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  • Prepare your bellies because the College Area Business District is to announce the 2nd Annual Taste of College Area, happening on Sunday, September 28, from 11 a.m. to 3 p.m. Come experience the flavors of one of San Diego’s most vibrant and evolving culinary neighborhoods. From globally inspired dishes to craft brews and artisan coffee, this event highlights the incredible variety offered by local restaurants, pubs, and cafes, throughout the College Area. To help you make the most of your tasting adventure, complimentary Old Town Trolley rides will be running along the event route taking attendees from stop to stop. The event will span El Cajon Boulevard from 54th Street to 73rd Street and the SDSU campus, turning the entire area into a feast for the senses. General Admission tickets are $40 in advance (plus a service fee) and $45 on the day of the event. VIP tickets are available to guests 21 and over for $50 (plus a service fee), which include access to discounted drinks at select “oasis” bars and pubs, along with a commemorative Taste of College Area shot glass (while supplies last). Take advantage of early bird savings with promo code EARLY20 for 20% off through July or EARLY10 for 10% off through August. Plus, groups of 10 or more automatically receive a 5% discount that can be stacked with promo codes for even more savings. Don’t miss this flavorful celebration of food, culture, and community. Mark your calendar for a culinary adventure like no other at the 2nd Annual Taste of College Area! Visit: https://events.com/r/en_US/tickets/taste-of-college-area-san-diego-september-981182
  • Answer our six-question multiple-choice quiz and find out which candidates align with you on important issues before the 2025 special general election for county supervisor in District 1.
  • Spend an unforgettable time inside our gallery during this guided painting activity while finding inspiration from the world-class artwork on display. Supplies and instruction are included. Leave the clean-up to us and take home your finished 8" x 10" at the end. Parking validation included. Visit: https://www.artscenewest.com/paintingparty Art Scene West on Instagram and Facebook
  • Skyrie is an electrifying contemporary Celtic music trio renowned for their dynamic performances and innovative sound. Their music blends traditional Scottish and Irish tunes, poignant original songs, tunes, and soundscapes with modern influences from rock to funk. Having performed and recorded over many years with multi award-winning artists as diverse as Dougie Maclean, Shirley Manson of Garbage, Big Country, and Kathy Mattea, Skyrie have honed their unique style through hundreds of live gigs and sessions. Based in Fife, Scotland, the band members are versatile composers and multi-instrumentalists Lesley Thompson Smith (vocals, fiddle, pipes, whistle, and looper), James “Jimmy” Anderson (guitars, pedal-bass and background vocals), and Christopher Martin Smith (vocals, lyrics, drums, whistle and percussion). - General admission $25, Current SDFH members $20 - Children 17 and under are free - TicketWeb fees will add an additional $2 to $4 per ticket - Tickets will be available at the door www.skyrie.co.uk Skyrie on Facebook / Instagram / Youtube
  • Rooted in African-American freedom struggles and Igbo cosmology, The Skeuomorph unfolds as a poetic meditation on technological agency and the myths we encode in our machines. At the center of the exhibition stands BLKBX (BB)—a sculptural object, a "smarter" speaker and a speculative AI entity trained on documents of African American and African Diasporic histories, biographies and philosophies of freedom. Through a multisensory installation featuring reimagined political speeches, archival fragments, and layered sonic environments, the exhibition invites visitors to consider how history reverberates in the present—shaping the voices we amplify, the ones we silence, and the futures we imagine. Co-sponsored by the Department of Visual Arts Visiting Speaker Series, this event includes panel discussion with Louis Chude-Sokei, Professor and George and Joyce Wein Chair of English and Director of the African American and Black Diaspora Studies Program at Boston University; in addition to recently publishing The Sound of Culture: Diaspora and Black Technopoetics (2015), Chude-Sokei collaborated with Berlin based electronic artists Mouse on Mars, with whom he produced the album Anarchic Artificial Intelligence (2021). Event moderated by Amy Alexander, Professor of Visual Arts and Gallery QI committee co-chair and Robert Twomey, Assistant Teaching Professor of Visual Arts and Committee Member of the Department of Visual Arts Visiting Speaker Series. Chude-Sokei and Mendi Obadike will participate via Zoom. Gallery QI on Facebook / Instagram
  • ProgJect – The Ultimate Prog Rock Experience is the brainchild of drummer Jonathan Mover and came to fruition out of his childhood love of Prog. Visit: https://artcenter.org/event/progject/ California Center for the Arts on Instagram and Facebook
  • British punk-rap duo Bob Vylan led chants against the Israeli military in a live BBC broadcast on Saturday. Irish-language rappers Kneecap also are being investigated.
