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  • Harvest & Gather is pleased to present "missed connections", an exhibition that facilitates collaboration between artists who might have once worked together, but the stars did not align in their favor or their spirits could not quite connect. Each invited artist has selected another artist to exhibit with, thus fulfilling their missed connection at the Athenaeum. Moving beyond an exchange of glances but nothing more and the “you-smiled-at-me-on-the-subway-platform” prose of personal ads, Harvest & Gather seeks to allow the exhibiting artists a working opportunity to intimately connect with another artist’s work and practice. Artists are Deanna Barahona and Susan Aparicio; Katie Delaney and Elaine Fisher; Maria Antonia Eguiarte and Liz Nurenberg; and Stephen Rivas and A.R. Tran. Harvest & Gather is an experimental, nomadic curatorial project founded by mika Castañeda & Cat Gunn in 2023. With an emphasis on creating makeshift spaces for art anywhere at any moment, the project exists beyond traditional galleries and museums through pop-up shows in various locations. ARTISTS Deanna Barahona is a first-generation multidisciplinary artist from Southern California working in text, photography, installation, and sculpture. Barahona examines subcultures that emerge in Southern California’s integration process with materials referencing architecture, adornments, and symbols within the homes of the Latin American diaspora. Barahona’s work has been in exhibitions at Charlie James Gallery, Los Angeles; Bread + Salt, San Diego; Island 83 Gallery, New York City; Mandeville Gallery, La Jolla; Bakersfield Museum of Art; Two Rooms, San Diego; and Residencia 797, Guadalajara. She is set to participate in a group exhibition at Museo Raúl Anguiano in Guadalajara in the summer of 2024 and a solo exhibition at the San Luis Obispo Museum of Art in 2025. Barahona holds a BA in visual arts from California State University, Bakersfield, and an MFA from the University of California, San Diego. Susan Aparicio is a Southeast Los Angeles native, a daughter of Mexican and Honduran parents, and a visual artist experimenting in the mediums of stained glass, experimental video, and installation. Her stained-glass work explores worship, desire, and Latinidad-through-pop-culture-inspired imagery from the early 2000s to today, blending bling and beauty to make the fake feel real. Her works explore the complex relationship between reality and states of being, inviting viewers to reflect on their existence within our natural, digital, and consumer worlds. Her works have been exhibited at Leiminspace, Bellyman, LaPau Gallery, Charlie James Gallery, the California Museum, the Hudson River Museum, Texas Tech University, and Cal State Dominguez Hills, among others. Her work has been recognized by publications such as LVL3 Magazine and the Daily Bruin. Aparicio was a resident at Caldera Arts Residency and the Artists’ Cooperative Residency & Exhibitions (ACRE). She earned dual BA degrees in studio art and cognitive science from the University of Virginia in 2018. She then earned her MFA in art from UCLA in 2022. Aparicio is currently based in Pasadena. Katie Delaney (they/them) is a queer, non-binary artist based in Philadelphia. Their practice questions the role of the gender binary in generational trauma by creating work within a “mythspace” that transfigures traditional storytelling. They hold an MFA from the University of Delaware (’24) and a BFA in sculpture from Towson University (’20). Their work has been exhibited internationally at Galería Municipal de Arte, Valparaíso, Chile; virtually at the Alternative Art School, Vox Populi; Grizzly Grizzly, Philadelphia; throughout the DMV, ICA Baltimore; Delaplaine Art Center, Frederick, Maryland; and The Hen House, Washington, D.C. Elaine Fisher received her BA in archaeology and ancient history from the University of Liverpool in 1996 and her MFA from the University of Gloucestershire in 2015. She continues her research independently and collaboratively in the areas of art, archaeology, and depth psychology, through place-based residencies and commissions, including B-side Festival; SLUICE Exchange, Berlin; and most recently at The Florence Trust , London. In 2022 she was invited to exhibit her COVID project Domestic Structures at Project 1628 in Baltimore. Group exhibitions include Fibres at AIR Gallery, Manchester, UK; Garden Party by Latela Curatorial, Washington, D.C.; and Flat Files at the Institute of Contemporary