Cinema Junkie

Satisfy your celluloid addiction and mainline film 24/7 with Cinema Junkie’s Beth Accomando. So if you need a film fix, want to hear what filmmakers have to say about their work, feel like taking a deep dive into a genre, or just want to know what's worth seeing this weekend, then you've come to the right place. You can also find Beth's coverage of other arts and culture events here.
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SD Fringe adds SDSU filmmaker showcase

'Park Opera' redefines opera in Balboa Park

Unpacking the virtues of Ryan Coogler's 'Sinners'
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April was to have been the month we got Bond 25, "No Time To Die" but the film has been postponed to November because of the current pandemic. So here's a discussion about the best and most outrageous Bond rip off spy films that provide perfect escapist fare while sheltering at home. To help guide us through this fun terrain is #Bond_age espionage aficionado James Patrick. We also pay tribute to Honor Blackman, Pussy Galore of "Goldfinger," who died earlier this month.
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Cinema Junkie offers up some quarantine viewing options that provide escapism. First up, TCM Classic Film Festival had to cancel its Hollywood event but has moved it to its TCM cable channel for a Home Edition that anyone can enjoy while sheltering at home. Charles Tabesh, senior vice president in charge of programming at Turner Classic Movies, previews the festival. The Nora Fiore, author of the Nitrate Diva blog, highlights the best screwball comedies to take your mind off the coronavirus pandemic. She suggests some well-known classics as well as under-appreciated gems. Plus enjoy a rendition of "The Good Ship Lollipop" that will delight and surprise you.
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UC San Diego professor Joel Wertheim uses the 2011 Steven Soderbergh film "Contagion" to teach a class every fall in epidemiology because it is so accurate in depicting a global pandemic. I talk to Wertheim about viruses and what we might be able learn from pop culture about dealing with the current coronavirus pandemic.
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I became a fan of Benh Zeitlin after his first film "Beasts of the Southern Wild." Now almost eight years later he has a second film that once again captures the wonder of childhood through a young girl's eyes. For "Wendy" he has reimagined "Peter Pan" from her point of view and place the idea of motherhood front and center. I speak to him about shooting on 16mm, working with non-professional child actors, and keeping reality as part of the magical world he creates.
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February is Women In Horror Month and Cinema Junkie checks in with the Twisted Twins Jen and Sylvia Soska. The Soskas have a new film currently streaming, it's the remake of fellow Canadian David Cronenberg's 70s cult favorite, "Rabid." I have been following the rise of the Twisted Twins since their feature debut "Dead Hooker in a Trunk" in 2009 and their brilliant and most personal project "American Mary" in 2012. The good news is that they are returning to another very personal horror project that I can't wait to see.
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The Academy Award nominations always incite me to give out my own awards for best of the year. So here are the Cinema Junkie Awards to highlight the films that I loved this year, some of which I feel were severely under-appreciated.
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Imagine a body as your canvas, a knife as your paintbrush, and blood as your medium. That in a nutshell is the Italian giallo film. Cinema Junkie is on holiday break so I am serving up a tasty archive from 2017 when I looked to Italian giallo cinema. I’ll be back with a new episode in two weeks where I give out the Cinema Junkie Awards. But since I am co-hosting a film series in San Diego at Digital Gym Cinema focusing on Italian Genre Cinema, I decided to replay this podcast to whet your appetite for our latest Film Geeks SD program. If you don’t know what giallo is I have a pair of guests to enlighten you and if you already know the pleasures of this over-the-top Italian genre then you can delight in insights from Troy Howarth, author of the giallo study "So Deadly So Perverse;" and Rachael Nisbet, who runs a film blog dedicated to giallo and Italian genre cinema. The word “giallo” translates literally as “yellow” but it became synonymous with a particular style of literary thriller that got its name from the cheap yellow covers of the novels published in Italy in the ’50s and ’60s. The films that drew on these literary roots embellished the lurid tales with an audacious visual style and pulsating soundtrack that consumed you like a fever dream. Although murder is often at the center of these films don't waste your time trying to figure out whodunit because plot feels like an afterthought in these films that are drip with intoxicating style. The style IS the content so you can resist it or you can simply succumb to this assault on your senses and enjoy the perverse pleasures of Italian giallo cinema.
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Fasten your seatbelts! Cinema Junkie is racing off on a vacation break and playing a favorite archive episode this week. I'll be back with new episodes in January. Since I will be co-hosting a yearlong Gearhead Cinema program at San Diego's Digital Gym Cinema in 2020 I am digging into the archives for my interview with stunt driver Steve Lepper who talks about the best car movies and car chases of all time. Lepper came to San Diego in late 2018 to see the Bullitt car at the San Diego Air and Space Museum. He will return to San Diego to introduce some of the classic car films in the Gearhead Cinema program.
