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Traumatic experiences caused by climate, such as experiencing a wildfire, can have lingering impacts on how our brains work, according to a UC San Diego study published Wednesday.

Whether it’s monetary donations or volunteering your time, there's a lot you can do to help those impacted by LA wildfires. We hear from a 2003 Cedar Fire survivor about what truly helps — and what doesn’t — when recovering from a disaster.

The New York Adult Survivors Act gave alleged victims of sexual violence a one-year window to file civil claims, even after the statute of limitations had lapsed. It's a law that may have opened the doors for the federal investigation that landed Sean Combs in custody.

These books confront readers with the recent past and distant future, bring them to southeastern Africa and an alternative Japan, and bedeck their pages with subversive cartoons and lush landscapes.

From biking in San Diego to running in San Francisco, these programs host workout groups specifically for homeless Californians.

Nearly 1,000 women from around the country flew to New York City to audition for the dance troupe on its 100th anniversary. What's helped it last so long?

Trump's administration said they want tariffs to boost US manufacturing, and most Americans want more factory jobs here. But what makes us nostalgic for factory work?

A waiver issued by the Department of Homeland Security allows the federal government to bypass environmental regulations and begin construction immediately on stretches of the border wall in Southern California.

Ana Maria Herrera: Layered Memories January 11–March 14, 2025 Opening Reception: Saturday, January 11, 5 p.m. – 8 p.m., during the Barrio Art Crawl Ana María Herrera’s work explores identity, displacement, and cultural coexistence through an intricate blend of found objects and diverse materials, such as wood, glass, metal, and fabric. Her compositions reflect the ephemeral nature of existence, particularly in the border region, where the complexities of migration and cultural negotiation are ever-present. By incorporating photographs, textiles, and three-dimensional elements, Herrera examines the emotional and physical boundaries that shape personal and collective identities, addressing themes of vulnerability, resistance, and resilience within the contemporary sociopolitical landscape. Herrera engages with layered complexities of human existence, crafting assemblages that challenge traditional notions of representation and foster dialogue about the realities of border life. Using windows and frames as both physical and symbolic elements, Herrera invites viewers to contemplate the tension between visibility and obscurity. These pieces serve as portals into narratives of migration and belonging while subtly addressing issues of surveillance and power dynamics. This exhibition encourages a critical examination of the intersection of culture, history, and memory in the shaping of individual and collective identities in an increasingly interconnected world. Ana María Herrera—Artist Statement In my assemblage art, I draw from the aged and textured materials of the past—pieces like rusted metal chains, weathered wood from light poles, bicycle wheels, pressure gauges, and electrical meters. These objects, marked by time and mystery, serve as silent witnesses to countless stories, histories, and transformations, much like the wisdom of an elder etched by years of experience. I am drawn to their deep tones and weathered surfaces, each item resonating with lives lived and “time stories” I may never fully understand. This uncertainty around their origins only enhances my appreciation, allowing me to create without the constraints of their original purpose and instead invite viewers to interpret their own narratives within these materials. In each assemblage, I work to honor the age, history, and hidden memories within these objects. Through layering and reimagining, I hope to give them new life, encouraging viewers to look closely, question, and connect with the unseen past that each object holds. Ultimately, my art celebrates the beauty in things long overlooked, encouraging a reverence for the history that surrounds us and inviting curiosity about what once was. Visit: https://www.ljathenaeum.org/upcoming-exhibitions Ana Maria Herrera on Instagram and Facebook

The DOJ says Maine is violating Title IX, the 1972 law that prohibits sex-based discrimination at schools that receive federal funding. Gov. Janet Mills has promised to "vigorously defend" the state.