Cinema Junkie
Satisfy your celluloid addiction and mainline film 24/7 with Cinema Junkie’s Beth Accomando. So if you need a film fix, want to hear what filmmakers have to say about their work, feel like taking a deep dive into a genre, or just want to know what's worth seeing this weekend, then you've come to the right place. You can also find Beth's coverage of other arts and culture events here.
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Bringing 'The Heart' to life
'Batman Azteca' wows Comic-Con
Comic-Con Panel Highlight: Graphic India
Little Fish students get work reviewed at Comic-Con
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Joel Coen's "The Tragedy of Macbeth" is a tale told by a master. -
Meet The Glamorous Victim, The Lady Sleuth. The Redeeming Angel and more as Cinema Junkie explores the diversity of women in film noir. -
Looking beyond just the usual suspects of the femme fatale for Noir-vember -
Celebrate Noirvember with an exploration of film noir with TCM host and the Czar of Noir Eddie Muller. -
Cinema Junkie takes on another mission, this time to explore the world of spies presented in the film and television adaptations of John Le Carré's books. Previously on Cinema Junkie we looked at the fantasy world of Ian Fleming’s James Bond and now we move on to the grittier, more realistic world of John Le Carré’s spies of the Cold War and beyond. Joining Cinema Junkie once again are spy aficionados Gary Dexter and Jeff Quest, both are regular contributors to Shane Whaley's Spybrary Podcast . Quest also runs spywrite.com, which is dedicated to spy fiction and non-fiction. We look to the early attempts of depicting what spies do in Hitchcock films such as "The 39 Steps" and later the film adaptations of Graham Greene's novels such as "Our Man in Havana." Then we discuss the many adaptations of Le Carré's books, and how he put his real world experiences working in intelligence to a different use than Fleming did. Also listen to Cinema Junkie Bond. James Bond. Part One and Part Two. Enjoy Geeky Gourmet videos about James Bond themed food and spy drinks. -
Cinema Junkie speaks again with espionage aficionados and Spybrary Podcast contributors Gary Dexter and Jeff Quest (of spywrite.com) to look at the evolution of female characters across nearly six decades of films, and to assess what makes a good Bond and what each of the six actors in the Eon Productions' official 25 007 movies have brought to the role. We also discuss producer Barbara Broccoli's contribution to the franchise and where it might go after "No Time To Die." Please check out part one of the podcast where we have a spoiler-free review of "No Time To Die." -
Cinema Junkie Beth Accomando goes on a special mission with spy aficionados Gary Dexter and Jeff Quest to explore the cinematic and literary universe of James Bond 007. Get a spoiler-free review of "No Time To Die" and then enjoy part one of an in-depth and geeky exploration of the fantasy spy world of Ian Fleming's James Bond. -
Earlier this month Marvel delivered its first Asian superhero in its cinematic universe with "Shang Chi and the Legend of the Ten Rings." But it’s been a long hard road getting to this point in Hollywood. For the latest episode of Cinema Junkie, I speak with Brian Hu, artistic director of the San Diego Asian Film Festival, about the evolution of Asian images on screen from the stereotypes of yellow peril to Shang Chi.
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Earlier this week I highlighted the film "Immobilité" that's being touted as the first "feature-length foreign film shot entirely on a mobile phone." The film by artist Mark Amerikia is showing in The Project Room for New Media at Chelsea Art Museum in New York through May 9, with a remix version exhibited in the Streaming Museum that presents exhibitions in cyberspace. The unique nature of the project inspired me to seek Amerika out for an interview. Here's what he had to say about his provocative new film.
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Following on the heels of the animated "Monsters Vs. Aliens," "Alien Trespass" (opening April 3 at Landmark's Hillcrest Cinemas) covers somewhat similar ground. Both films present us with an alien who comes to earth and then the films try to use the trappings of 50s sci-fi movies to sell the premise. But unlike "Monsters Vs. Aliens," "Alien Trespass" is live action. It also comes from R. W. Goodwin who should know what he's doing since he worked on the cult TV show "The X-Files," which frequently dealt with aliens although usually in a more serious vein.
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Most films that deal with border issues focus on immigrants and immigration along the California or Texas state lines. But the new film "Sin Nombre" (opening April 3 at Landmark's Hillcrest Cinemas) shows us how people living deeper in Mexico and Central America get to that border. The film played last month at the San Diego Latino Film Festival and just about everyone I spoke to at the fest was recommending it. I spoke with first time feature filmmaker Cary Fukunaga at the festival just before he presented the film to a full house.
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Just a quick reminder that the San Diego Latino Film Festival is not the only festival in town screening films this week. The San Diego Italian Film Festival will screen Incantesimo Napoletano/A Neopolitan Spell on Thursday, March 12 at 7:00 pm at the Museum of Photographic Arts in Balboa Park. The tageline for the film asks: "In Naples, what could be worse than not being Neapolitan?" Written and directed by Paolo Genovese, "Incantesimo Napoletano" serves up a fanciful tale about the shock felt by a fifth-generation Neopolitan couple whose daughter's first words are in Milanese. Mama mia! This film features Chiara Papa, Gianni Aiello, Serena Improta and Clelia Bernacchi. Although it's nice to have choice it's too bad these festivals are up against each other.
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Here's a little twist on Trailer Tuesday: Instead of posting a preview of a big Hollywood movie or cool indie title you get to see an entire movie.
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The teen critics have spoken out on The Last House on the Left (opened March 13 throughout San Diego) and I was curious to hear what they had to say since they weren't even born when the original film came out (OK, that made me feel old). I was glad that at least one of them had seen the original and found it more disturbing than the remake. -
The 16th San Diego Latino Film Festival kicked off last night with films, music, and a gala party. Now we can get down to the business of seeing films. Here are a few suggestions for what you might want to seek out and mini-reviews of some of the films that I had a chance to screen in advance. All films are at the UltraStar Mission Valley Theaters at Hazard Center.
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Real life French teacher François Bégaudeau plays an on-screen version of himself in "The Class/Entre les murs" (held over at Landmark's La Jolla Village Theaters), based on his book about his own classroom experiences. We discussed the film on last month's Film Club but I also wanted to highlight the film on my blog. Director Laurent Cantet (who also made "Time Out" and "Heading South") collaborated with Bégaudeau to bring his story to the screen. The ressult is a documentary style portrait of teaching in a contemporary French school. Cantet chose to shoot multiple improvised takes using real students and multiple cameras to chronicle what happens in a single classroom of middle school age students. The film was nominated this year for an Oscar for Best Foreign Language Film and took home the Palm D'Or at Cannes. While there were definitely more worthy films to pick as the best of the year, the Cannes Award is telling because it reflects France's need and maybe desire to try and come to terms with its increasing multi-ethnice make-up, a fact that's been harder to ignore inlight of recent riots and protests.
Stripper Energy just received an Emmy for Journalistic Enterprise, you can watch the six-part video podcast now.