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  • The Department of Education says it will resume collections on May 5 and send wage garnishment notices "later this summer." Here's how to know — and what to do — if you'll be affected.
  • His rehiring raises questions about the neutrality of immigration judges, who are supposed to be impartial and whose decisions determine if someone can stay or must leave the country.
  • Patterson is accused of putting death cap mushrooms in a meal she served her estranged husband's relatives in July 2023, killing three. She took the stand in Week 6 of the trial gripping Australia.
  • On Friday, Sean Combs' defense lawyers questioned Cassie Ventura about how much of the former couple's activities she willingly participated in. "I had to fight my way out," she said.
  • Local leaders to speak out after ICE agents arrested several workers at a South Park restaurant Friday.
  • Most Americans balk at the idea of charging women who get abortions with homicide, but post-Roe, militant anti-abortion activists are finding state lawmakers are increasingly open to it.
  • Premieres Wednesday, May 28, 2025 at 11 p.m. on KPBS TV / PBS app. California condors navigate threats like wildfires, lead poisoning, and pesticide DDT. Filmed in Big Sur and Pinnacles National Park, it portrays the struggles of Traveler (Red 71), who overcomes lead poisoning while her mate, Shadow (Yellow 9), raises their chick.
  • The Red Cross says Israeli forces killed 27 people attempting to get aid in Gaza on Tuesday. An Israeli American advisor to Prime Minister Benjamin Netanyahu says that account is "not accurate."
  • Following his HBO series Succession, Jesse Armstrong's latest project, Mountainhead, is a film about four tech billionaires whose mountain retreat is disrupted by a global catastrophe.
  • One of the most renowned films in cinema, Charles Burnett’s "Killer of Sheep" has been magnificently restored to 4K with sparkling picture and sound. Evoking the everyday trials, fragile pleasures, and tenacious humor of blue-collar African Americans in 1970s Watts, Burnett made the film on a minuscule budget with a mostly nonprofessional cast, combining keen on-the-street observation with a carefully crafted script. The episodic plot centers on the character of Stan (Henry Gayle Sanders), a slaughterhouse worker mired in exhaustion, disconnected from his wife, his children, and himself. Stan and his neighbors struggle just to get by, let alone get ahead; as befits an L.A. movie, vehicular metaphors of breakdown abound. Only the kids, leaping from roof to roof, seem to achieve a mobility that eludes their elders. Burnett’s film focuses on everyday life in black communities in a manner rarely seen in American cinema — combining lyrical elements with a starkly neorealist, documentary-style approach that chronicles the unfolding story with depth and riveting simplicity. Digital Gym Cinema on Facebook / Instagram
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