Cinema Junkie

Satisfy your celluloid addiction and mainline film 24/7 with Cinema Junkie’s Beth Accomando. So if you need a film fix, want to hear what filmmakers have to say about their work, feel like taking a deep dive into a genre, or just want to know what's worth seeing this weekend, then you've come to the right place. You can also find Beth's coverage of other arts and culture events here.
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Cygnet Theatre opens 'The Joan' at Arts District Liberty Station

Kurosawa classics restored and on big screen

Cinema Junkie recommends ABA doc, grindhouse gem and 3D animation
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TCM Classic Film Festival is a four-day event held in Hollywood and showcasing films from the silents on up into the 1980s. In part one of this week's podcast I speak with TCM Film Festival programmer Charles Tabesh about what it takes to put on the festival and about the special Fox Appreciation presentation. In part two, I will speak with Fox archivist Schawn Belston about the studio's past and the challenges of restoring films.
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This spoiler-filled episode examines the hidden meanings of Jordan Peele's latest box office hit with the help of a UC Riverside professor of media and cultural studies.
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With Alfonso Cuaron’s recent multiple Oscar win and San Diego Latino Film Festival entering its second quarter century, I felt it was the perfect time to pull up an archive interview I did with Mexican director Guillermo del Toro.
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You may not know Milicent Patrick's name and that's precisely why filmmaker, monster lover, and author Mallory O'Meara decided to write "The Lady From the Black Lagoon." It reveals the lost legacy of this woman who created one of Hollywood's most iconic monsters.
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Cinema Junkie celebrates Black History Month by speaking with Keithan Jones, founder of Black Comix Day, about black comics and movies, and professor John Jennings about a new collective called Scary Black Folks.
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Films made between 1930 and 1934 have come to be known as pre-Code and display defiance of the self-censorship rules Hollywood laid down for itself. I will talk about the delicious naughtiness and sensational social realism of these films with Danny Reid of Pre-Code.com.
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Oscar nominations come out Jan. 22 and, since many people may not know a lot about what a film editor does, here is an archive edition of Cinema Junkie that will enlighten you about the art and craft of film editing.
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Cinema Junkie is technically on holiday break but here's something old and something new to start the year: an archive of my Reel Science episode plus my picks for the best films of 2018.
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Just a quick reminder that the San Diego Latino Film Festival is not the only festival in town screening films this week. The San Diego Italian Film Festival will screen Incantesimo Napoletano/A Neopolitan Spell on Thursday, March 12 at 7:00 pm at the Museum of Photographic Arts in Balboa Park. The tageline for the film asks: "In Naples, what could be worse than not being Neapolitan?" Written and directed by Paolo Genovese, "Incantesimo Napoletano" serves up a fanciful tale about the shock felt by a fifth-generation Neopolitan couple whose daughter's first words are in Milanese. Mama mia! This film features Chiara Papa, Gianni Aiello, Serena Improta and Clelia Bernacchi. Although it's nice to have choice it's too bad these festivals are up against each other.
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Here's a little twist on Trailer Tuesday: Instead of posting a preview of a big Hollywood movie or cool indie title you get to see an entire movie.
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The teen critics have spoken out on The Last House on the Left (opened March 13 throughout San Diego) and I was curious to hear what they had to say since they weren't even born when the original film came out (OK, that made me feel old). I was glad that at least one of them had seen the original and found it more disturbing than the remake.
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The 16th San Diego Latino Film Festival kicked off last night with films, music, and a gala party. Now we can get down to the business of seeing films. Here are a few suggestions for what you might want to seek out and mini-reviews of some of the films that I had a chance to screen in advance. All films are at the UltraStar Mission Valley Theaters at Hazard Center.
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Real life French teacher François Bégaudeau plays an on-screen version of himself in "The Class/Entre les murs" (held over at Landmark's La Jolla Village Theaters), based on his book about his own classroom experiences. We discussed the film on last month's Film Club but I also wanted to highlight the film on my blog. Director Laurent Cantet (who also made "Time Out" and "Heading South") collaborated with Bégaudeau to bring his story to the screen. The ressult is a documentary style portrait of teaching in a contemporary French school. Cantet chose to shoot multiple improvised takes using real students and multiple cameras to chronicle what happens in a single classroom of middle school age students. The film was nominated this year for an Oscar for Best Foreign Language Film and took home the Palm D'Or at Cannes. While there were definitely more worthy films to pick as the best of the year, the Cannes Award is telling because it reflects France's need and maybe desire to try and come to terms with its increasing multi-ethnice make-up, a fact that's been harder to ignore inlight of recent riots and protests.
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A text messaged Teen Critic review from Kimi Allen and Shelby Iacometti:
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Since Christian Bale's been making news for his outburst on the set of Terminator Salvation , I thought I'd load up the trailer for the film so you could see what's going on in front of the cameras rather than just the sensationalism behind the scenes.
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In "Yonkers Joe" (opening January 30 at the Reading Gaslamp Stadium Cinemas), writer-director Robert Celestin seems to know his way around a small neighborhood cash-stakes game of craps or poker. Watching the title character (played by Chazz Palminteri) work his magic - of inserting new cards in a deck or swapping out regular dice for weighted ones - is mesmerizing. Any time a filmmaker can give you an insider's look at a secretive world, it's a tantalizing point of view. Too bad Celestin wasn't content to stick to that world.
Stripper Energy just received an Emmy for Journalistic Enterprise, you can watch the six-part video podcast now.