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  • C Fodoreanu: "writings" Exhibition: April 19 - May 26, 2025 Gallery hours are Tuesday through Saturday from Noon to 4 p.m. and by appointment. For further information and press inquiries, please contact us at info@losnotrequired.com LOS/NR is thrilled to present "writings," a solo exhibition by San Diego interdisciplinary artist and physician C Fodoreanu, on view from April 19 to May 26, 2025. This exhibition marks Fodoreanu’s first solo show in our gallery featuring a selection of paintings alongside photographs, single-channel video works, and a site-specific installation composed of water, wood, acrylics, and silks. C Fodoreanu’s paintings depict religious motifs and stories inspired by his upbringing in the village of Nicula, Transylvania, the cradle of popular religious painting on glass. His maternal grand grandfather, Gheorghe Feur, was in fact the last known painter in the tradition of “writing” icons. Fodoreanu is re-creating these subliminal images into large works, each carrying a story significant to who he is as a person today. The title for the show is 'writings,' in line with the old belief that one cannot paint the word of God, only write it again. In "writings," Fodoreanu assumes the “clumsiness” the icons of Nicula were so often reproach with, and paints almost as children would do when trying to render the world around them: not “the way one sees it” with foreshortenings and in perspective, but by an agglomeration of some characteristic features, structurally necessary to make the surrounding world recognizable. What looks like “clumsiness” to an eye familiar with academic painting is the very essentialization and simplification of forms, the abbreviation and eliminations peculiar to a rapid execution which make this kind of painting so attractive, so expressive and suggestive - it is a painting from which any insignificant detail has been eliminated. The icon painters on glass avoided drawing a straight line with the help of a ruler. They believed that using a ruler, real or fictive, generating perfect shapes and forms was straying away from beauty. The line drawn with a free hand better represents life as it contains the heartbeat of the painter with its perceived slight irregularities. The “clumsiness” stops being “clumsy” and instead is elevated to a norm. Avoiding mastery of the perfect line is an assumed artistic choice to express the living soul, the palpable life force - beauty. Fodoreanu places these paintings in communication with his works in other mediums to parallel his perspective as an adult and physician of today to the old imagery flooding his childhood naïve to understanding self and others, adding a subtle disruptive queerness questioning the familiarity of these old told stories. About the Artist C Fodoreanu lives and works in San Diego, California. He holds a BA in Philosophy from UC San Diego, an MD from Harvard Medical School, and an MFA from School of Visual Arts in New York. He is a full-time practicing Pediatrician. He started painting before inherently transitioning to different mediums and modalities to create his art, from creative writing, photography and collages, to videos, installations and sculptures. His work pursues a poetry of light, and explores the human body as a metaphor for how humans relate to the surrounding nature and each other, faith, mythology, play, love, intimacy, memory, fleetingness of time, and the fragility of life. The first recipient of the Annual Sidney L and Sally F. Saltzstein Endowment on Compassionate Care in 2023, and a selected graduating artist from the School of Visual Arts in New York showcased at the Untitled Art in Miami in 2023, Fodoreanu has exhibited his work through various platforms and at institutions including solo exhibitions at Harvard Medical School in Boston, Cornel/Henry Art and University of California School of Medicine in San Diego, and Ronald Silverman Fine Arts Gallery at Cal State LA. He is the author of three poetry books (Romanian), and a photography monograph (English) that is part of the permanent collection of Maison Europeenne de la Photographie (France,) De Pietri Artphilein Foundation (Switzerland,) and Museum of Photographic Arts in San Diego, to name a few. His visual work belongs to private collections throughout the United States, Europe, and Asia. The gallery is located at 7910 Ivanhoe Ave, La Jolla, CA 92037. Parking is available at El Patio Shops building on 7946 Ivanhoe Ave for a flat fee of $7, or at The Ivanhoe building on 7817 Ivanhoe Ave for a flat fee of $10. Street parking is free after 6 p.m. but likely hard to find during our event. C Fodoreanu on Instagram
  • Special Event in honor of Juneteenth on June 19 from 6-9 p.m., more info forthcoming! Oolong Presents “Sun Goin' Down” A Debut Solo Exhibition by 2025 UCSD MFA Graduate John Singletary June 6 to 25, 2025 This powerful body of work, four years in the making, introduces Singletary’s haunting, symbolic, and deeply personal paintings to the public for the first time. Singletary’s painting practice delves into memory and myth. Drawing from Biblical and Classical tales, Southern folklore, his family’s spiritual lineage, and the subconscious, the artist channels a visual language steeped in longing, pain, and transformation. His work explores themes of death, love, and fear, and reanimates the sacred and the subconscious through ritualized technique and iconographic reference. “My aim is to make paintings that create a separation from the self and its fears or desires, creating space for thinking.” In “Sun Goin' Down,” Singletary’s technique and process becomes part of the meaning. Through methods such as sgraffito, sfumato, sanding, and scraping, the surface of each canvas evokes a kind of resurrection—a cycle of death and rebirth in oil and pigment. “In moments where I render carefully, there is longing. In moments where I have sanded the canvas bare, a subconscious death has occurred.” Singletary explores Christianity as both salvation and trauma, magic and evil. His paintings pulse with the ghost-like presence of those who came before, and the spiritual residue of Southern Black life. “Painting is alive—a deity that brings the dead back to life and allows what is absent to appear present.” “Sun Goin’ Down” refuses easy categorization. The works are both confession and apparition, echo and invocation. Rich in symbolism yet elusive in narrative, these paintings ask to be felt more than explained. They speak in the language of dreams—where trauma is transfigured into image, and gesture becomes truth. Join us at Oolong Gallery for this artist whose work is already pulsating with the intensity of a masterful voice. Gallery Hours: Wednesday–Saturday from 11 a.m. – 5 p.m. | appointments recommended w/ wider availability Instagram
