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  • News flash! The near future! New developments in artificial intelligence have gone… not as planned. And now the robots are taking over—unless plucky teen hacker, Jolie Daniels, screen-name Ha.G., and the bot she made from spare parts from her parent’s garage, can stop the armies of sentient appliances she accidentally loosed on the world. From Puppeteers for Fears, the company that brought you "Cthulhu: the Musical!," and "The Cabaret at the End of the World," comes a hilarious cyberpunk fever-dream: "ROBOPOCALYPSE: The Musical!" Featuring thirteen new songs, an analog synthesizer driven score, an all-puppet cast, more multimedia elements than you can shake a stick at, and a wickedly stylish 1980s visual aesthetic, "ROBOPOCALYPSE: The Musical!" is Puppeteers for Fears’ most ambitious show ever, and is sure to dazzle and astonish. Written and composed by Josh Gross. Directed by Hunter Prutch. Starring Alyssa Mathews, Forest Gilpin, Owen Webb, Rachel Routh, Alex Giorgi, Brianca Knight, and featuring special musical guest, Blunderbusst. Puppeteers for Fears is an Oregon-based comedy troupe, specializing in original horror and science fiction rock’n’roll musicals performed with puppets. The company was founded as a one-night-only cabaret show for Halloween 2015, but was so popular that it kept going and never looked back. In the time since, PFF has written and performed a half-dozen original feature musicals covering everything from supernatural monsters to killer robots to lonely sasquatches, performed all over the US on six tours, and sold out venues nationwide with its innovative and hilarious combination of puppetry, video, and live music. Time: Tueday, Aug. 26 8 p.m. (Doors 7 p.m.) Puppeteers for Fears on Facebook / Instagram
  • Regarded as a powerful requiem for the living, "Johannes Brahms’ Ein Deutsches Requiem" explores life after loss while offering hope and solace for humanity. The San Diego Master Chorale presents this profound masterwork, using Brahms’ own arrangement for two pianos, featuring pianists Bryan Verhoye and Jessie Chang. Experience this incredible masterpiece live — you won't want to miss it! Visit: https://www.sdmasterchorale.org/brahms-requiem/ San Diego Master Chorale on Instagram and Facebook
  • Join us for a panel discussion on Saturday, March 8 from 12 - 1:30 p.m. with artists Paul Kitagaki Jr. and Wendy Maruyama, moderated by Sharon E. Bliss and Kevin B. Chen of SFSU Fine Arts Gallery. "Reflecting on Ruth Asawa and the Garden of Remembrance" examines the legacy of Japanese American incarceration during WWII through the lens of the "Garden of Remembrance" (2000 - 2002), a permanent public art memorial created by Ruth Asawa and others for on San Francisco State University’s campus, honoring the resilience of this community. The artworks shown in the exhibition range from traditional to experimental in various media and explore ancestry, family histories and lived experiences resulting from Executive Order 9066, issued by President Franklin D. Roosevelt in 1942. The exhibition includes Mark Baugh-Sasaki, Ruka Kashiwagi, Paul Kitagaki Jr., emerita professor Wendy Maruyama, Lisa Solomon and TT Takemoto. Visit: https://art.sdsu.edu/calendar#event-details/205cee85-7cef-44e8-b880-2d434d5cf6ea\
  • Two Another are Eliot Porter and Angus Campbell, a musical duo originating from Sydney, Australia. Their kaleidoscopic mix of Electronic, Alternate RnB, Indie Pop and Soul has been heard across the globe since joining forces in 2015, amassing a following of over 1.8 million monthly listeners and over 400 million streams to date, with tour dates spanning across Europe, the Americas, the UK and back home in Australia. Now based in Europe, the band’s global origin story lies under the Australian sun with Eliot and Angus meeting in their high school music program where they were taught audio production by hometown dance-music-icons Bag Raiders. The pair quickly bonded over a mutual love of D’Angelo, Daft Punk and Danger Mouse. “Growing up in that golden era of indie, Ed Banger and French Touch, we shared a love of 90s electronica, dance and hip