Cinema Junkie
Satisfy your celluloid addiction and mainline film 24/7 with Cinema Junkie’s Beth Accomando. So if you need a film fix, want to hear what filmmakers have to say about their work, feel like taking a deep dive into a genre, or just want to know what's worth seeing this weekend, then you've come to the right place. You can also find Beth's coverage of other arts and culture events here.
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SD Fringe top pick: 'Smile'
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Masked wrestlers, nunsploitation, monsters, and San Diego Latino Film Festival's Un Mundo Extraño — Cinema Junkie looks to extreme Latin cinema with Horrible Imaginings' Miguel Rodriguez. -
Turner Classic Movies launches its March spotlight program, Condemned, a look at more than four decades of censorship, the Catholic Legion of Decency, and the film industry. -
For almost two decades, starting in the late 1950s, you could count on Hammer Films for breathtakingly lurid Gothic horror tales that served up vampires, werewolves, monsters and luscious ladies. British author Antony Earnshaw talks about the studio and it legacy for the launch of a yearlong film series Get Hammered at the Digital Gym Cinema. -
Filmmaker Joshua Oppenheimer talks about making documentaries from a subjective point of view in "The Act of Killing" and "The Look of Silence," which is up for a Best Documentary Oscar this Sunday. -
This year is off to a good start with "Bone Tomahawk" and "The Witch" (now playing throughout San Diego) serving up well-crafted horror tales that challenge expectations about the genre. -
"Bone Tomahawk" gets a one-time screening in San Diego on Feb. 21 at the Digital Gym Cinema. Writer-director S. Craig Zahler talks about ramping up his slow-burn horror western. -
Film Struck is showcasing eight classics of Blaxploitation Cinema so it's time to revisit the Cinema Junkie Podcast featuring David Walker, writer of the "Shaft" comic books. Walker loves the Blaxploitation films of the 1970s and says we're due for Blaxploitation 2.0. -
With "Pride and Prejudice and Zombies" reanimating on screens this weekend, the time seems ripe to speak with Doctor of the Dead Arnold T. Blumberg about a recent strain of the undead — the self-aware zombie.
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Sugar (opened April 10 at Landmark Hillcrest Cinemas) is a baseball movie in the same way that Eight Men Out was a baseball movie. You cannot conceive of either film without the baseball backdrop but neither film is a formula sports movie in the sense of putting primary importance on the winning or losing of games. -
Earlier this week I highlighted the film "Immobilité" that's being touted as the first "feature-length foreign film shot entirely on a mobile phone." The film by artist Mark Amerikia is showing in The Project Room for New Media at Chelsea Art Museum in New York through May 9, with a remix version exhibited in the Streaming Museum that presents exhibitions in cyberspace. The unique nature of the project inspired me to seek Amerika out for an interview. Here's what he had to say about his provocative new film.
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Following on the heels of the animated "Monsters Vs. Aliens," "Alien Trespass" (opening April 3 at Landmark's Hillcrest Cinemas) covers somewhat similar ground. Both films present us with an alien who comes to earth and then the films try to use the trappings of 50s sci-fi movies to sell the premise. But unlike "Monsters Vs. Aliens," "Alien Trespass" is live action. It also comes from R. W. Goodwin who should know what he's doing since he worked on the cult TV show "The X-Files," which frequently dealt with aliens although usually in a more serious vein.
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Most films that deal with border issues focus on immigrants and immigration along the California or Texas state lines. But the new film "Sin Nombre" (opening April 3 at Landmark's Hillcrest Cinemas) shows us how people living deeper in Mexico and Central America get to that border. The film played last month at the San Diego Latino Film Festival and just about everyone I spoke to at the fest was recommending it. I spoke with first time feature filmmaker Cary Fukunaga at the festival just before he presented the film to a full house.
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Just a quick reminder that the San Diego Latino Film Festival is not the only festival in town screening films this week. The San Diego Italian Film Festival will screen Incantesimo Napoletano/A Neopolitan Spell on Thursday, March 12 at 7:00 pm at the Museum of Photographic Arts in Balboa Park. The tageline for the film asks: "In Naples, what could be worse than not being Neapolitan?" Written and directed by Paolo Genovese, "Incantesimo Napoletano" serves up a fanciful tale about the shock felt by a fifth-generation Neopolitan couple whose daughter's first words are in Milanese. Mama mia! This film features Chiara Papa, Gianni Aiello, Serena Improta and Clelia Bernacchi. Although it's nice to have choice it's too bad these festivals are up against each other.
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Here's a little twist on Trailer Tuesday: Instead of posting a preview of a big Hollywood movie or cool indie title you get to see an entire movie.
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The teen critics have spoken out on The Last House on the Left (opened March 13 throughout San Diego) and I was curious to hear what they had to say since they weren't even born when the original film came out (OK, that made me feel old). I was glad that at least one of them had seen the original and found it more disturbing than the remake. -
The 16th San Diego Latino Film Festival kicked off last night with films, music, and a gala party. Now we can get down to the business of seeing films. Here are a few suggestions for what you might want to seek out and mini-reviews of some of the films that I had a chance to screen in advance. All films are at the UltraStar Mission Valley Theaters at Hazard Center.
Beth Accomando is taking a short break from film reviews and arts coverage to create a six-part video podcast called Stripper Energy. Check it out!