Podcast Episode 119: Queer Horror
More LGBT filmmakers are choosing to work in the horror genre
Thursday, June 8, 2017
Episode 119: Queer Horror
Paul Etheredge-Ouzts’ 2004 film “Hellbent" was billed as the first gay slasher film. I speak with him and a quartet of new, young filmmakers to see how Queer Horror has evolved since "Hellbent." I also speak with FilmOut San Diego's programmer Michael McQuiggan about his first queer horror shorts block, FrightOut.
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FilmOut San Diego is hosting its first-ever block of gay horror shorts and it highlights how LGBT filmmakers are turning more and more to genre filmmaking. So I felt it was time to pay tribute to queer cinema and talk to some filmmakers about why they choose to work in the genre.
Queer horror is not anything new. Many will point to James Whale’s 1931 “Frankenstein” and 1935 “Bride of Frankenstein” as memorable early examples. Whale was an openly gay man in Hollywood when that was rare and both of his films readily lend themselves to being viewed through a queer lens.
But for this podcast I want to focus on some more recent examples of openly gay horror films that use genre tropes to make us rethink stereotypes and to make us consider social issues from a radically different perspective.
This year, FilmOut San Diego hosts its first block of gay horror shorts. That is something programmer Michael McQuiggan is thrilled to be doing. He is a dedicated fan of horror and every year he tries to bring genre films to the festival. Over his 13 years with FilmOut he has programmed the first gay slasher film “Hellbent;” brought LGBT monsters to town with “Bit Marks” and “ZMD: Zombies of Mass Destruction;” and showcased disturbingly dark dramas like “Drown” and “Down River.”
Attending FilmOut for the past two decades has introduced me to a wide array of queer horror. So when I was asked to co-sponsor this year’s horror block with the opportunity to interview all the directors, I jumped at the opportunity.
When filmmaker Jesse Klein mentioned the impact of Paul Etheredge-Ouzts’ 2004 film “Hellbent,” I decided that I also needed to track that director down to find out what it was like to make a film that was promoted as the first gay slasher film.
For this podcast I speak with McQuiggan about programming gay horror, with Etheredge-Ouzts about making “Hellbent” as his feature film debut and how that affected his career; and then with a quartet of young filmmakers (Dominic Haxton, Daniel Sterlin-Altman, Jesse Klein, and Blake Mawson) about what queer horror means to them.
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