillcrest Cinemas) covers somewhat similar ground. Both films present us with an alien who comes to earth and then the films try to use the trappings of 50s sci-fi movies to sell the premise. But unlike "Monsters Vs. Aliens," "Alien Trespass" is live action. It also comes from R. W. Goodwin who should know what he's doing since he worked on the cult TV show "The X-Files," which frequently dealt with aliens although usually in a more serious vein.
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Most films that deal with border issues focus on immigrants and immigration along the California or Texas state lines. But the new film "Sin Nombre" (opening April 3 at Landmark's Hillcrest Cinemas) shows us how people living deeper in Mexico and Central America get to that border. The film played last month at the San Diego Latino Film Festival and just about everyone I spoke to at the fest was recommending it. I spoke with first time feature filmmaker Cary Fukunaga at the festival just before he presented the film to a full house.
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Just a quick reminder that the San Diego Latino Film Festival is not the only festival in town screening films this week. The San Diego Italian Film Festival will screen Incantesimo Napoletano/A Neopolitan Spell on Thursday, March 12 at 7:00 pm at the Museum of Photographic Arts in Balboa Park. The tageline for the film asks: "In Naples, what could be worse than not being Neapolitan?" Written and directed by Paolo Genovese, "Incantesimo Napoletano" serves up a fanciful tale about the shock felt by a fifth-generation Neopolitan couple whose daughter's first words are in Milanese. Mama mia! This film features Chiara Papa, Gianni Aiello, Serena Improta and Clelia Bernacchi. Although it's nice to have choice it's too bad these festivals are up against each other.
Beth Accomando is taking a short break from film reviews and arts coverage to create a six-part video podcast called Stripper Energy. Check it out!