Art, Baltimore. In 2024 Elaine was nominated for a Castlefield Gallery Award for her entry in the Manchester Open Exhibition at HOME, Manchester. She currently lives and works in Manchester. Maria Antonia Eguiarte Souza is a Mexican American artist raised in Mexico City and based in San Diego. She engages in gesture-based performance and object making. Eguiarte has shown in group expeditions in both Mexico and the United States, including at the ICA San Diego, Patio Trasero, Brea Gallery, NIXON, Proxyco NYC, Working Title with Project Blank, the New Wight Gallery UCLA, and Museo Ex Teresa Arte Actual. Liz Nurenberg (b. 1978) is a Los Angeles–based artist. She received a BFA from Grand Valley State University (2003) and a MFA from Claremont Graduate University (2010). Liz is an associate professor in the Foundation Department at Otis College of Art and Design. She is a member of Tiger Strikes Asteroid Los Angeles. Liz was awarded a fellowship to Ox-Bow School of Art and Artist Residency and a Helen B. Dooley Fellowship at Claremont Graduate University; she received a California Community Foundation Emerging Artist Grant. She has exhibited her work nationally and internationally at such venues as the Holter Museum, Helena, Montana; Pasadena Armory Center for the Arts; Elephant Art Space, Los Angeles; HilbertRaum Gallery, Berlin; Galleri CC, Malmo, Sweden; and the Contemporary Calgary. Stephen Rivas is an interdisciplinary artist raised in Palmdale, California. Working across photography, video, sound, and writing, Rivas creates deeply personal, multilayered works that interrogate intersections of history, identity, and resistance. His work often adopts an autobiographical lens, utilizing multi-channeled projections to weave narratives that explore memory, love, death, joy, anarchy, and the fleeting nature of time within his family’s collective history. Central to Rivas’s practice is the critique of colonial narratives and systems of power. By uncovering the preexisting “threads” of resistance and resilience within his family’s past—what he refers to as “weapons against empires”—Rivas reclaims stories that challenge dominant historical frameworks. As systemic oppression persists, Rivas sees focusing on past resistance as a method of preserving memory and a strategy for imagining liberated futures. His work highlights the connections between historical uprisings and contemporary struggles, emphasizing the enduring relevance of resilience and decentralized resistance. Rivas’s installations invite viewers into a space where personal and political histories collide, emphasizing the importance of storytelling as a tool for survival and subversion. Rivas completed his BFA in 2019 at the California Institute of the Arts, where he began exploring themes of identity, migration, and memory. He later earned an MFA from the University of California, Irvine in 2023, further refining his interdisciplinary practice and conceptual approach. A.R. Tran was born in Monterey Park, California, in 1993 and moved to New York in 2011 to attend New York University’s Gallatin School of Individualized Study. In 2015, he received his BA in Critical Race Theory and visual studies and was awarded the Finish Line Grant and Founder’s Day Award. That same year he was selected to participate in the Gallatin Arts Festival as a visual and performance artist. For more than five years, he worked in arts education and public programming for institutions such as the Museum of Contemporary African Diasporan Arts (MoCADA), the Metropolitan Museum of Art, and the Mark Morris Dance Center and participated in a number of student shows at 205 Hudson Street. In 2020, he enrolled in the University of California, Irvine’s MFA program in art. There he developed his interdisciplinary art practice while taking PhD-level courses in Critical Race Theory and Black studies. In 2022, he was accepted into UC Irvine’s Pedagogical Fellowship program, was nominated for the Tom Angell Fellowship, and was named a Claire Trevor Society Scholar in Art. In spring 2023, he was awarded an Interdisciplinary Research residency at UC Irvine’s Experimental Media Performance Lab (xMPL) and his solo exhibition, entitled "THE ROOT OF DESIRE IN VIOLENT AND I STILL WANT TO BE WANTED", opened at University Art Gallery in Irvine. The exhibition can be viewed in the Joseph Clayes III and Carolyn Yorston-Wellcome Rotunda Galleries at the Athenaeum Music & Arts Library (1008 Wall Street, La Jolla, CA 92037) during open hours, Tuesday through Saturday, from 10 a.m. to 5:30 p.m. Visit: https://www.ljathenaeum.org/events/exhibition-2025-harvest-gather-walk Athenaeum Music & Arts Library on Instagram and Facebook
