Play Live Radio
Next Up:
0:00
0:00
Available On Air Stations
Watch Live

Search results for

  • NPR's Ayesha Rascoe plays the puzzle with listener Clive Jerram of Rockville, Md., and Weekend Edition Puzzlemaster Will Shortz.
  • Celebrate Easter Sunday with bold flavors and bay views at Rumorosa, the Cali-Baja inspired restaurant at Sheraton San Diego Resort & Marina. On April 20, from 8 a.m. to 2 p.m., guests are invited to enjoy a festive Easter Brunch Buffet. Menu highlights include a Panadería display with local pastries and hibiscus jam, tropical fruit, and a made-to-order omelet station. Signature dishes range from Mini Concha Sandwiches and Pozole-Braised Short Rib to Carrot Cake Waffles and Tequila Poached Shrimp. Families can enjoy live entertainment and meet the Easter Bunny, who will be available for photos throughout the day. Kids can join Easter egg hunts at 12:30 p.m. and 2:30 p.m. on the hotel’s Harbor Vista Lawn. The buffet is $85 per adult, $35 for children ages 6–12, and free for kids five and under. Two hours of complimentary self-parking included. Rumorosa is located at 1380 Harbor Island Drive. For details, visit www.rumorosasd.com or book on OpenTable.com. Sheraton San Diego Resort & Marina on Instagram
  • Nocturnal scenes of San Diego’s ubiquitous taco stands and a massive shipyard are the subjects of “Night Light,” an exhibit at The Photographer’s Eye Gallery that will feature fine art images by Philipp Scholz Rittermann and Marshall Williams. This free show will open May 10 and run through June 7. Rittermann and Williams are both accomplished San Diego artists, commercial photographers and teachers whose works have been shown at prominent venues locally, nationally and internationally. When Philipp Scholz Rittermann stepped into the metal shell that was to become the hull of the Exxon Valdez, he could not envision that he was documenting the first chapter of a future catastrophe. The year was 1985, and four years later the oil tanker would run aground in Prince William Sound, Alaska, bleeding its cargo of crude oil into the sea and etching the ship’s name into the log of notorious environmental disasters. Rittermann was a young man, recently arrived in the United States, when he landed an internship at the San Diego Museum of Photographic Arts, which led to his securing a pass to do night photography at the National Steel and Shipbuilding Co. (NASSCO) shipyard on San Diego Bay. The result is his collection, “Shipyard Nocturnes,” which will be shown at the nonprofit Photographer’s Eye Gallery. One of the featured images in the exhibit is Rittermann’s large black and white print shot inside the Exxon Valdez as it was being built. The work is remarkable for both its artistic appeal and what it came to signify. “I was standing inside one of the enormous holds and looking into this cavernous space that was the size of a cathedral on the inside, and an engineer walked by and I said, ‘So where are you putting the oil tanks?’ And he said, ‘You're looking at it.’ And I said, ‘Do you mean they go here?’ And he goes, ‘No, you're looking at it.’ “And I said, ‘Oh … this is the tank?’ And he goes, ‘Uh-huh,’ and walks away,” Rittermann said. “I thought, geez, what happens when you put a zipper in this?” Rittermann recalled, “and then four years later, that's exactly what happened.” Rittermann’s images stand as tributes both to industrial might and technology, and to the human fallibility that enabled such a disaster. “While the images haven’t changed since I made them,” Rittermann said, “the way I feel about them has.” Marshall Williams was inspired to create images of San Diego’s taco stands when he found himself waiting for a traffic light to turn green, and a neighborhood fixture caught his eye. “I was staring at the taco stand across the street when it illuminated and in that moment I was a bit startled by the transformation,” Williams said. “I saw this structure in a way I hadn't seen it before." “I came back to photograph it at the same time of the evening and from that point on I began to notice the different taco stands around town all shared many of the same elements, but no two seem to be the same,” he said. The result is “Taco Stand Vernacular,” a collection of images that captures the folk nature of one of San Diego’s most common fixtures — one so common that it is easily overlooked. Williams photographs them as day yields to night, and he produces his images in black and white. “As a photographer, we love that transitional moment between day and night when there is a balance and ‘best of both worlds’ from a lighting perspective,” he said. In daylight, these small structures are swallowed by their surroundings, he noted, “but in the early evening they are cloaked in a subdued ambiance and emitting their own light, exuding a sort of theatrical like presence.” “This has been an exercise in taking the commonplace and attempting to elevate it to an object of appreciation,” Williams said. “If taking the time to observe the details of a taco stand can change our view of it, what other details have we missed or left unappreciated in the hustle of our busy lives?” “Night Light” opens on May 10 and closes June 7. The gallery is open Fridays and Saturdays, from 11 a.m. to 5 p.m., and by appointment. There will be an artists’ walk-through on opening day at 4 p.m., followed by a reception at 5 p.m. Artists Rittermann and Williams will conduct a night photography walkabout on May 15. Consult The Photographer’s Eye website for details. Visit: https://www.thephotographerseyecollective.com/ and https://www.marshallwilliamsphotographs.com/taco-stand-vernacular The Photographer's Eye: A Creative Collective on Instagram
  • More than 100 people in San Diego County have died this flu season, health experts explain what makes this flu deadly. Then, one South Bay city is looking to build new housing on city-owned land. And a Carlsbad church is challenging Democratic Rep. Mike Levin over his vote in support of the Laken Riley Act.
  • Join Deborah Rudell for an outdoor meet & greet book signing at Bay Books celebrating her debut memoir Grit & Grace: The Transformation of a Ship & a Soul. Visit: https://www.deborahrudell.com/media/events Deborah Rudell on Instagram and Facebook
  • San Diego's congressional delegation Wednesday requested a meeting with EPA Administrator Lee Zeldin on the Tijuana River Valley's pollution crisis during his upcoming visit to San Diego.
  • Microsoft has announced that the pioneering online video calling service that's been around for more than two decades will go offline on Monday.
  • Wednesday, May 17th at 7:30 p.m. Visit: https://www.stubhub.com/warren-haynes-san-diego-tickets-5-14-2025/event/157095005/?quantity=2 Warren Haynes on Instagram and Facebook
  • Her callout of the county leadership comes a day after sewage flow across the U.S.-Mexico border temporarily increased in the Tijuana River Valley as part of a sewer line-repair project in Mexico.
  • Chris Isaak with special guest Nicole Atkins outdoor concert on Shelter Island at Humphreys Concerts By the Bay Over the course of his three-decade plus career, Platinum-selling and GRAMMY-nominated singer & actor Chris Isaak has performed to sold-out crowds across the globe with his longtime band Silvertone. His music and film credits include thirteen critically acclaimed studio albums, twelve chart-topping singles along with several motion pictures, such as "The Silence of the Lambs" and "That Thing You Do!" His work has also taken him behind the scenes, creating music for multiple film soundtracks, including "Eyes Wide Shut," "True Romance," "Wild at Heart," and "Blue Velvet." Isaak has starred in his own critically acclaimed television series THE CHRIS ISAAK SHOW on Showtime, has previously served as a judge on THE X FACTOR AUSTRALIA, and hosted the music talk show, "The Chris Isaak Hour" on BIO. With special guest Nicole Atkins On sale Saturday, March 15, 10 a.m. at Ticketmaster.com.
17 of 1,068