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After receiving a letter from the California Attorney General Rob Bonta, the police department has vowed to stop sharing information gleaned from it’s Automated License Plate Reader (ALPR) program.

We discuss the First Amendment rights of protestors as demonstrations take place across U.S. cities. And, the right to due process for citizens and noncitizens.

Tuesday an appeals court will hear arguments on whether President Donald Trump must return authority over the California National Guard back to Governor Gavin Newsom. And, reports of immigrant detentions following court hearings are increasing, including one targeting a refugee from Afghanistan who helped U.S. troops. Then, in North County, a local station created to keep the Pala Reservation informed during emergencies, is also preserving indigenous culture.

Jackie Amézquita (Quetzaltengo, Guatemala, b.1985) lives and works in Los Angeles, California. She is an artist with a multidisciplinary practice. Her research is articulated through the use of biomaterials and forms associated with pre-Columbian cultures. Amézquita creates public performances, installations, and objects that fuse indigenous mythologies with contemporary community engagement. Amézquita received her M.F.A. from the University of California, Los Angeles, in 2022 and her B.F.A. from Art Center College of Design, Pasadena, CA, in 2018. She has exhibited with The Hammer Museum, LACE (Los Angeles Contemporary Exhibitions) CA, LAND (Los Angeles Nomadic Division) CA, 18th St Art Center CA, The Armory Center of the Arts CA, Vincent Price Art Museum CA, The Annenberg Space for Photography CA, Human Resources Los Angeles CA, MAD (Museum of Art and Design) NY. Amézquita is the recipient of the Mohn Public Recognition Award (2023), Mohn Land Award (2022), Andy Warhol Foundation for the Arts Los Angeles Art Fund (2022), and National Performance Network Fund (2022). Amézquita has been featured in the Los Angeles Times, ARTnews, and The Art Newspaper, LA. Weekly, hyperallergic, Walker Art Center magazine. Jackie Amézquita on Instagram

When Alice Barnett returned from Europe and settled in early-20th-century San Diego, the city was a modestly sized but rapidly growing community of approximately 40,000 residents. Amid this evolving cultural landscape, she quickly emerged as a prominent composer, performer, and advocate for the arts. During this time, she divorced and became a single mother and sustained herself and her family through her musical endeavors before remarrying. Her influence was far-reaching: in addition to co-founding the San Diego Symphony Association, she taught at San Diego High School, delivered public lectures, authored program notes, and actively collaborated with fellow musicians and civic leaders. This lecture features performances of Alice Barnett’s compositions from this chapter of her life (some published by G. Schirmer, others preserved only in manuscript), offering a glimpse into the musical and professional world she helped to shape. About Dr. Katina Mitchell Dr. Katina Mitchell is a native of San Diego. She has sung with the San Diego Symphony; lautten compagney BERLIN; MicroFest, Los Angeles; Monday Evening Concerts, Sing-Akademie zu Berlin, Volti, San Francisco; Bach Collegium San Diego, The Da Camera Society, Los Angeles; and more. A favorite engagement was performing with Ensemble Vocatrix in fully staged productions of Hildegard von Bingen’s Ordo Virtutum in Los Angeles and Berkeley. Recently Mitchell has sung as both soloist and chorister with San Diego Master Chorale, Sacra/Profana, and the Schola Cantorum of St. James-by-the-Sea. Her work has been featured at the Velaslavasay Panorama, Los Angeles and the Medieval History Center in Azincourt, France, and in media outlets including the BBC, NPR’s Life in Berlin, and the Los Angeles Times. In 2023, Mitchell began presenting her extensive original research on composer Alice Barnett, giving lectures with the San Diego History Center; the Western History Association, Los Angeles; National Association of Teachers of Singing (NATS), San Diego chapter, at San Diego State University; Palomar College; and Society for American Music, Tacoma, Washington. Katina holds degrees in music from Rice University and the University of Southern California (USC). She is a member of the music faculty at Palomar College, teaches voice at Grossmont College, and maintains a private studio. About Dr. Yewon Lee Dr. Yewon Lee is a frequently sought-after conductor and collaborative pianist on the operatic and concert stage. Prior to relocating to San Diego, Lee was Assistant Music Director of Opera at Baldwin Wallace University and Adjunct Professor at Kent State University. In the operatic world, she coached at Baldwin Wallace Opera Theater, National Opera Center, Aspen Opera Theater Center, and International Vocal Arts Institute in Israel, France, Italy, and Japan. Born in Seoul, South Korea, Lee received a Bachelor of Music in piano performance from Seoul National University, completed her Master of Music in vocal accompanying at Manhattan School of Music, and earned an artist diploma in collaborative piano from The Juilliard School. She earned her Doctor of Musical Arts in choral music at USC. Currently, she is a music director of the San Diego Festival Chorus and the San Dieguito United Methodist Church. She also serves as the Far South Representative for the California Choral Directors Association. Visit: https://www.ljathenaeum.org/events/mitchell-25-0623 Athenaeum Music & Arts Library on Instagram and Facebook

Discover how a 3D modeling project at San Diego State University is bringing a historic collection of Mesoamerican masks into the digital age. This lecture will explore how these digital models are enhancing teaching and public interpretation while tracing the deep history of masks as ritual, funerary, and ceremonial objects in ancient societies like Teotihuacan. The presentation will also examine how these traditions endure today in community practices such as danzas, offering a look at the ongoing cultural significance of masks across centuries of change. Meet your lecturers: Keith Chan is a local anthropology instructor at Grossmont College, MiraCosta College, and San Diego State University. He is especially interested in using immersive technology in his teaching to bring students face-to-face with culture and biology. He created the virtual anthropology museum AnVRopomotron, which won the first Poly Award for Best Educational Experience, and is working on PaleoCalifornia, which turns the Pleistocene into a virtual reality theme park ride. He was also a recent research fellow at SDSU's Virtual Immersive Learning and Teaching center, in which he launched the current project on masks. Irene Gonzalez received her M.A. in Latin American Studies from San Diego State University, where her research focused on cultural preservation. Her work has explored the importance of community museums, specifically in Mexico, where she conducted field research in Oaxaca. She is currently the Collections Coordinator for the Mesoamerican Mask Collection at SDSU’s Center for Latin American Studies. Irene is passionate about bridging technology and cultural heritage in ways that are equitable and grounded in deep respect for Indigenous knowledge systems. Visit: Archaeology Lecture: Modeling Mesoamerican Masks San Diego Archaeological Center on Instagram and Facebook

Under California law, police departments cannot share license plate data with federal authorities and other out-of-state agencies. But, that law has been routinely violated.

Insurance costs are soaring, and coverage is hard to find in some parts of the United States. Communities say insurers are ignoring their efforts to confront the problem.

There are more than 3,800 Chinese students at UC San Diego, the largest international student population on campus.

Los marines desplegados en Los Ángeles por órdenes del presidente Donald Trump aún no han sido llamados para responder a las protestas de inmigración en la ciudad y están allí solo para proteger a los funcionarios y propiedades federales, dijo el martes el comandante del Cuerpo de Infantería de Marina de Estados Unidos.