Cinema Junkie

Satisfy your celluloid addiction and mainline film 24/7 with Cinema Junkie’s Beth Accomando. So if you need a film fix, want to hear what filmmakers have to say about their work, feel like taking a deep dive into a genre, or just want to know what's worth seeing this weekend, then you've come to the right place. You can also find Beth's coverage of other arts and culture events here.
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SD Fringe adds SDSU filmmaker showcase
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George A. Romero died on July 16. The zombie community paid tribute to him during Comic-Con, and I gather some of those memories and an archive interview with him for this remembrance.
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Alfred Hitchcock, the master of suspense, Hitch — however you want to refer to him — is a filmmaker who has left an indelible mark on cinema. His career spanned the silents and talkies, black and white, Technicolor, and 3-D, plus film industries on both side of the pond.
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Edgar Wright has a new film out and that is cause for celebration. I speak with the director about "Baby Driver."
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San Diego's Old Globe Theatre has an eight decade history of performing Shakespeare on stage. Now its artistic director Barry Edelstein wants to highlight the Bard on film.
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Found footage is a tired trope in horror but those films all manufacture their supposed found footage. That kind of fakery holds no interest for filmmaker Bill Morrison. He is interested in the real deal, genuine footage that has been unearthed, uncovered or just waiting to be found and brought to light. His latest film, "Dawson City: Frozen Time," finds treasures in the arctic ice.
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FilmOut San Diego is hosting its first-ever block of gay horror shorts and it highlights how LGBT filmmakers are turning more and more to genre filmmaking. So I felt it was time to pay tribute to queer cinema and talk to some filmmakers about why they choose to work in the genre.
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With the return of "Twin Peaks" and a revival screening of "Fire Walk With Me," I decided it was time to dig into the archives for an interview with David Lynch.
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For almost a century nitrate base film was the standard for motion pictures and for good reason. The image looked stunning on the huge screens of movie palaces. But now only a handful of theaters can project the film stock, which has a reputation for spontaneous combustion.
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Let me just say up front what a pleasure it is to watch a well-crafted film in which not a word or a gesture is wasted. The Coens' No Country for Old Men (opening November 16 throughout San Diego) is such a film. You feel that every word has been chosen with care and everything from the type of boots a man wears to the cut of his hair has been chosen for a distinct reason.
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Beth Accomando speaks with actor George Hamilton about his role as Billy Flynn
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Indie Asian American film charms with homage to movie musicals.
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Ten canoes, three wives, one hundred and fifty spears... trouble. That's how Palm Pictures teases its new film "Ten Canoes" (opening August 10 at Landmarks Hillcrest Cinemas), an Australian film that sets a precedent by being shot almost entirely in the Aboriginal language of Ganalbingu.
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Born in Baltimore in 1946, Waters grew up in a comfortable, conservative Catholic family. He knew from an early age that he wanted to make movies and he began by making a pair of super 8 films,
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While sequels such as Oceans 13 and Spider-Man 3 can think of nothing better than slapping a new number on the end of the titles for each successive film, the Die Hard series has at least had some fun with their titles offering up Die Harder, Die Hard with a Vengeance and now Live Free or Die Hard (opening June 29 throughout San Diego). Bruce Willis returns for his fourth outing as maverick cop John McClane.
Beth Accomando is taking a short break from film reviews and arts coverage to create a six-part video podcast called Stripper Energy. Check it out!