Play Live Radio
Next Up:
0:00
0:00
Available On Air Stations
Watch Live

Search results for

  • Former President Donald Trump is present in the courtroom while New Yorkers answer personal questions about their ability to serve on the jury.
  • Saturday, Aug. 3, 2024 at 4:30 p.m. on KPBS TV / Stream now with the PBS App. The City of Roses proves true to its name after a visit to Portland's International Rose Test Garden. The city cultivates American-made crafts, as Samantha discovers at Steelport Knives, Freeland Distillery, and Orox Leather. An inspiring trip down the Tualatin River shows off the region's beautiful scenery, and the visit wraps up at the End of the Oregon Trail Interpretive Center.
  • As more people try weight-loss drugs like Wegovy, some skip the brand name and buy compounded semaglutide from online pharmacies. But some of these may not follow state and federal standards.
  • Riley Keough, Elvis' granddaughter, alleged that the company advertising a foreclosure sale of Graceland had forged documents. A Tennessee judge issued a temporary injunction on Wednesday to halt it.
  • Sinister and visually stunning, the new Netflix series Ripley reminds us why Patricia Highsmith's book The Talented Mr. Ripley continues to influence popular culture.
  • From the gallery: This exhibition is first and foremost about color derived from nature and how they interact with each other. This series of works started with my desire to weave a “black” square in response to the black squares that infamously flooded Instagram accounts on June 2, 2020. The day became known as Blackout Tuesday and was a public response to the murders of multiple black Americans committed by police amidst the global coronavirus outbreak. These weavings are a meditation, a reaction to, and commentary on performative activism. Seeing millions of people post black squares left me internally asking: Why were people posting this black square? Did people really believe this black square would bring about foundational change, stop police brutality, and end systemic racism? Does the activism stop there? What’s next? These pieces were very therapeutic to create, they became a way for me to process and work through melancholy thoughts. This exhibition also draws inspiration from the rapidly changing digital world we exist in today where artists and creatives are losing their jobs and slowly being replaced by artificial intelligence. I playfully think of these as physical NFTs and really enjoy the juxtaposition of taking an ancient craft and attempting to make it look digital and erred. About the artist: Evan Tyler is an interdisciplinary artist born in Los Angeles, California, currently based in San Diego. His work is inspired by ancient things, mythology, architectures of the old world, and enduring traditional crafts, all of which allow him to harken back to another time and discover the practices of his ancestors. Visiting information: On view Oct. 9 to Nov. 18, 2023. Opening Reception: 5-7 p.m. on Saturday, Oct. 14. Gallery hours: 2-5 p.m. Thursday and Friday or by appointment HERE.
  • Eva Struble's "Frasera" spans multiple stories of the San Diego Natural History Museum's atrium and pairs botany and field biology with an imaginative, thoughtful sense of play as the museum looks toward 150 years.
  • Martin Scorsese adapts best-selling nonfiction book about a series of 1920s murders known as "The Reign of Terror."
  • India “missed the bus” on manufacturing. A new book argues that India can nonetheless grow rich by leapfrogging to an economy dominated by high-skills services.
  • Waiting rooms act as physical objects of containment, an agent of transition, a boundary, or a threshold. Often these liminal spaces invite introspections into our mental, emotional, and physical worlds. What does it mean to care for something? Someone? Ourselves? Expressions of care—or the lack thereof—shape the world in which we live, a world that is often fraught with competing tensions and complexities. Waiting Room seeks to unpack matters of illness, suffering, and healing. Explored through a range of artistic interpretations and processes including metalwork, fiber art, ceramics, glass and woodworking, the works onview investigate how we express emotional resilience. How we bring our whole selves into the consulting room. Articulated through contemporary craft, the conversation advances the important role of art in communicating our inner states. When something is internal and then externalized into a form, it frees us and allows both our physical and intangible selves to ponder, act, and address. It facilitates deep engagement with sensitive subjects and provides a stimulus that influences understanding, liberation, and relief. Curated by Bonnie Domingos and featuring works by Warren Bakley, Charlotte Bird, Richard Burkett, Judith Christensen, Victoria Fu, Polly Jacobs Giacchina, Linda Litteral. Viviana Lombrozo, Adam John Manley, Kathleen Mitchell, Michelle Montjoy, Kathy Nida, Christian Garcia-Olivo, Matt Rich, Gail Schneider, Ross Stockwell, and Cheryl Tall. Gallery Hours: Monday and Tuesday, 1 – 7 p.m. Wednesday – Saturday, Noon – 5 p.m. Sunday, 1 - 5 p.m. The visual arts program demonstrates the library’s role as a cultural institution embracing a broad range of disciplines while assisting San Diego's emerging, mid-career and professional artists achieve visible opportunities and receive wider local, regional, and national attention.
130 of 1,292