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  • Kosuke Matsuda will present his solo recital on Monday, January 6th, 2025, at 5 p.m. at the Conrad Prebys Music Center Experimental Theater. This recital marks a significant milestone for Matsuda as it concludes his Doctor of Musical Arts degree and launches his 2025 season as a music performer. The concert showcases works by John Cage, Kaija Saariajo, and Hans Werner Henze, whose compositions integrate Japanese concepts of silence and sound as central musical elements. Through these pieces, Matsuda aims to explore how silence can be shaped by sound and gesture, offering a nuanced interpretation of its depth and meaning. In his doctoral research, Matsuda delved into the conceptual differences of silence in Japanese culture, analyzing its representation in literature and its influence on music. The Japanese language itself offers over seven words to express varying forms of quietness and tranquility, each with unique contextual nuances. This recital invites audiences to experience these dimensions of silence brought to life through music. This recital also serves as the beginning of Matsuda’s 2025 concert season, which will include a solo performance in Tokyo, Japan, on March 12th, 2025, and additional engagements throughout the year. Join Kosuke Matsuda on January 6th for an evening of profound musical exploration, where sound and silence intertwine to create a deeply reflective concert experience. Kosuke Matsuda, originally from Nagasaki, Japan, began his career as a percussionist, deeply inspired by the natural soundscape of his hometown. Matsuda pursued a master’s degree at Aichi University of the Fine Arts. He continued his studies in the United States, earning a second master’s degree and Artist Diploma at the Frost School of Music, University of Miami. Currently based in San Diego, he is completing his Doctor of Musical Arts degree at UC San Diego. Visit: https://music-web.ucsd.edu/concerts/cms_index.php?now=1&query_event_code=20250106-Matsuda Kosuke Matsuda on Facebook
  • Hungarian Prime Minister Viktor Orbán has been called "Trump before there was a Trump." Here's why his reshaping of Hungary's political institutions inspires U.S. conservatives.
  • Thursday–Friday, 10 a.m. – 1 p.m. December 5–6 [Students can leave materials overnight Dec. 5 and work in the studio from 1–4 PM (without instruction)] (2 Days, 6 total hours of instruction) La Jolla Studio $100/120 + $20 materials fee paid to instructor This fun and focused class emphasizes the basics of creating a painting. Emphasis in this class will be on an impressionist technique of painting using an “alla prima” (wet into wet) style of painting, keeping loose brushwork, thick paint, and eliminating detail. We will emphasize composition, color, form, and lighting. There will be a still life setup. I do a painting demonstration in each class. Materials: Paints: Your preference of paints: oil, acrylic, watercolor, gouache … you name it!  Please include Titanium White, Cadmium Yellow Light (cool yellow), Cadmium Yellow (warm yellow), Cadmium Red Light, Alizarin Crimson, Ultramarine Blue, Cerulean Blue, Viridian Green or Phthalo Green. Plus any colors of paint that you would like to use. Brushes: Bring a variety of brushes for your choice of paints that include #2, #4, #6, #8. Good quality brushes make a difference. Other materials: 12” x16” paper palette pad; odorless Turpenoid and linseed oil for oils; soft vine charcoal; 1.5- or 2-inch palette knife; paper towels; two small jars with lids; spray bottle for acrylic painters; sketchbook; color pencils; four canvas or canvas boards, 11” x 14” or your preference. Good quality watercolor paper for watercolor painters. Suggested items:  Masterson Sta-Wet Palette Seal to keep paints moist; glass palette to go inside the box making paint easier to mix; Silicoil jar with spring in the bottom to clean brushes; two tall containers to hold clean and used brushes at your station in the studio. Please email me at sharoncaroldemery@gmail.com if you have any questions. I am always available to help. Max students: 13 Sharon Carol Demery moved from the Bay Area to Los Angeles, where she studied and began her career. There she developed her modern art with an affinity for vibrant color, purity, and simplicity depicting images of abstraction that retain their cohesiveness. She was associated with the 1970s Abstract Illusionism movement. Primarily considered to be an abstract painter, her artistic facility and mixed-genre style depict an artist capable of eluding classification working in both abstraction and representational painting. Sharon has shown in galleries and museums around the country, and her work is in many private and public collections. An award-winning artist, her work has been reviewed and written about in numerous publications like Art Magazine, the New York Times, Los Angeles Times, and Images and Issues. Sharon taught painting at Arizona Western College in Yuma, as artist in residence, from 1979 to 1981, after which she moved to San Diego, where she attended UCSD and received the Professional Certificate in Art and the Creative Process. She attended Platt College and received a diploma in graphic design. She also studied human development at San Diego City College. Sharon has been teaching at the Athenaeum’s School of the Arts for 10 years. She has been influenced by her many travels on three continents and the great works of masters like Van Gogh, Cezanne, Matisse, Bonnard, Kandinsky, Grace Hartigan, Lee Krasner, Joan Mitchell, Thiebaud, and Diebenkorn. She says, “Painting for me is about discovery, growth, and human emotion. My goal is to continue studying the masters old and new to continue my journey in painting.” Athenaeum Music & Arts Library on Facebook / Instagram
  • Exposure to heat can alter the way your DNA works, according to a new study. The effects could lead to long-term health outcomes.
  • Officials said initially nine people were missing but authorities later apprehended two.
  • The drug company Eli Lilly is suing four telehealth companies for allegedly selling copies made by compounding pharmacies of its drug Zepbound.
  • The interim U.S. attorney for the District of Columbia has sent letters to several leading medical journals asking for information about their editorial practices.
  • Northeast states have bet big on offshore wind to meet spiking power demand and drive economic growth. But the industry's future is much more uncertain under President Trump.
  • Santa Monica College started the first community college program to train people for much-needed jobs in homeless services. But will its first cohort be its last?
  • Enjoy a uniquely-San Diego experience at one of our city’s most iconic historic landmarks. Make the climb on a guided tour that highlights the origins of Balboa Park and the histories of some of the many diverse communities that call the region home. All tours culminate in breathtaking 360-degree views of San Diego from the Tower’s eighth-floor viewing deck–from the Pacific Ocean in the west to the Cuyamaca Mountains in the east, and beyond. California Tower Tours are offered Wednesday through Sunday at the Museum of Us. Tours are 40 minutes long and accommodate up to six (6) people. Tickets can be purchased online or at the Museum admissions desk. Capacity is limited and tours sell out fast, so we recommend booking your tour online ahead of time to plan your visit. Visit: California Tower
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