  • The 2025 San Diego Book Crawl highlights the region’s thriving independent bookseller community, including its newest addition, Hey Books! in East Village.
  • Nocturnal scenes of San Diego’s ubiquitous taco stands and a massive shipyard are the subjects of “Night Light,” an exhibit at The Photographer’s Eye Gallery that will feature fine art images by Philipp Scholz Rittermann and Marshall Williams. This free show will open May 10 and run through June 7. Rittermann and Williams are both accomplished San Diego artists, commercial photographers and teachers whose works have been shown at prominent venues locally, nationally and internationally. When Philipp Scholz Rittermann stepped into the metal shell that was to become the hull of the Exxon Valdez, he could not envision that he was documenting the first chapter of a future catastrophe. The year was 1985, and four years later the oil tanker would run aground in Prince William Sound, Alaska, bleeding its cargo of crude oil into the sea and etching the ship’s name into the log of notorious environmental disasters. Rittermann was a young man, recently arrived in the United States, when he landed an internship at the San Diego Museum of Photographic Arts, which led to his securing a pass to do night photography at the National Steel and Shipbuilding Co. (NASSCO) shipyard on San Diego Bay. The result is his collection, “Shipyard Nocturnes,” which will be shown at the nonprofit Photographer’s Eye Gallery. One of the featured images in the exhibit is Rittermann’s large black and white print shot inside the Exxon Valdez as it was being built. The work is remarkable for both its artistic appeal and what it came to signify. “I was standing inside one of the enormous holds and looking into this cavernous space that was the size of a cathedral on the inside, and an engineer walked by and I said, ‘So where are you putting the oil tanks?’ And he said, ‘You're looking at it.’ And I said, ‘Do you mean they go here?’ And he goes, ‘No, you're looking at it.’ “And I said, ‘Oh … this is the tank?’ And he goes, ‘Uh-huh,’ and walks away,” Rittermann said. “I thought, geez, what happens when you put a zipper in this?” Rittermann recalled, “and then four years later, that's exactly what happened.” Rittermann’s images stand as tributes both to industrial might and technology, and to the human fallibility that enabled such a disaster. “While the images haven’t changed since I made them,” Rittermann said, “the way I feel about them has.” Marshall Williams was inspired to create images of San Diego’s taco stands when he found himself waiting for a traffic light to turn green, and a neighborhood fixture caught his eye. “I was staring at the taco stand across the street when it illuminated and in that moment I was a bit startled by the transformation,” Williams said. “I saw this structure in a way I hadn't seen it before." “I came back to photograph it at the same time of the evening and from that point on I began to notice the different taco stands around town all shared many of the same elements, but no two seem to be the same,” he said. The result is “Taco Stand Vernacular,” a collection of images that captures the folk nature of one of San Diego’s most common fixtures — one so common that it is easily overlooked. Williams photographs them as day yields to night, and he produces his images in black and white. “As a photographer, we love that transitional moment between day and night when there is a balance and ‘best of both worlds’ from a lighting perspective,” he said. In daylight, these small structures are swallowed by their surroundings, he noted, “but in the early evening they are cloaked in a subdued ambiance and emitting their own light, exuding a sort of theatrical like presence.” “This has been an exercise in taking the commonplace and attempting to elevate it to an object of appreciation,” Williams said. “If taking the time to observe the details of a taco stand can change our view of it, what other details have we missed or left unappreciated in the hustle of our busy lives?” “Night Light” opens on May 10 and closes June 7. The gallery is open Fridays and Saturdays, from 11 a.m. to 5 p.m., and by appointment. There will be an artists’ walk-through on opening day at 4 p.m., followed by a reception at 5 p.m. Artists Rittermann and Williams will conduct a night photography walkabout on May 15. Consult The Photographer’s Eye website for details. Visit: https://www.thephotographerseyecollective.com/ and https://www.marshallwilliamsphotographs.com/taco-stand-vernacular The Photographer's Eye: A Creative Collective on Instagram
  • Wednesday, April 30, 2025 at 11 p.m. on KPBS TV / Stream now with the PBS app. Hosted by Dr. Jon Hallberg and Dr. Tseganesh Selameab, the film connects the arts and healthcare through the power of storytelling. Physicians share their experiences with race, racism, disparities in health care and representation, and anti-racist efforts in the medical community.
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