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  • The action lays bare the administration's attempt to exert its will over immigration enforcement, and a growing anger at federal judges who have blocked executive branch actions they see as lawless.
  • Come Dance Off Your Grief Get ready for an unforgettable evening at the Grief Relief Disco, where movement, music, and community come together to create a space for healing and joy. Hosted by Bravo Family Mortuary and Topkare Hospice, this event offers a unique way to honor your grief while embracing light-hearted fun. Movement plays a significant role in processing grief because it helps release physical and emotional tension, promotes mindfulness, and can facilitate emotional expression. When we're grieving, our body often holds stress, anxiety, or sadness, and physical movement can help shift this energy. Come early for Somatic movement! 6 p.m. Somatic movement workshop with Jesse Greenfield to ground and release. Jesse will teach us somatic dance moves specifically designed to help release grief that gets stored in the body. 6:30 p.m. Dance party begins! Our featured DJ's Mr. Bold LizárdaVinci ARKTKfox Please wear your favorite socks because you will be asked to remove your shoes on the dance floor! Don’t miss this free, one-of-a-kind celebration. RSVP on meetup now and get ready to move, groove, and heal! FAQs: Is this a grief support group? No, this is not a support group specifically. This event is hosted by death care professionals who are drawn to creative ways for all of us to release grief. Is there a fee to attend? Nope! This is a free event. Is there parking? Yes, there is a parking lot, street parking, and it’s OK to park at McDonalds next door. Is this event for kids? Yes, this is an all ages event! We can't wait to see you!
  • The health care giant's shares are down more than 50% in the last month. That's hurting the powerful U.S. stock-market index.
  • The health care conglomerate is facing mounting financial problems – and ongoing consumer anger over high costs and denied claims.
  • An Edinburgh police detective and a team of misfits search for a woman who vanished several years earlier. Critic John Powers says the byplay of characters makes Dept. Q worth watching.
  • As the director of people and culture for KPBS, Lois leads the team responsible for driving human resource functions such as recruitment, onboarding, retention, employee relations, labor relations, training and development, and performance management.
  • Mariska Hargitay has only the vaguest memories of her mother, Jayne Mansfield, the sex-symbol movie star who died in the 1967 crash. Now, Hargitay examines her family history in a new documentary.
  • The agency says the increase is lower due to cost-cutting measures. The SDCWA also passed a new budget and rejected funding options for the Water Conservation Garden.
  • The pop star's fourth album, her first since 2021's polarizing Solar Power, finds the 28-year-old shedding the stoic self-possession that defined her early career.
  • Nocturnal scenes of San Diego’s ubiquitous taco stands and a massive shipyard are the subjects of “Night Light,” an exhibit at The Photographer’s Eye Gallery that will feature fine art images by Philipp Scholz Rittermann and Marshall Williams. This free show will open May 10 and run through June 7. Rittermann and Williams are both accomplished San Diego artists, commercial photographers and teachers whose works have been shown at prominent venues locally, nationally and internationally. When Philipp Scholz Rittermann stepped into the metal shell that was to become the hull of the Exxon Valdez, he could not envision that he was documenting the first chapter of a future catastrophe. The year was 1985, and four years later the oil tanker would run aground in Prince William Sound, Alaska, bleeding its cargo of crude oil into the sea and etching the ship’s name into the log of notorious environmental disasters. Rittermann was a young man, recently arrived in the United States, when he landed an internship at the San Diego Museum of Photographic Arts, which led to his securing a pass to do night photography at the National Steel and Shipbuilding Co. (NASSCO) shipyard on San Diego Bay. The result is his collection, “Shipyard Nocturnes,” which will be shown at the nonprofit Photographer’s Eye Gallery. One of the featured images in the exhibit is Rittermann’s large black and white print shot inside the Exxon Valdez as it was being built. The work is remarkable for both its artistic appeal and what it came to signify. “I was standing inside one of the enormous holds and looking into this cavernous space that was the size of a cathedral on the inside, and an engineer walked by and I said, ‘So where are you putting the oil tanks?’ And he said, ‘You're looking at it.’ And I said, ‘Do you mean they go here?’ And he goes, ‘No, you're looking at it.’ “And I said, ‘Oh … this is the tank?’ And he goes, ‘Uh-huh,’ and walks away,” Rittermann said. “I thought, geez, what happens when you put a zipper in this?” Rittermann recalled, “and then four years later, that's exactly what happened.” Rittermann’s images stand as tributes both to industrial might and technology, and to the human fallibility that enabled such a disaster. “While the images haven’t changed since I made them,” Rittermann said, “the way I feel about them has.” Marshall Williams was inspired to create images of San Diego’s taco stands when he found himself waiting for a traffic light to turn green, and a neighborhood fixture caught his eye. “I was staring at the taco stand across the street when it illuminated and in that moment I was a bit startled by the transformation,” Williams said. “I saw this structure in a way I hadn't seen it before." “I came back to photograph it at the same time of the evening and from that point on I began to notice the different taco stands around town all shared many of the same elements, but no two seem to be the same,” he said. The result is “Taco Stand Vernacular,” a collection of images that captures the folk nature of one of San Diego’s most common fixtures — one so common that it is easily overlooked. Williams photographs them as day yields to night, and he produces his images in black and white. “As a photographer, we love that transitional moment between day and night when there is a balance and ‘best of both worlds’ from a lighting perspective,” he said. In daylight, these small structures are swallowed by their surroundings, he noted, “but in the early evening they are cloaked in a subdued ambiance and emitting their own light, exuding a sort of theatrical like presence.” “This has been an exercise in taking the commonplace and attempting to elevate it to an object of appreciation,” Williams said. “If taking the time to observe the details of a taco stand can change our view of it, what other details have we missed or left unappreciated in the hustle of our busy lives?” “Night Light” opens on May 10 and closes June 7. The gallery is open Fridays and Saturdays, from 11 a.m. to 5 p.m., and by appointment. There will be an artists’ walk-through on opening day at 4 p.m., followed by a reception at 5 p.m. Artists Rittermann and Williams will conduct a night photography walkabout on May 15. Consult The Photographer’s Eye website for details. Visit: https://www.thephotographerseyecollective.com/ and https://www.marshallwilliamsphotographs.com/taco-stand-vernacular The Photographer's Eye: A Creative Collective on Instagram
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