  • Presenting a live model sculpturing demonstration. We support art and culture education within the community, and explore a variety of mediums with the public as all mediums are presented by professional; artists. Dana is the owner of Lieu de Sculpture Studios, and seating is limited. so please RSVP to explore this very special demonstration. Visit: https://patch.com/california/carlsbad/calendar/event/20250508/9c982f07-5b47-4ff3-9c5c-b9826371a4e5/free-demo-and-expression-live-model-with-sculptor-dana-mccollough
  • Experience the vibrant energy of Endea Owens and the Cookout, a dynamic ensemble led by the exceptionally talented bassist Endea Owens. Their performances are a joyful fusion of jazz, soul, and global influences, creating a feel-good atmosphere that captivates audiences. Owens, known for her commanding stage presence and masterful playing, often takes center stage with riveting bass solos, while the band members shine with compelling instrumental riffs and uplifting vocal harmonies. The Cookout’s performances are more than just a concert; they are an experience that leaves audiences feeling inspired and connected. Endea Owens’ exceptional talent and impact have garnered significant recognition. She is a recipient of an Emmy, a GRAMMY Award, and a George Foster Peabody Award. In 2019, she was hailed as an Emerging Artist by Jazz at Lincoln Center. Owens has also been commissioned to compose for prestigious ensembles such as the Jazz at Lincoln Center Orchestra and the Cincinnati Symphony Orchestra, where she served as the 2023 MAC Music Innovator. Her debut album, "Feel Good Music," released in 2023, has further solidified her position as a rising star in the jazz world. Endea Owens on Instagram / Youtube
  • "I am deeply troubled by the false allegations regarding the management of the Kennedy Center," Deborah Rutter wrote in a statement.
  • The sculptures are made from a special glass called dalle de verre that produces deeper color effects when illuminated by the sun.
  • On April 18 and 19, the California Center for the Arts, Escondido (CCAE) invites the community to witness the mesmerizing art of live glassblowing in the Cal Club Courtyard. This two-day demonstration, led by renowned glass artist James Stone of Stone & Glass, will showcase the precision, artistry, and transformative beauty of molten glass in motion. As part of Arts, Culture, and Creativity Month, this event is more than just a demonstration—it’s a celebration of community, accessibility, and artistic exploration. Guests will have the opportunity to engage with six talented glass artists, including 55Acre Project, each displaying and selling their handcrafted works. This interactive experience provides a rare glimpse into an ancient art form while fostering a deeper appreciation for creativity in all its forms. Hot Glass, Cold Beer: A Fundraiser for the Arts In the spirit of community support and cultural engagement, we are excited to host “Hot Glass, Cold Beer,” a special fundraising initiative benefiting the CCAE Foundation. James Stone and participating artists will generously donate hand-blown glass cups, which will be given away with a complimentary drink ticket in exchange for a $25 donation. This initiative not only raises vital funds for arts programming but also offers guests a one-of-a-kind keepsake—an artistic reminder of the power of creativity. Visit: https://artcenter.org/event/live-glassblowing-at-the-ccae-a-dazzling-celebration-of-art-community-creativity-2/ California Center for the Arts on Instagram and Facebook
  • On April 18 and 19, the California Center for the Arts, Escondido (CCAE) invites the community to witness the mesmerizing art of live glassblowing in the Cal Club Courtyard. This two-day demonstration, led by renowned glass artist James Stone of Stone & Glass, will showcase the precision, artistry, and transformative beauty of molten glass in motion. As part of Arts, Culture, and Creativity Month, this event is more than just a demonstration—it’s a celebration of community, accessibility, and artistic exploration. Guests will have the opportunity to engage with six talented glass artists, including 55Acre Project, each displaying and selling their handcrafted works. This interactive experience provides a rare glimpse into an ancient art form while fostering a deeper appreciation for creativity in all its forms. Hot Glass, Cold Beer: A Fundraiser for the Arts In the spirit of community support and cultural engagement, we are excited to host “Hot Glass, Cold Beer,” a special fundraising initiative benefiting the CCAE Foundation. James Stone and participating artists will generously donate hand-blown glass cups, which will be given away with a complimentary drink ticket in exchange for a $25 donation. This initiative not only raises vital funds for arts programming but also offers guests a one-of-a-kind keepsake—an artistic reminder of the power of creativity. Visit: https://artcenter.org/event/live-glassblowing-at-the-ccae-a-dazzling-celebration-of-art-community-creativity-2/ California Center for the Arts on Instagram and Facebook
  • Michael B. Jordan plays twin brothers in Ryan Coogler's genre-blending film set in 1932 Mississippi, mixing supernatural horror with real-world Black history and music.
  • Anna Wintour is leaving her post as American Vogue's editor-in-chief after 37 years — but she's not retiring. She will remain a global force at Condé Nast as a new era begins for the magazine.
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