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  • The Trump administration has fired several hundred employees at FEMA. When it comes to helping disaster victims on the ground, the agency was already hundreds of people short.
  • Military lawyers question Pentagon head Pete Hegseth's defense that he didn't share anything revealing in Signal chat group with his wife and brother.
  • Will a new-look Indiana Fever contend in Caitlin Clark's second year? Will A'ja Wilson win a record 4th MVP? And the biggest question of all: Can the league as a whole build on last season's success?
  • Trump used his time on stage to luxuriate in the crowd's adoration, blame Joe Biden for various national problems, and insist that he, as president, is not getting the credit he deserves.
  • Maryland senator calls Abrego Garcia case a 'constitutional crisis,' a Louisiana senator says its a 'screw up'
  • Mark Carney wins Canada's election, seizing on strong public sentiment against President Trump. But it's still not clear if his Liberal Party has won an outright majority in Parliament.
  • A new study estimates that 19 million children in the U.S. have a parent with a substance use disorder and that alcohol is the most commonly used substance by the parents.
  • Ana Maria Herrera: Layered Memories January 11–March 14, 2025 Opening Reception: Saturday, January 11, 5 p.m. – 8 p.m., during the Barrio Art Crawl Ana María Herrera’s work explores identity, displacement, and cultural coexistence through an intricate blend of found objects and diverse materials, such as wood, glass, metal, and fabric. Her compositions reflect the ephemeral nature of existence, particularly in the border region, where the complexities of migration and cultural negotiation are ever-present. By incorporating photographs, textiles, and three-dimensional elements, Herrera examines the emotional and physical boundaries that shape personal and collective identities, addressing themes of vulnerability, resistance, and resilience within the contemporary sociopolitical landscape. Herrera engages with layered complexities of human existence, crafting assemblages that challenge traditional notions of representation and foster dialogue about the realities of border life. Using windows and frames as both physical and symbolic elements, Herrera invites viewers to contemplate the tension between visibility and obscurity. These pieces serve as portals into narratives of migration and belonging while subtly addressing issues of surveillance and power dynamics. This exhibition encourages a critical examination of the intersection of culture, history, and memory in the shaping of individual and collective identities in an increasingly interconnected world. Ana María Herrera—Artist Statement In my assemblage art, I draw from the aged and textured materials of the past—pieces like rusted metal chains, weathered wood from light poles, bicycle wheels, pressure gauges, and electrical meters. These objects, marked by time and mystery, serve as silent witnesses to countless stories, histories, and transformations, much like the wisdom of an elder etched by years of experience. I am drawn to their deep tones and weathered surfaces, each item resonating with lives lived and “time stories” I may never fully understand. This uncertainty around their origins only enhances my appreciation, allowing me to create without the constraints of their original purpose and instead invite viewers to interpret their own narratives within these materials. In each assemblage, I work to honor the age, history, and hidden memories within these objects. Through layering and reimagining, I hope to give them new life, encouraging viewers to look closely, question, and connect with the unseen past that each object holds. Ultimately, my art celebrates the beauty in things long overlooked, encouraging a reverence for the history that surrounds us and inviting curiosity about what once was. Visit: https://www.ljathenaeum.org/upcoming-exhibitions Ana Maria Herrera on Instagram and Facebook
  • In 1989, Trump took out full-page newspaper ads demanding the death penalty "for roving bands of wild criminals." The Detroit Opera decided to program this work long before the presidential election.
  • Former Alaska Gov. Sarah Palin has the rare opportunity to retry her defamation case against The New York Times even though she lost it — twice in a 24-hour-period — in early 2022.
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