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  • New Justice Department leaders say past enforcement of the Freedom of Access to Clinic Entrances Act is "the prototypical example" of what they call "the weaponization of law enforcement."
  • Even though this tragedy was hinted at from the first episode, it's treated with gravity and presented in agonizing detail.
  • Abdulwahab Omira escaped Syria's war with his family as a teenager. He recently returned as a Stanford graduate student and a budding entrepreneur, hoping to help jumpstart the country's tech industry.
  • Some fear a setback for women and people of color after President Trump revoked a 1965 executive order that required federal contractors to identify and address barriers to employment.
  • The Muhammad Ali Center in Louisville, Kentucky, has a new photo exhibit in honor of International Women's Day: "Iconic Women: From Everyday Life to Global Heroes."
  • Students observing Ramadan generally fast from dawn to sunset. This year, that won’t prevent them from getting school breakfast and lunch.
  • The New Jersey Democrat took the podium to criticize the Trump administration's policies at 7 p.m. Monday. He ended his marathon speech shortly after 8 p.m. on Tuesday, breaking a decades-old record.
  • The Lunar Trailblazer orbiter's launch window opens Feb 26. It's catching a ride with Intuitive Machines IM-2 mission which is landing on the moon near the south pole. Both have instruments for looking for water.
  • Multiple people have given stiff-arm salutes after Elon Musk did it twice on Inauguration Day. Many claim it was a joke but extremism experts worry the once-taboo salute is getting normalized.
  • Bringing their recent debut to San Diego for two nights only, Seattle duo Jenny Peterson and Kaitlin McCarthy present a dance work of horror, humor, and friendship. Told through their distinctive aesthetic of the unhinged and uncanny, "DRIVE WOLVES MAD" tracks the aftermath of an inciting event and ambiguous line between victim and perpetrator. A musical score by Jenny Peterson riffs on predatory pop songs, altering and abstracting them as an act of reclamation. Peterson/McCarthy’s journey seeks to transcend archetypes authored by men, finding their way to a place of survival and remediation–a way to exist in a context of their own creation. Through the dance they move from a place of dissociation into states of empowerment–which sometimes looks like camaraderie, sometimes wild physical abandon, and sometimes a complete release of the societal obligation to be a palatable, consumable feminine entity. Featuring original costume design by Kaitlin McCarthy, this physical and vulnerable dance work culminates a decade of development in the duo’s most ambitious and risky performance to date! Visit: https://www.drivewolvesmad.com/
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