Cinema Junkie

Satisfy your celluloid addiction and mainline film 24/7 with Cinema Junkie’s Beth Accomando. So if you need a film fix, want to hear what filmmakers have to say about their work, feel like taking a deep dive into a genre, or just want to know what's worth seeing this weekend, then you've come to the right place. You can also find Beth's coverage of other arts and culture events here.
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25th anniversary of 'In the Mood for Love'

How FilmOut, San Diego's LGBTQ+ Film Festival, began

Bringing 'The Heart' to life

'Batman Azteca' wows Comic-Con
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In this two-part Cinema Junkie podcast I look to the female perspective in film. In this first part I speak with Heidi Honeycutt, director of programming for Etheria Film Night. Founded in 2014, Etheria Film Night is a showcase of horror, science fiction, fantasy, action, thriller, and dark comedy directed by women and for an audience that includes producers, managers, showrunners, distributors, and genre fans. Etheria says its goal is to put the women directors who want to make genre films and TV in front of the people who want to hire them. Etheria is hosted by American Cinematheque and takes place at its Egyptian Theater.
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African Americans and Hollywood have a long, troubled, and complicated past. I am going to explore that history with Donald Bogle author of the new book "Hollywood Black: The Stars, the Films, the Filmmakers" from Turner Classic Movies. His comprehensive exploration begins in the silent era and wraps up with 2018's "Black Panther." Bogle has been writing about blacks in Hollywood and on screen for decades and over a half dozen books.
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Shakespeare has been dead for four centuries but this summer there is a film about his life called "All is True," an adaptation of the book "Ophelia" that looks at "Hamlet" from Ophelia's point of view, and a pair of his plays and a lecture about his work at the Old Globe Theatre. Cinema Junkie looks to the two new films, and then speaks with Globe artistic director and Shakespeare scholar Barry Edelstein
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"John Wick: Chapter 3 -- Parabellum" finally arrives and stuntman-turned-director Chad Stahelski delivers an exhausting, exhilarating film. I have a review of the new film and have a 2017 interview with Stahelski where he explains exactly why John Wick raises the bar on action films. And learn the difference between having a star do action versus doing stunts.
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J.R.R. Tolkien famously wrote "The Hobbit" and "Lord of the Rings" books that inspired Peter Jackson's recent films. Now a film biography about the author hits theaters. I'll discuss the allure of Tolkien's fellowship, have a review of the biopic "Tolkien" and speak with the film's director Dome Karukoski about making connections between the man and his books.
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Reel Science returns with the San Diego Natural History Museum and Digital Gym Cinema pairing sci-fi films with real scientists to put the movie science into a broader context. Whether you want preview of the film series or if you can't make the films but want to watch sci-fi films with some questions to ask you'll want to hear entomologist Michael Wall and cognitive scientist Eric Leonardis dissect "Damnation Alley" and David Cronenberg's "The Fly."
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I may hate the Academy for some of its Oscar choices but I have nothing but praise for the work it does to preserve film history. I speak with Josef Lindner, the preservation officer at the Academy Film Archive about the challenges of preserving and restoring films. As an example we discuss the pre-Code comedy naughtily titled Cock of the Air.
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In part one of my look at the 10th Annual TCM Classic Film Festival I spoke with TCM Film Festival programmer Charles Tabesh. Now for part two, I speak with Fox archivist Schawn Belston about the studio's past, future, and exactly what it is an archivist does. He also discusses some of the strange places he has discovered film elements.
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For last year's closing night, FilmOut San Diego presented the world premiere of James Vasquez' homegrown film "Ready? Okay!" This San Diego-based charmer concerns a young boy named Josh who wants to join his school's cheer squad.
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Sugar (opened April 10 at Landmark Hillcrest Cinemas) is a baseball movie in the same way that Eight Men Out was a baseball movie. You cannot conceive of either film without the baseball backdrop but neither film is a formula sports movie in the sense of putting primary importance on the winning or losing of games.
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Earlier this week I highlighted the film "Immobilité" that's being touted as the first "feature-length foreign film shot entirely on a mobile phone." The film by artist Mark Amerikia is showing in The Project Room for New Media at Chelsea Art Museum in New York through May 9, with a remix version exhibited in the Streaming Museum that presents exhibitions in cyberspace. The unique nature of the project inspired me to seek Amerika out for an interview. Here's what he had to say about his provocative new film.
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Following on the heels of the animated "Monsters Vs. Aliens," "Alien Trespass" (opening April 3 at Landmark's Hillcrest Cinemas) covers somewhat similar ground. Both films present us with an alien who comes to earth and then the films try to use the trappings of 50s sci-fi movies to sell the premise. But unlike "Monsters Vs. Aliens," "Alien Trespass" is live action. It also comes from R. W. Goodwin who should know what he's doing since he worked on the cult TV show "The X-Files," which frequently dealt with aliens although usually in a more serious vein.
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Most films that deal with border issues focus on immigrants and immigration along the California or Texas state lines. But the new film "Sin Nombre" (opening April 3 at Landmark's Hillcrest Cinemas) shows us how people living deeper in Mexico and Central America get to that border. The film played last month at the San Diego Latino Film Festival and just about everyone I spoke to at the fest was recommending it. I spoke with first time feature filmmaker Cary Fukunaga at the festival just before he presented the film to a full house.
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Just a quick reminder that the San Diego Latino Film Festival is not the only festival in town screening films this week. The San Diego Italian Film Festival will screen Incantesimo Napoletano/A Neopolitan Spell on Thursday, March 12 at 7:00 pm at the Museum of Photographic Arts in Balboa Park. The tageline for the film asks: "In Naples, what could be worse than not being Neapolitan?" Written and directed by Paolo Genovese, "Incantesimo Napoletano" serves up a fanciful tale about the shock felt by a fifth-generation Neopolitan couple whose daughter's first words are in Milanese. Mama mia! This film features Chiara Papa, Gianni Aiello, Serena Improta and Clelia Bernacchi. Although it's nice to have choice it's too bad these festivals are up against each other.
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Here's a little twist on Trailer Tuesday: Instead of posting a preview of a big Hollywood movie or cool indie title you get to see an entire movie.
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The teen critics have spoken out on The Last House on the Left (opened March 13 throughout San Diego) and I was curious to hear what they had to say since they weren't even born when the original film came out (OK, that made me feel old). I was glad that at least one of them had seen the original and found it more disturbing than the remake.
Stripper Energy just received an Emmy for Journalistic Enterprise, you can watch the six-part video podcast now.