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  • From one of the first woman photographers, Anna Atkins, to lifestyle icon, DIY celebrity Martha Stewart—the Cyanotype Photographic Process continues to fascinate us with its beautiful tones of Prussian Blue colors, by the contact printing of objects (photograms), to using today’s digital negatives. This light sensitive process, activated by the ultraviolet rays of the sun and discovered by Sir John Herschel in 1842, has experienced several revivals since the 19th century. First in the 20th century with its rediscovery as an alternative process within university curricula worldwide to this last turn of century, in the 2000s, creating a revolt by fine art photographers in response to the onslaught of technology and its pesky pixel. In this two-day intensive workshop, we will push the process further by cyanotype printing on fabric, including the latest technique of exposing wet cyanotypes. We will be introduced to the basic procedures using commercially coated fabrics, then move quickly to hand-applied emulsions on various fabrics from cotton to silk. By embedding the photographic image within the “ply-ability” of fabric, we can explore finishing strategies for the image, from sewing, embroidering, quilting, and garment making to creating sculptural forms with the photograph on fabric. Materials: Materials provided with a $40 fee paid to instructor on the first day of class include chemistry and a contact printing frame. Recommended fabrics will be the responsibility of the student. Max students: 12 Visit: https://www.ljathenaeum.org/class/summer-16 Athenaeum Music & Arts Library on Instagram and Facebook
  • The San Diego Police Department will host a drive- thru gun exchange event this weekend.
  • Bangladesh suffers from extreme air pollution, but a new study shows the brick industry can make small changes to have a big effect on the country's smog problem.
  • Self-publishing one’s photographs in an on-demand photobook is more than just a fad. For more than two decades, photographers have embraced the process of creating, designing, and outsourcing their bodies of photographic works into small-edition books using various publishing software. By moving their images from the screen to the page, to an object one can hold in their hand, share with others, and memorialize visual projects into “a thing itself,” the photobook is the new paradigm shift for the photographic medium. This online course will introduce the history of the photobook in the context of early 20th century photography to the 21st century, challenging one to ask, “Why the book?” Within this context, the purpose of one’s book will be explored. Surveying and selecting individual images within a series, then editing images into a cohesive body of photographs, will drive the design, including creating dynamic layouts and prototype mock-ups for review. Using presentation software, such as Keynote or PowerPoint, one’s first look will be to critically examine scale, sequence, the visual space of each page, text, and other construction elements to heighten the experience of one’s photographs within the flow of a book. This is not a course on how to use publishing software. As the course proceeds, various publishing sources will be introduced and scrutinized from simple construction options to complex ones. Students will compare their level of skill with these proprietary software sources, selecting the best in regard to which book format has an acceptable degree and “ease of handling.” Further considerations for a publisher will be the design options needed to communicate the book’s purpose, selection of various papers, binding, and of course what is the final cost and turnaround time to hold the book in one’s hand. Requirements for successful completion of the course: Participants need a body of photographic works to create and design their book. The selection of a book design software is cost-free, but publishing costs for one book usually start at about $25 plus shipping. Turn around times are usually 6–10 business days. The course meets online consecutively for five weeks, taking one week off to outsource to publisher. There will be a final online class meeting (6th week) to review and celebrate one’s completed book! Max students: 12 Visit: https://www.ljathenaeum.org/class/102 Athenaeum Music & Arts Library on Instagram and Facebook
  • The dismantling of Hungary's democracy is a point of fascination for political scientists around the world — including those advising the Trump administration.
  • MiraCosta College Concert Hall Saturday, May 3, 2025, at 7:30 p.m. Tom “Bones” Malone, best known for his work with The Blues Brothers, David Letterman Show, and Saturday Night Live, is a trombonist, multi-instrumentalist, arranger, and producer. Tom has written 2,700 arrangements for television and has performed on 4,400+ television shows, 3,000+ radio & television commercials, 1,500+ recordings, and thousands of live performances worldwide. Artists he has recorded and arranged for include James Brown, Aretha Franklin, Stevie Wonder, Elton John, Billy Joel, James Taylor, Sting, Al Green, Whitney Houston, Tom Petty, Steely Dan, Chaka Kahn, Tina Turner, Miles Davis, Count Basie, and hundreds of others. In January 2024, MOJO performed with Tom at the JEN (Jazz Education Network) Conference in New Orleans. Tom "Bones" Malone on Instagram Visit: https://miracosta.edu/events.html
  • San Diego is preparing an update to its Street Design Manual with new guidelines for when to prohibit a right turn on a red light. And, local voters weigh in on President Donald Trump’s first two months in office. Then, why schools in Vista are expanding language immersion programs and how imported dung beetles are helping California agriculture.
  • For many Americans, high humidity will make it feel in the triple digits. The National Weather Service is urging people to prepare to protect themselves from the dangers of extreme heat.
  • New York City mayoral candidate Zohran Mamdani discusses his vision for the city and his surprise win in last week's Democratic primary on Morning Edition.
  • Ahead of next month's San Diego Comic-Con, the Comic-Con Museum in Balboa Park unveiled two new exhibits Monday, featuring 20 years of a fashion brand and 40 years of a home-grown comic.
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