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  • In recent weeks, you've likely heard a lot about rare-earth substances with hard-to-pronounce names, but experts warn that the shortage of another crucial metal, copper, could be just as concerning.
  • King tides could bring even more flood risk later this month.
  • The 88-year-old Francis has been hospitalized for a week with a complex lung infection.
  • A gradual warming trend will continue this week in San Diego County, with temperatures expected to vary a few degrees each day by mid-week.
  • Reflecting on a transformative residency program, the jazz vocalist now nominated for her first Grammy Award says her album Journey in Black reflects "the expansiveness of the Black experience."
  • The man behind the New Year's Day attack in New Orleans said in videos that he was inspired by ISIS and had joined the group this summer. This attack shows ISIS' resonance and resilience persists.
  • Outdoor enthusiast Sam Jones left Australia after posting a video of herself separating a baby wombat from its mom on a dark road. Australians are cheering her departure and worrying about the animal.
  • In the world of true crime, Fall River, Mass. is known for Lizzie Borden, but another murder 60 years earlier captivated New England. Kate Winkler Dawson tells the story in The Sinners All Bow.
  • A whistleblower tells Congress and NPR that DOGE may have taken sensitive labor data and hid its tracks. "None of that ... information should ever leave the agency," said a former NLRB official.
  • Bringing their recent debut to San Diego for two nights only, Seattle duo Jenny Peterson and Kaitlin McCarthy present a dance work of horror, humor, and friendship. Told through their distinctive aesthetic of the unhinged and uncanny, "DRIVE WOLVES MAD" tracks the aftermath of an inciting event and ambiguous line between victim and perpetrator. A musical score by Jenny Peterson riffs on predatory pop songs, altering and abstracting them as an act of reclamation. Peterson/McCarthy’s journey seeks to transcend archetypes authored by men, finding their way to a place of survival and remediation–a way to exist in a context of their own creation. Through the dance they move from a place of dissociation into states of empowerment–which sometimes looks like camaraderie, sometimes wild physical abandon, and sometimes a complete release of the societal obligation to be a palatable, consumable feminine entity. Featuring original costume design by Kaitlin McCarthy, this physical and vulnerable dance work culminates a decade of development in the duo’s most ambitious and risky performance to date! Visit: https://www.drivewolvesmad.com/
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