hop, and our parent’s Motown records,” says Angus, “There was a lot to be inspired by.” The duo’s recordings have since gone on to achieve significant success, accumulating hundreds of millions of streams of their EPs "Another Tape" and "Two Sides," followed by their debut album "Back To Us." Their versatility is evident in their remixes and collaborations with artists like Young Franco, Portugal The Man, The Magician, and Claptone. On stage Two Another creates an undeniable connection with any audience they are put in front of. The live band elevates the catalog, taking their grooves, musicality and vocal-driven anthems to another level. Outside of headline tours of their own the pair have made their way onto stages around the world while supporting the likes of Rufus Du Sol, Flight Facilities, SG Lewis, Daniel Caeser, Cannons, and Roosevelt. 2024 is set to be the biggest year yet for the pair. They will release their second full length album, ‘SUBURBIA’ in the Fall alongside their first ever World Tour. The new album is a coming-of-age story that follows fictional characters through their challenges and triumphs of navigating the final four years of high school in the suburbs. This musical odyssey unfolds through four distinct EPs — "FRESHMAN," "SOPHOMORE," "JUNIOR," "SENIOR" — and culminates in the collected works released at the "SUBURBIA LP." Time: Saturday, Aug. 16 9 p.m. (Doors 8 p.m.) Two Another on Facebook / Instagram
  • The Scopes Monkey Trial Transcripts come to life in a world-premiere event this summer! Join New Fortune as we celebrate the centennial (July 1925-July 2025) by recreating this epic event, "The Great Debate," where science, religion, education, and legislation collided in America's consciousness—100 years ago. Come hear the powerful speeches and passionate arguments made in the "courtroom" and enjoy the fair-like entertainments on the "courthouse lawn," including Live 1920s Music, Book Sales, Catapulting Monkeys, and much more. American Monkeys ain't Inherit the Wind. This here's the Truth of History. "We have done crossed the Rubicon!" Because New Fortune believes there should be no barrier to anyone being able to attend this great public event, we will not be charging admission. The event is free and all are welcome. Bring the kids. Bring the neighbors. Bring your sweetheart. Bring your friends. Donations are making this and future events like "American Monkeys" possible! So please consider donating at the event to show your support for New Fortune's Public Programming! Recommended donation $20 or “Pay The Fine to Violate the Law” $100. Thank you! The New Fortune Theatre Company on Facebook / Instagram
  • Broadcasting from a community arts center in Boyle Heights, LA, Crisis Communicator is a radio show where the concerns of a young woman and her community are unburdened.
  • This week's discourse has revolved around the so-called "Gen Z stare" in professional and retail environments. But what are people really talking about?
  • La Cámara de Representantes dio la aprobación final a la solicitud del presidente Donald Trump de recuperar alrededor de 9.000 millones de dólares para la radiodifusión pública y la ayuda exterior a primera hora del viernes, mientras los republicanos intensificaban sus esfuerzos por apuntar a instituciones y programas que consideran inflados o desalineados con su agenda.
  • La información permitirá a los funcionarios de ICE encontrar “la ubicación de extranjeros” en todo el país, dice el acuerdo firmado el lunes entre los Centros de Servicios de Medicare y Medicaid (CMS, por sus siglas en inglés) y el Departamento de Seguridad Nacional. El acuerdo no ha sido anunciado públicamente.
  • Premieres Monday, July 21, 2025 at 11 p.m. on KPBS TV / PBS app. Turning 21, Samuel wants his independence. Yet every rite of passage is fraught with challenges and social barriers. Seizures and uncontrollable movements. Inaccessible housing. Degrading ableist encounters. "No one tells you how to be an adult," he says, "let alone an adult with a disability." Can a community of disability activists help him follow his dreams?
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