Cinema Junkie

Satisfy your celluloid addiction and mainline film 24/7 with Cinema Junkie’s Beth Accomando. So if you need a film fix, want to hear what filmmakers have to say about their work, feel like taking a deep dive into a genre, or just want to know what's worth seeing this weekend, then you've come to the right place. You can also find Beth's coverage of other arts and culture events here.
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WorldBeat Cultural Center celebrates Threads of Freedom

Escape to Arcade Monsters

From the World of John Wick: You want action? Yeah.

SD Fringe top pick: 'Smile'
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Meet The Glamorous Victim, The Lady Sleuth. The Redeeming Angel and more as Cinema Junkie explores the diversity of women in film noir.
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Looking beyond just the usual suspects of the femme fatale for Noir-vember
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Celebrate Noirvember with an exploration of film noir with TCM host and the Czar of Noir Eddie Muller.
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Cinema Junkie takes on another mission, this time to explore the world of spies presented in the film and television adaptations of John Le Carré's books. Previously on Cinema Junkie we looked at the fantasy world of Ian Fleming’s James Bond and now we move on to the grittier, more realistic world of John Le Carré’s spies of the Cold War and beyond. Joining Cinema Junkie once again are spy aficionados Gary Dexter and Jeff Quest, both are regular contributors to Shane Whaley's Spybrary Podcast . Quest also runs spywrite.com, which is dedicated to spy fiction and non-fiction. We look to the early attempts of depicting what spies do in Hitchcock films such as "The 39 Steps" and later the film adaptations of Graham Greene's novels such as "Our Man in Havana." Then we discuss the many adaptations of Le Carré's books, and how he put his real world experiences working in intelligence to a different use than Fleming did. Also listen to Cinema Junkie Bond. James Bond. Part One and Part Two. Enjoy Geeky Gourmet videos about James Bond themed food and spy drinks.
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Cinema Junkie speaks again with espionage aficionados and Spybrary Podcast contributors Gary Dexter and Jeff Quest (of spywrite.com) to look at the evolution of female characters across nearly six decades of films, and to assess what makes a good Bond and what each of the six actors in the Eon Productions' official 25 007 movies have brought to the role. We also discuss producer Barbara Broccoli's contribution to the franchise and where it might go after "No Time To Die." Please check out part one of the podcast where we have a spoiler-free review of "No Time To Die."
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Cinema Junkie Beth Accomando goes on a special mission with spy aficionados Gary Dexter and Jeff Quest to explore the cinematic and literary universe of James Bond 007. Get a spoiler-free review of "No Time To Die" and then enjoy part one of an in-depth and geeky exploration of the fantasy spy world of Ian Fleming's James Bond.
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Earlier this month Marvel delivered its first Asian superhero in its cinematic universe with "Shang Chi and the Legend of the Ten Rings." But it’s been a long hard road getting to this point in Hollywood. For the latest episode of Cinema Junkie, I speak with Brian Hu, artistic director of the San Diego Asian Film Festival, about the evolution of Asian images on screen from the stereotypes of yellow peril to Shang Chi.
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The new "Candyman" has a lot to unpack for a 90-minute horror film. It cleverly continues the story of the original 1992 film that boasted Tony Todd in the title role but it is also a stunning reimagining of the character through a Black lens. The new film was directed by Nia Da Costa and co-written by Da Costa and Jordan Peele.
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In "17 Again" (opening April 17 throughout San Diego) Mike O'Donnell (Disney star Zac Efron of "High School Musical" fame) is a star on his high school basketball court with a college scout in the stands and a bright future in his grasp.
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The San Diego Italian Film Festival may be the new kid on the block but they have been actively bringing films to San Diego both at their festival and for single screening film events. These are films that have not played in San Diego before and are unlikely to receive any kind of release here.
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Seth Rogen has become an unlikely star through a series of projects with Judd Apatow beginning with the TV series "Freaks and Geeks" in 1999 and reaching a peak with the feature film "Knocked Up" in 2007. Those projects played on Rogen's slacker appeal. Now Rogen tries something a little different with "Observe and Report" (opened April 10 throughout San Diego).
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For last year's closing night, FilmOut San Diego presented the world premiere of James Vasquez' homegrown film "Ready? Okay!" This San Diego-based charmer concerns a young boy named Josh who wants to join his school's cheer squad.
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Sugar (opened April 10 at Landmark Hillcrest Cinemas) is a baseball movie in the same way that Eight Men Out was a baseball movie. You cannot conceive of either film without the baseball backdrop but neither film is a formula sports movie in the sense of putting primary importance on the winning or losing of games.
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Earlier this week I highlighted the film "Immobilité" that's being touted as the first "feature-length foreign film shot entirely on a mobile phone." The film by artist Mark Amerikia is showing in The Project Room for New Media at Chelsea Art Museum in New York through May 9, with a remix version exhibited in the Streaming Museum that presents exhibitions in cyberspace. The unique nature of the project inspired me to seek Amerika out for an interview. Here's what he had to say about his provocative new film.
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Following on the heels of the animated "Monsters Vs. Aliens," "Alien Trespass" (opening April 3 at Landmark's Hillcrest Cinemas) covers somewhat similar ground. Both films present us with an alien who comes to earth and then the films try to use the trappings of 50s sci-fi movies to sell the premise. But unlike "Monsters Vs. Aliens," "Alien Trespass" is live action. It also comes from R. W. Goodwin who should know what he's doing since he worked on the cult TV show "The X-Files," which frequently dealt with aliens although usually in a more serious vein.
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Most films that deal with border issues focus on immigrants and immigration along the California or Texas state lines. But the new film "Sin Nombre" (opening April 3 at Landmark's Hillcrest Cinemas) shows us how people living deeper in Mexico and Central America get to that border. The film played last month at the San Diego Latino Film Festival and just about everyone I spoke to at the fest was recommending it. I spoke with first time feature filmmaker Cary Fukunaga at the festival just before he presented the film to a full house.
Beth Accomando is taking a short break from film reviews and arts coverage to create a six-part video podcast called Stripper Energy. Check it out!