Cinema Junkie
Satisfy your celluloid addiction and mainline film 24/7 with Cinema Junkie’s Beth Accomando. So if you need a film fix, want to hear what filmmakers have to say about their work, feel like taking a deep dive into a genre, or just want to know what's worth seeing this weekend, then you've come to the right place. You can also find Beth's coverage of other arts and culture events here.
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25th anniversary of 'In the Mood for Love'
How FilmOut, San Diego's LGBTQ+ Film Festival, began
Bringing 'The Heart' to life
'Batman Azteca' wows Comic-Con
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With AMC's "NOS4A2" renewed for a second season Cinema Junkie digs into the archives for a 2013 interview with author Joe Hill at the KPBS studios. He talks about his best-selling novel, horror, and comics. Plus he reads a selection from his novel and we'll hear from fans about what they love about his writing. -
John Waters' Odorama has inspired filmmaker JC Calciano to make his new film "Steam Room Stories: The Movie" in Cinema Scent. I talk with Calciano about scratch 'n' sniff cards, going from YouTube to feature films, and working with Traci Lords. -
Horrible Imaginings Film Festival celebrates its tenth anniversary this Labor Day Weekend at the Frida Cinema so that is the perfect excuse to speak with the festival's founder and executive director Miguel Rodriguez about all things horror. We will discuss trends as well as some of the standout films from the festival. -
The new horror film 'Ready or Not' was brought to the screen by a collaborative known as Radio Silence. Filmmakers and online pranksters Chad Villella, Matt Bettineli-Olpin, and Tyler Gillett have a very singular vision about how to make movies. They discuss how they went from online videos to making a film in Hollywood, and how a board game helped them seal the deal for "Ready or Not." -
In honor of National Whistleblowers Appreciation Day Cinema Junkie speaks with director Gavin Hood. His new film "Official Secrets" tells the story of Katherine Gun (played by Keira Knightley), a British intelligence specialist who leaked a memo when she felt her government was lying to the people. The film has a special screening July 30 and opens in San Diego theaters on Sept. 12. -
Comic-Con celebrated its 50th show and I celebrated my 41st. Join me as I speak with a trio of people who have attended all 50 shows plus some exhibitors who describe the changes they have seen over the years. I also pull out some archive footage from past Cons and visit Godzilla in his first Toho booth at Comic-Con. -
Chinese-American filmmaker Lulu Wang talks about her film "The Farewell" that she says is based on an "actual lie." The Sundance hit draws on her own family and first came to life as an episode on "This American Life." She also reveals how a trip to Ikea led to her career in filmmaking. -
In this two-part Cinema Junkie podcast I look to the female perspective in film. In part two, I explore the film "Ophelia," which reimagines Shakespeare’s "Hamlet" from Ophelia’s point of view. I will be speaking with director Claire McCarthy as well as with Lisa Klein, author of the novel the film is based on. The film stars Daisy Ridley (of "Star Wars" fame) as the title character.
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For last year's closing night, FilmOut San Diego presented the world premiere of James Vasquez' homegrown film "Ready? Okay!" This San Diego-based charmer concerns a young boy named Josh who wants to join his school's cheer squad. -
Sugar (opened April 10 at Landmark Hillcrest Cinemas) is a baseball movie in the same way that Eight Men Out was a baseball movie. You cannot conceive of either film without the baseball backdrop but neither film is a formula sports movie in the sense of putting primary importance on the winning or losing of games. -
Earlier this week I highlighted the film "Immobilité" that's being touted as the first "feature-length foreign film shot entirely on a mobile phone." The film by artist Mark Amerikia is showing in The Project Room for New Media at Chelsea Art Museum in New York through May 9, with a remix version exhibited in the Streaming Museum that presents exhibitions in cyberspace. The unique nature of the project inspired me to seek Amerika out for an interview. Here's what he had to say about his provocative new film.
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Following on the heels of the animated "Monsters Vs. Aliens," "Alien Trespass" (opening April 3 at Landmark's Hillcrest Cinemas) covers somewhat similar ground. Both films present us with an alien who comes to earth and then the films try to use the trappings of 50s sci-fi movies to sell the premise. But unlike "Monsters Vs. Aliens," "Alien Trespass" is live action. It also comes from R. W. Goodwin who should know what he's doing since he worked on the cult TV show "The X-Files," which frequently dealt with aliens although usually in a more serious vein.
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Most films that deal with border issues focus on immigrants and immigration along the California or Texas state lines. But the new film "Sin Nombre" (opening April 3 at Landmark's Hillcrest Cinemas) shows us how people living deeper in Mexico and Central America get to that border. The film played last month at the San Diego Latino Film Festival and just about everyone I spoke to at the fest was recommending it. I spoke with first time feature filmmaker Cary Fukunaga at the festival just before he presented the film to a full house.
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Just a quick reminder that the San Diego Latino Film Festival is not the only festival in town screening films this week. The San Diego Italian Film Festival will screen Incantesimo Napoletano/A Neopolitan Spell on Thursday, March 12 at 7:00 pm at the Museum of Photographic Arts in Balboa Park. The tageline for the film asks: "In Naples, what could be worse than not being Neapolitan?" Written and directed by Paolo Genovese, "Incantesimo Napoletano" serves up a fanciful tale about the shock felt by a fifth-generation Neopolitan couple whose daughter's first words are in Milanese. Mama mia! This film features Chiara Papa, Gianni Aiello, Serena Improta and Clelia Bernacchi. Although it's nice to have choice it's too bad these festivals are up against each other.
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Here's a little twist on Trailer Tuesday: Instead of posting a preview of a big Hollywood movie or cool indie title you get to see an entire movie.
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The teen critics have spoken out on The Last House on the Left (opened March 13 throughout San Diego) and I was curious to hear what they had to say since they weren't even born when the original film came out (OK, that made me feel old). I was glad that at least one of them had seen the original and found it more disturbing than the remake.
Stripper Energy just received an Emmy for Journalistic Enterprise, you can watch the six-part video podcast now.