  • This class is for teens between the ages of 11-17. Printmaking is an artistic process based on the principle of transferring images from a matrix onto another surface, most often paper or fabric. Traditional printmaking techniques include woodcut, etching, engraving, and lithography, while modern artists have expanded available techniques to include screen printing. Participants will have the opportunity to create multiple prints of different colors and participate in aspects of “social practice,” in which artworks serve to create community spaces through sharing and trading. ArtReach San Diego on Facebook / Instagram
  • The La Jolla Art & Wine Festival (LJAWF) returns to the heart of La Jolla on Saturday, October 11, and Sunday, Oct. 12, 2025. This free, family-friendly weekend features over 170 juried artists from across the U.S. and Mexico, showcasing stunning works in painting, sculpture, jewelry, glass, ceramics, woodwork, photography, and more. This year’s featured artist is Gregg “Viz” Visintainer, known for his bold, detailed pen-and-ink illustrations. Art lovers, wine enthusiasts, and craft beverage fans alike will find plenty to enjoy, with a ticketed wine and beer garden featuring over 35 top-tier wineries, local breweries, and craft distilleries. The festivities also include the Geppetto’s Toys Family Art Center, a two-day silent auction, pet adoption stations, and live music and entertainment for all ages. The La Jolla Art & Wine Festival Foundation is a non-profit organization with a mission to bring needed funds to the San Diego Unified School District, art to the community, and to promote La Jolla and its merchants, strengthening the vibrant community of La Jolla. For tickets, sponsorship opportunities, and artist or vendor applications, visit below: Visit: https://www.ljawf.com/ La Jolla Art & Wine Festival on Instagram and Facebook
  • Join OMA's Artist Alliance at Sparks Gallery for the reception of "Elemental" on Sunday, May 25, from 5 p.m. – 8 p.m. OMA's artist alliance is thrilled to present 38 artworks in their third exhibition at Sparks Gallery in San Diego’s historic Gaslamp Quarter downtown. Selected by juror Sonya Sparks, many of the artworks are loosely themed to the title, "Elemental," work that explores the vibrancy and vitality of the core elements—earth, air, fire, and water—that shape the world around us. The exhibition aims to evoke the raw, powerful essence of these elements, revealing their interconnectedness with life and the environment. The Elemental theme highlights how these fundamental components permeate our daily existence, inspire creativity, and foster growth, yet also have the capacity for destruction and transformation. Visit: https://sparksgallery.com/product-category/gallery-exhibitions/elemental-oceanside-museum-of-art-artist-alliance?_gl=1 Sparks Gallery on Instagram and Facebook
  • Learn to Wet Felt with Wool! Sunday, June 15, 9 a.m. - 12 p.m. Join us for a creative time around wool and fellowship on Sunday for Fiber Fest! In this 3-hour workshop you will learn the ancient art of wet felting — the process of loose wool becoming a fabric (felt). This textile art technique has been used for millenniums in the making of rugs, clothing, and homes (yurts). Instructor Sylviane Collier will demonstrate the technique, taking you step-by-step through the project and providing guidance along the way so you may enjoy the creative process and let your inner artist take the lead. First you will create your own picture by layering wool fibers (you will have a wide selection of dyed merino wool to choose from) to finish with the binding of all the fibers using a wet felting technique. We will use bamboo mats, water and soap for the felting process. It is not a messy process, just a wet one. Towels will be provided. Each student will create a one-of-a-kind 8”x 8” “painting.” Images of flowers, landscapes and animals will be provided for inspiration. Students are also welcome to bring their own. A material fee of $10 (cash only) to be paid to the instructor at the start of the class. No experience necessary. Ages 14+ welcome! All materials included. This workshop is part of Craft Collective’s 2nd annual Fiber Fest! Join in the main day of festivities on Saturday, June 14, for a day filled with fiber fun! • Military, first responders & sibling discount • Scholarships available San Diego Craft Collective on Facebook / Instagram
