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Self-publishing one’s photographs in an on-demand photobook is more than just a fad. For more than two decades, photographers have embraced the process of creating, designing, and outsourcing their bodies of photographic works into small-edition books using various publishing software. By moving their images from the screen to the page, to an object one can hold in their hand, share with others, and memorialize visual projects into “a thing itself,” the photobook is the new paradigm shift for the photographic medium. This online course will introduce the history of the photobook in the context of early 20th century photography to the 21st century, challenging one to ask, “Why the book?” Within this context, the purpose of one’s book will be explored. Surveying and selecting individual images within a series, then editing images into a cohesive body of photographs, will drive the design, including creating dynamic layouts and prototype mock-ups for review. Using presentation software, such as Keynote or PowerPoint, one’s first look will be to critically examine scale, sequence, the visual space of each page, text, and other construction elements to heighten the experience of one’s photographs within the flow of a book. This is not a course on how to use publishing software. As the course proceeds, various publishing sources will be introduced and scrutinized from simple construction options to complex ones. Students will compare their level of skill with these proprietary software sources, selecting the best in regard to which book format has an acceptable degree and “ease of handling.” Further considerations for a publisher will be the design options needed to communicate the book’s purpose, selection of various papers, binding, and of course what is the final cost and turnaround time to hold the book in one’s hand. Requirements for successful completion of the course: Participants need a body of photographic works to create and design their book. The selection of a book design software is cost-free, but publishing costs for one book usually start at about $25 plus shipping. Turn around times are usually 6–10 business days. The course meets online consecutively for five weeks, taking one week off to outsource to publisher. There will be a final online class meeting (6th week) to review and celebrate one’s completed book! Max students: 12 Visit: https://www.ljathenaeum.org/class/102 Athenaeum Music & Arts Library on Instagram and Facebook

Two former dancers allege that they lived under a culture of fear and routinely performed despite injuries. Shen Yun has vehemently denied the claims.

The John F. Kennedy Center for the Performing Arts in Washington, D.C., has dissolved its Social Impact division, which partnered with local organizations to bring in diverse artists and audiences.

On Sunday, the chatbot was updated to "not shy away from making claims which are politically incorrect, as long as they are well substantiated." By Tuesday, it was praising Hitler.

The bot fails at some basic questions about fires. Cal Fire says it is working on fixes.

Yaccarino, a traditional business executive, was in many ways a strong foil to the mercurial and controversy-courting Musk. She did not cite a reason for her departure.

Sky Falconry offers unforgettable experiences free flying trained birds of prey to the glove while learning about raptor biology, the ancient art of falconry, and wildlife conservation. Participants engage in hands-on interactions with hawks, falcons and owls, learning about the history and practice of falconry, while witnessing the incredible flight abilities and innate behaviors of raptors. Join one of our many falconry classes to connect with majestic birds of prey in the stunning natural setting of our private ranch, with gorgeous views of San Diego County. Our immersive falconry adventures not only deepen your appreciation for wildlife but also foster a unique bond between human and bird. Visit: Sky Falconry Experiences with Hawks, Falcons and Owls Sky Falconry on Instagram and Facebook

Great works of art are great, in part, because they continue to have something to say to the present: They're both timebound and timeless. And, boy, does Gatsby have something to say to us in 2025.

Friday, Saturday, Sunday, 9:30 a.m. –12:30 p.m. March 14, 15, and 16 (3 days, 9 total hours of instruction) La Jolla Studio Follow your imagination and the patterns in fabric scraps as you combine them with painted paper, cutouts, and paints. This is a chance to recycle many colorful leftovers into fantasy creations. Compositional forms will be explained with a focus on movement and repetition. During the first class meeting, Susan will demonstrate techniques for preparing paper and gluing items smoothly, and she will provide some fabric scraps for your use. She will be working on a mixed-media collage while in class. The following classes will be used to complete a larger work using still life or photographs as inspiration.   Materials: Fabric scraps, paper,* acrylic paints, 11” x 14” canvas (or larger), gesso, brushes, clear acrylic medium, copies of old photos, magazines for collage, scissors. Useful additions: Rags, scraps of foam-core, corrugated cardboard, mat board, colored pencils, soft pastels, oil pastels, India ink, watercolors. *Paper for the base of the artwork needs to be at least 100 lb. Pick no smaller than 16” x 20”. Various sizes and types of art paper (Arches cover, Stonehenge, Bristol) are good. All kinds of scrap paper and wrapping paper can be used in the mixed-media art piece. Max students: 12 Visit: https://www.ljathenaeum.org/classes/16 Athenaeum Music & Arts Library on Instagram and Facebook

Wanda Sykes says getting back on the road helps remind her that she's still funny. On this week's Wild Card, Sykes talks about her conversations with God and why she loves bowling alleys.