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Join wine whiz Barbara Baxter, who trained at Francis Ford Coppola Winery in Napa and studied in Italy and France, on a delightful romp through cultural history paired with harmonious wines. The Art of Wine will focus on three iconic winemaking regions which also emerged as cultural epicenters throughout history: the city of Rome, pairing outstanding Italian wines with architecture from the classical epoch; wines of Provence paired with the Impressionist artists; and the arrival of both the wine world and art world in innovative postwar Southern California. An entertaining dive: culture and viniculture! Light refreshments will be provided. March 13: Art of Wine and Eternal Rome Savor the Eternal City’s history and culture paired with Italian wines. We hear tales of good and evil set among Rome’s monuments, fountains, aqueducts, and sculpture—heroes and villains paired with vino Italiano. March 20: Provence & Impressionism Light and love are served up in the art and wines of Southern France. Rounded and golden, soft and opulent—are we talking about wines from Provence or Impressionist art? We will explore this rewarding land and its culture. March 27: Southern California Southern California’s outrageous and fun art scene exploded in the postwar years parallel with California’s wine-world arrival. Join us for a dive into the era when Southern California art and wine became oh so cool. About Barbara Baxter Barbara Baxter studied wine academically at the Sorbonne in Paris and has continued her inquiry into the heritage of wine for more than a decade. She created visitor education programs for Francis Ford Coppolaʼs Rubicon Estate and has worked for Napa Valleyʼs most prestigious wineries: Sterling Vineyards and Opus One. She is the editor of Planet Wine and has also made wine in Napa Valley. Baxter has been featured in the Wall Street Journal, has lectured at major museums and universities in California, including the Getty Malibu, Los Angeles County Museum of Art, Athenaeum Arts & Music Library, UC Berkeley, UC San Diego, Muzeo Museum and Cultural Center in Orange County, and The Huntington. Visit: https://www.ljathenaeum.org/events/baxter-25-series Athenaeum Music & Arts Library on Instagram and Facebook

Yang Jiang (b. 1988, China) is a San Diego–based artist and therapist whose tactile and dreamlike creations embody emotional liberation and spiritual freedom. Shimmering like artifacts from a fairy tale, her pieces use light, texture, and sculptural forms to convey a sense of vulnerability and resilience. A testament to the beauty and complexity of spiritual survival, Jiang’s work offers viewers a poignant reminder of the courage and tenderness of the human heart. Her art has been exhibited at the Athenaeum Art Center, Visual Art + Supply, Revision San Diego, and the Brown Building. Jiang is a graduate of Wellesley College and the University of San Diego. I Thought I’d Be Braver, Jiang’s debut solo exhibition, is a decade-long chronicle of her journey toward emotional courage. Her early work, characterized by bold colors and harsh textures, reflects the pain of repressed emotions and a fear of vulnerability. Gradually, this aesthetic softens into one of sheer, vibrant hues and delicate layers, mirroring her internal shift toward nurturance, forgiveness, and compassion. This evolution in her style reflects the brave heart of a wounded healer who has confronted her shadow and embraced self-acceptance, demonstrating that true courage lies in acknowledging and integrating one’s emotions. The exhibition can be viewed in the Catherine and Robert Palmer Gallery at the Athenaeum Art Center (1955 Julian Avenue, San Diego, CA 92113) during open gallery hours, Tuesdays through Saturdays from 11 a.m. to 4 p.m., and every second Saturday from 5 p.m. to 8 p.m., during the Barrio Art Crawl, and by appointment. Visit: https://www.ljathenaeum.org/events/exhibition-2025-jiang Athenaeum Music & Arts Library on Instagram and Facebook

Lately, artists are reaching back in time to revisit and retain the spirit of a younger self, opening a door to another world for both themselves and their listeners.