  • Distinction Gallery is proud to present! Kelly Vivanco's 2025 Solo Exhibition: "RARE BREED" Opening reception on May 10th 6 p.m. - 10 p.m. Saturday with the Artist & live music. Drinks available for purchase at Last Spot Bar by TorTari! Immerse yourself in Vivanco's unique world of beautiful & whimsical characters! Visit: https://www.distinctionart.com/kellyvivancoart.php Distinction Gallery on Instagram and Facebook
  • Explore ceramic handbuilding & funky glazes! Mondays, June 9, 16, 23, 30, July 14 From 6 p.m. - 8:30 p.m., with the last class of the series from 6 p.m. - 9 p.m. In this 5-week series, students will learn the basics of handbuilding to create functional pieces with an emphasis on decorative techniques. Working with mid fire clay, we will explore various methods of building forms and decorative techniques with underglazes, slips, glaze, and various experimental materials. Students will complete multiple projects throughout the course with an artistic and creative approach to decorative designs. Inspired by printmaking, painting and drawing, we will explore image transfers, mark making, layering, stencils, and more! Through the use of technique and materials, students will explore the fusion of 2D art and 3D form. Students will be able to utilize a wide array of glazes and colors through the course. The instructor will have a wide array of custom decorative materials for use and sale. All materials provided. Additional materials available via the instructor for a fee. Ages 15+ welcome! • Military, first responders and sibling discounts: Email us for more information. • Scholarships available • Homeschool funds accepted • If this class is full, join the Interest List to be notified. • If you would like to be notified of future offerings, join the Interest List to be notified when new dates or spaces are available. Visit: 5-Week Surface Design | Handbuilding & Funky Glazes San Diego Craft Collective on Instagram and Facebook
  • The Sixties Show is from NYC and is The Greatest 1960’s Musical Re-Creation Show on Earth. The band features former band members of The Who and John Fogarty. This popular theater show is a cross generational crowd pleaser and has been selling out virtually every theater and performing arts center that the show plays at. The band is widely celebrated and known for re-creating spot on, note for note re-creations of the hits, B-sides and deep album cuts from the greatest songs of the 1960’s. In addition to the concert experience, this high energy show is a large scale and ambitious multi -media, stage production that is powerfully dramatized by a combination of time travel special effects, narration, 60’s archival audio and newsreel footage and a light show. The Sixties Show is a high energy trip back in time that reminds the audience how uniquely inspirational, entertaining, and historically significant the music and events of the 1960’s were and continues to be. All of the music is performed live, with no samples, backing tracks or prerecorded music of any kind. The band uses a state-of-the-art sound system but, only plays authentic 1960’s period vintage and re issue vintage gear and instrumentation just like original artist’s and original recordings. This combined with genuine 1960’s mod costumes that the band wears only add to the meticulous detail and authenticity of this popular and powerful theater show. Visit: https://purchase.moonlightstage.com/EventAvailability?EventId=3002
  • Local author Mac Crane's latest book "A Sharp Endless Need" draws from their own experience as a former Division I basketball player.
  • Experience Bridging Communities: "Echoes of Identity & Resistance" at the Brooks Theater (217 N. Coast Highway, Oceanside, CA)—a multidisciplinary performance that centers movement, memory, and cultural resilience to explore what it means to belong, to remember, and to resist. Through dance, spoken word, film, and storytelling, the program amplifies the voices of Asian and Pacific Islander artists and community members, creating a space where diasporic identity and ancestral memory come into dialogue. Weaving together personal histories and collective truths, this powerful event holds space for healing, transformation, and creative expression. In a time when cultural erasure and displacement persist, we return to our bodies, our stories, and each other—using art as a bridge between communities, generations, and geographies." Oceanside Theatre Company on Facebook / Instagram
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