Cinema Junkie

Satisfy your celluloid addiction and mainline film 24/7 with Cinema Junkie’s Beth Accomando. So if you need a film fix, want to hear what filmmakers have to say about their work, feel like taking a deep dive into a genre, or just want to know what's worth seeing this weekend, then you've come to the right place. You can also find Beth's coverage of other arts and culture events here.
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Are you ready to binge on Fringe?

SD Fringe adds SDSU filmmaker showcase

'Park Opera' redefines opera in Balboa Park

Unpacking the virtues of Ryan Coogler's 'Sinners'
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Masked wrestlers, nunsploitation, monsters, and San Diego Latino Film Festival's Un Mundo Extraño — Cinema Junkie looks to extreme Latin cinema with Horrible Imaginings' Miguel Rodriguez.
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Turner Classic Movies launches its March spotlight program, Condemned, a look at more than four decades of censorship, the Catholic Legion of Decency, and the film industry.
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For almost two decades, starting in the late 1950s, you could count on Hammer Films for breathtakingly lurid Gothic horror tales that served up vampires, werewolves, monsters and luscious ladies. British author Antony Earnshaw talks about the studio and it legacy for the launch of a yearlong film series Get Hammered at the Digital Gym Cinema.
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Filmmaker Joshua Oppenheimer talks about making documentaries from a subjective point of view in "The Act of Killing" and "The Look of Silence," which is up for a Best Documentary Oscar this Sunday.
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This year is off to a good start with "Bone Tomahawk" and "The Witch" (now playing throughout San Diego) serving up well-crafted horror tales that challenge expectations about the genre.
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"Bone Tomahawk" gets a one-time screening in San Diego on Feb. 21 at the Digital Gym Cinema. Writer-director S. Craig Zahler talks about ramping up his slow-burn horror western.
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Film Struck is showcasing eight classics of Blaxploitation Cinema so it's time to revisit the Cinema Junkie Podcast featuring David Walker, writer of the "Shaft" comic books. Walker loves the Blaxploitation films of the 1970s and says we're due for Blaxploitation 2.0.
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With "Pride and Prejudice and Zombies" reanimating on screens this weekend, the time seems ripe to speak with Doctor of the Dead Arnold T. Blumberg about a recent strain of the undead — the self-aware zombie.
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"Bedtime Stories" (opening December 25 throughout San Diego) is an excellent movie. It's the kind of movie where you can have a family outing and everyone can enjoy the film. It is about this guy who owns a hotel and sells it to another guy named Naughtingham under one condition: his son is to run the hotel when he is older. Little does he know that his son Skeeter (Adam Sandler) would be running repairs instead of the actual hotel. Some years later when Skeeter and his sister are fully grown and his sister has two children, Skeeter is asked to babysit his niece and nephew. They have been deprived of almost everything that makes life fun by their mother and it is up to Skeeter to correct that. He feeds them junk food and lets them watch TV. They have a pet guinea pig with ridiculously huge eyes that seems to be the main point of almost all the jokes. When the first night is coming to a close Skeeter decides that he should tell the kids a good story to finish the day. He comes up with a story that basically narrates his own life and how it is going down hill. The kids chime in every now and then with their own little twists, like having it rain gumballs or that he will save a damsel in distress. Skeeter soon finds out that everything that the children say will come true. He has all sorts of fun with this like trying to get himself a bright red Ferrari for free but because they don't say so, it never happens. Unfortunately Skeeter's boss is going to tear down the kid's elementary school to build his new hotel. So Skeeter tries to get the kids to help him with his ideas to save the day.
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Frank Miller and Will Eisners were friends but they also argued all the time. Miller looked to Eisner as a mentor and now he's adapting Eisner's comic The Spirit (opening Christmas Day) to the screen. Miller's own graphic novels, Sin City and 300 have been two of the best adaptations of a comic to film. One of the reasons is the cinematic nature of Miller's graphic work. That may also be the reason that Miller, who co-directed Sin City with Robert Rodriguez, is now embarking on a directing career. Eisner's The Spirit is his first solo project and here's the latest trailer courtesy of Lionsgate. Based on the trailer and the Comic-Con panels, it looks like fun.
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"The Tale of Despereaux" (opening December 19 throughout San Diego) looked promising. The trailer was amusing and took a laidback approach to selling its story rather than the usual hysterical, frantic, in your face pitch that American animation feels compelled to use. It was based on a popular and well-written children's book by Kate DiCamillo that bore the subtitle: "Being the story of a mouse, a princess, some soup, and a spool of thread." The animation looked state of the art with an appealing big-eared mouse hero. The film also boasted some talented voice actors in Kevin Kline, Matthew Broderick, Tracey Ullmann, Robbie Coltrane, Frank Langella and Dustin Hoffman. So what went wrong?
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Remember Body Heat? Remember the sweet-faced arsonist with the soft, sexy voice? That was Mickey Rourke in his breakthrough film role. But you might not recognize him in his latest film The Wrestler (opening in San Diego in January) in which he plays a beat up and tired veteran of the wrestling circuit.
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Peter Morgan's play "Frost/Nixon" premiered in London in 2006 and in what seems like a miraculously short turnaround, "Frost/Nixon" (opening December 12 in select theaters) now arrives on the big screen. The film version also turns to the original stage actors Michael Sheen and Frank Langella (who won the Tony for his performance) to reprise their roles as the British talk show host and former president. Morgan based his play and the screenplay on the series of televised interviews that former President Richard Nixon granted David Frost in 1977. The interviews famously ended with a tacit admission of guilt regarding his role in the Watergate scandal.
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Since I won't be able to review Cadillac Records this week before it opens let me at least show you the trailer. The film looks promising and I'm especially interested in seeing Jeffrey Wright play Muddy Waters. The film focuses on Chicago in the 50s, specifically looking to the rise of Chess Records and artists like Waters, Chuck Berry and Etta James. On the down side, Beyonce serves as executive producer and gives herself the role of Etta James. Beyonce may be pretty and with a pleasing voice but as an actress she's a bit vapid and bland. The rest of the cast looks good with Adrien Brody as Leonard Chess, Eric Bogosian as Alan Freed, and Mos Def as Chuck Berry. Cadillac Records opens December 5 throughout San Diego. The trailer is courtesy of Sony Pictures.
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"Four Christmases" is an amazingly funny movie. It's about this couple -- Brad (Vince Vaughn) and Kate (Reese Witherspoon) -- that has been dating for three years, yet still don't know each other as well as they think they do. Every year, they go on some vacation around the world for the holidays and make up some lame excuse to tell their families as to why.
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"Hellboy II: The Golden Army," inspired by Mike Mignola's comics and graphic novels, arrives today on DVD and Blu-ray. The film is one of my favorites from this year. The fabulous Ron Perlman returns as the big-hearted and big-fisted red demon working for a secret paranormal government agency. This time out he's trying to announce himself to the world while he fights Prince Nuada (a beautifully tragic Luke Goss) from the underground elf world. Once again, filmmaker Guillermo Del Toro creates a vivid fantasy world where we feel the greatest connection to the monsters and creatures.
Beth Accomando is taking a short break from film reviews and arts coverage to create a six-part video podcast called Stripper Energy. Check it out!