This is a unique opportunity to study with two accomplished and warmhearted artist-educators in the same course. Ken and Stephanie are both well known for their ability to help each person find their own unique drawing abilities. Each week there will be a life model. On day one, Ken will introduce a simplified approach to gesture drawing and the fundamentals of figure and head construction. During Weeks 2 and 3, Ken will go deeper into the importance of gesture drawing in relation to constructing and composing longer poses. During the final three weeks, Stephanie will continue to build on Ken’s lessons but will include longer poses that will allow students time to incorporate the basics into an actual process of drawing or painting more finished figures and portraits. Materials: You do not need to buy everything on this list. Only buy materials that relate to the medium you plan to work with, or if you are more advanced, bring your own supplies. On day one you will only need newsprint, a drawing board, vine charcoal, kneaded eraser, and one colored pastel for accents. Charcoal: Soft vine charcoal; 4B charcoal pencil; kneaded eraser; smooth newsprint; drawing board; rags or paper towels. If you prefer graphite: 2B, 4B, and 6B graphite pencils; kneaded eraser; 18” x 24” drawing pad or 18” x 24” smooth newsprint; drawing board. Max students: 12 Visit: https://www.ljathenaeum.org/class/51 Athenaeum Music & Arts Library on Instagram and Facebook

Bill McKibben says solar is a "last chance for the climate." T. Kingfisher offers a dark retelling of Snow White. Nicholas Boggs tells James Baldwin's story. Plus new debut fiction.

In this class, Jeff teaches how to efficiently begin and complete a painting. He says, “I focus on a purposeful approach to moving through blocking in an underpainting and understanding how to finish it without overworking. We try to work loose and quickly, so the process of painting is enjoyable.” Materials: Paint: (I like Winsor & Newton) Ultramarine Blue, Cadmium Yellow Light (or Pale Hue), Permanent Alizarin Crimson, Titanium White. Brushes: #2, #4, #6 (flats). I recommend Robert Simmons Signet brand. Supports: Canvas panels (buy bundle of five for the best price). For class we will be working in small format, 8” x 10” or 9” x 12”. (Please no larger than 12” x 16”.) Other: palette (disposable paper palette is fine); odorless mineral spirits in solvent tank or small tight lid jar; small metal palette knife. If you already have paint and this equipment or similar, perfect. Most important is that you have the four paint colors mentioned, especially Permanent Alizarin Crimson. We will discuss materials more extensively during our first class. For intermediate to advanced students only. Max students: 12 Visit: https://www.ljathenaeum.org/class/53 Athenaeum Music & Arts Library on Instagram and Facebook

Join us for Daygo Eatz, an exciting annual festival celebrating the rich culture, art, and food of the Black community in San Diego! Located in the heart of the Black Arts and Cultural District at 6785 Imperial Ave, San Diego, CA 92114, this vibrant event is a perfect way to kick off Black History Month with family-friendly fun for all ages. Feb. 16, 2025 from Noon-5 p.m. At Daygo Eatz, indulge in a variety of delicious dishes from local food vendors and food trucks serving up tasty flavors from around the world. Explore creative live art displays, witness captivating performances, and groove to live music that will keep the energy high all day long. This year’s festival also highlights Black-owned businesses, offering a chance to shop unique products and support entrepreneurs from our community. For the little ones, there’s a Kid Zone featuring face painting, a jumper, and arts and crafts to keep them entertained. Whether you’re here for the food, the music, the art, or simply to connect with the community, Daygo Eatz promises to be an unforgettable experience. Bring your friends, family, and neighbors to this celebration of culture, creativity, and Black excellence!

A study in Poland found that doctors appeared less likely to detect abnormalities during colonoscopies on their own after they'd grown used to help from an AI tool.

From AI research to historical preservation, programs funded by grants from the National Endowment for the Humanities reach every corner of the U.S. Now the government has terminated those grants.

Parade, the Tony Award-winning musical about the 1915 lynching of a Jewish man, begins its run in Washington, D.C., amid an antisemitic backlash against the show's subject.