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"Bedtime Stories" (opening December 25 throughout San Diego) is an excellent movie. It's the kind of movie where you can have a family outing and everyone can enjoy the film. It is about this guy who owns a hotel and sells it to another guy named Naughtingham under one condition: his son is to run the hotel when he is older. Little does he know that his son Skeeter (Adam Sandler) would be running repairs instead of the actual hotel. Some years later when Skeeter and his sister are fully grown and his sister has two children, Skeeter is asked to babysit his niece and nephew. They have been deprived of almost everything that makes life fun by their mother and it is up to Skeeter to correct that. He feeds them junk food and lets them watch TV. They have a pet guinea pig with ridiculously huge eyes that seems to be the main point of almost all the jokes. When the first night is coming to a close Skeeter decides that he should tell the kids a good story to finish the day. He comes up with a story that basically narrates his own life and how it is going down hill. The kids chime in every now and then with their own little twists, like having it rain gumballs or that he will save a damsel in distress. Skeeter soon finds out that everything that the children say will come true. He has all sorts of fun with this like trying to get himself a bright red Ferrari for free but because they don't say so, it never happens. Unfortunately Skeeter's boss is going to tear down the kid's elementary school to build his new hotel. So Skeeter tries to get the kids to help him with his ideas to save the day.
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Frank Miller and Will Eisners were friends but they also argued all the time. Miller looked to Eisner as a mentor and now he's adapting Eisner's comic The Spirit (opening Christmas Day) to the screen. Miller's own graphic novels, Sin City and 300 have been two of the best adaptations of a comic to film. One of the reasons is the cinematic nature of Miller's graphic work. That may also be the reason that Miller, who co-directed Sin City with Robert Rodriguez, is now embarking on a directing career. Eisner's The Spirit is his first solo project and here's the latest trailer courtesy of Lionsgate. Based on the trailer and the Comic-Con panels, it looks like fun.
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"The Tale of Despereaux" (opening December 19 throughout San Diego) looked promising. The trailer was amusing and took a laidback approach to selling its story rather than the usual hysterical, frantic, in your face pitch that American animation feels compelled to use. It was based on a popular and well-written children's book by Kate DiCamillo that bore the subtitle: "Being the story of a mouse, a princess, some soup, and a spool of thread." The animation looked state of the art with an appealing big-eared mouse hero. The film also boasted some talented voice actors in Kevin Kline, Matthew Broderick, Tracey Ullmann, Robbie Coltrane, Frank Langella and Dustin Hoffman. So what went wrong?
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Remember Body Heat? Remember the sweet-faced arsonist with the soft, sexy voice? That was Mickey Rourke in his breakthrough film role. But you might not recognize him in his latest film The Wrestler (opening in San Diego in January) in which he plays a beat up and tired veteran of the wrestling circuit.
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Peter Morgan's play "Frost/Nixon" premiered in London in 2006 and in what seems like a miraculously short turnaround, "Frost/Nixon" (opening December 12 in select theaters) now arrives on the big screen. The film version also turns to the original stage actors Michael Sheen and Frank Langella (who won the Tony for his performance) to reprise their roles as the British talk show host and former president. Morgan based his play and the screenplay on the series of televised interviews that former President Richard Nixon granted David Frost in 1977. The interviews famously ended with a tacit admission of guilt regarding his role in the Watergate scandal.
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Since I won't be able to review Cadillac Records this week before it opens let me at least show you the trailer. The film looks promising and I'm especially interested in seeing Jeffrey Wright play Muddy Waters. The film focuses on Chicago in the 50s, specifically looking to the rise of Chess Records and artists like Waters, Chuck Berry and Etta James. On the down side, Beyonce serves as executive producer and gives herself the role of Etta James. Beyonce may be pretty and with a pleasing voice but as an actress she's a bit vapid and bland. The rest of the cast looks good with Adrien Brody as Leonard Chess, Eric Bogosian as Alan Freed, and Mos Def as Chuck Berry. Cadillac Records opens December 5 throughout San Diego. The trailer is courtesy of Sony Pictures.
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"Four Christmases" is an amazingly funny movie. It's about this couple -- Brad (Vince Vaughn) and Kate (Reese Witherspoon) -- that has been dating for three years, yet still don't know each other as well as they think they do. Every year, they go on some vacation around the world for the holidays and make up some lame excuse to tell their families as to why.
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"Hellboy II: The Golden Army," inspired by Mike Mignola's comics and graphic novels, arrives today on DVD and Blu-ray. The film is one of my favorites from this year. The fabulous Ron Perlman returns as the big-hearted and big-fisted red demon working for a secret paranormal government agency. This time out he's trying to announce himself to the world while he fights Prince Nuada (a beautifully tragic Luke Goss) from the underground elf world. Once again, filmmaker Guillermo Del Toro creates a vivid fantasy world where we feel the greatest connection to the monsters and creatures.
Beth Accomando is taking a short break from film reviews and arts coverage to create a six-part video podcast called Stripper Energy. Check it out!