Cinema Junkie

Satisfy your celluloid addiction and mainline film 24/7 with Cinema Junkie’s Beth Accomando. So if you need a film fix, want to hear what filmmakers have to say about their work, feel like taking a deep dive into a genre, or just want to know what's worth seeing this weekend, then you've come to the right place. You can also find Beth's coverage of other arts and culture events here.
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Armando Iannucci, creator of "Thick of It" and "Veep," makes his feature film writing and directing debut with "The Death of Stalin." I talk with the comic genius about the challenges of doing political satire at a time when the real world is crazier than anything he can imagine. WARNING: This podcast contains explicit, Malcolm Tucker language.
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The 90th Academy Awards are Sunday and one of the most misunderstood and least appreciated of the craft categories is film editing. So here is a trio of brilliant film editors to talk about their work on this year's Oscar-nominated films and to provide insights into just what film editors do.
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My idea of a good date movie is "Shaun of the Dead." So maybe I'm not the best person to be making Valentine's Day recommendations. But there's one contemporary filmmaker who consistently tackles love with such lush romanticism that even I swoon at his movies. That filmmaker is Wong Kar-Wai. So as much as I hate Cupid's silly holiday, here's a Valentine to Wong Kar-Wai.
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Fifty-two years ago ABC launched the TV show "Batman" and forever changed the pop culture landscape.
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Noirchaelogist, Czar of noir, host of TCM's Noir Alley, founder and president of the Film Noir Foundation... whatever title you want to refer to him by, Eddie Muller is simply the man to go to when you want to know anything about film noir.
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The holidays are upon us so what better time to think about spirituality. For some, movie theaters are like churches and the movies they screen can teach about how to live life.
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For this podcast, Arts & Culture Reporter Beth Accomando turns to her archives for an interview with David Cronenberg about his 1996 film "Crash," adapted from J.G. Ballard's controversial 1973 novel revolving around people with symphorophilia, in this case, car-crash sexual fetishism.
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It's Thanksgiving and I have a pair of films that I am feeling very thankful for right now: "Three Billboards Outside Ebbing, Missouri" and "The Shape of Water." Filmmaker Martin McDonagh talks about writing a film for Frances McDormand and Doug Jones talks about "suit acting" for Guillermo Del Toro.
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Coming of age films are filling the theaters these days. Recently we have seen coming of age tales play out in 1980s Pittsburgh ("Adventureland") and Northern Australia ("The Black Balloon"), and coming up we travel to 1970s New Jersey ("Lymelife").
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Earlier this month "Fast and Furious" scored a surprising hit at the box office bringing in $72 million in three days. What's also surprising is that at the helm of this $80 million dollar Hollywood sequel is one time indie film darling Justin Lin. Today, "17 Again" -- the new film with Disney star Zac Efron -- opens, and in the director's chair is another independent filmmaker, Burr Steers.
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In "17 Again" (opening April 17 throughout San Diego) Mike O'Donnell (Disney star Zac Efron of "High School Musical" fame) is a star on his high school basketball court with a college scout in the stands and a bright future in his grasp.
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The San Diego Italian Film Festival may be the new kid on the block but they have been actively bringing films to San Diego both at their festival and for single screening film events. These are films that have not played in San Diego before and are unlikely to receive any kind of release here.
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Seth Rogen has become an unlikely star through a series of projects with Judd Apatow beginning with the TV series "Freaks and Geeks" in 1999 and reaching a peak with the feature film "Knocked Up" in 2007. Those projects played on Rogen's slacker appeal. Now Rogen tries something a little different with "Observe and Report" (opened April 10 throughout San Diego).
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For last year's closing night, FilmOut San Diego presented the world premiere of James Vasquez' homegrown film "Ready? Okay!" This San Diego-based charmer concerns a young boy named Josh who wants to join his school's cheer squad.
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Sugar (opened April 10 at Landmark Hillcrest Cinemas) is a baseball movie in the same way that Eight Men Out was a baseball movie. You cannot conceive of either film without the baseball backdrop but neither film is a formula sports movie in the sense of putting primary importance on the winning or losing of games.
Beth Accomando is taking a short break from film reviews and arts coverage to create a six-part video podcast called Stripper Energy. Check it out!