Cinema Junkie
Satisfy your celluloid addiction and mainline film 24/7 with Cinema Junkie’s Beth Accomando. So if you need a film fix, want to hear what filmmakers have to say about their work, feel like taking a deep dive into a genre, or just want to know what's worth seeing this weekend, then you've come to the right place. You can also find Beth's coverage of other arts and culture events here.
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The new horror film 'Ready or Not' was brought to the screen by a collaborative known as Radio Silence. Filmmakers and online pranksters Chad Villella, Matt Bettineli-Olpin, and Tyler Gillett have a very singular vision about how to make movies. They discuss how they went from online videos to making a film in Hollywood, and how a board game helped them seal the deal for "Ready or Not." -
In honor of National Whistleblowers Appreciation Day Cinema Junkie speaks with director Gavin Hood. His new film "Official Secrets" tells the story of Katherine Gun (played by Keira Knightley), a British intelligence specialist who leaked a memo when she felt her government was lying to the people. The film has a special screening July 30 and opens in San Diego theaters on Sept. 12. -
Comic-Con celebrated its 50th show and I celebrated my 41st. Join me as I speak with a trio of people who have attended all 50 shows plus some exhibitors who describe the changes they have seen over the years. I also pull out some archive footage from past Cons and visit Godzilla in his first Toho booth at Comic-Con. -
Chinese-American filmmaker Lulu Wang talks about her film "The Farewell" that she says is based on an "actual lie." The Sundance hit draws on her own family and first came to life as an episode on "This American Life." She also reveals how a trip to Ikea led to her career in filmmaking. -
In this two-part Cinema Junkie podcast I look to the female perspective in film. In part two, I explore the film "Ophelia," which reimagines Shakespeare’s "Hamlet" from Ophelia’s point of view. I will be speaking with director Claire McCarthy as well as with Lisa Klein, author of the novel the film is based on. The film stars Daisy Ridley (of "Star Wars" fame) as the title character. -
In this two-part Cinema Junkie podcast I look to the female perspective in film. In this first part I speak with Heidi Honeycutt, director of programming for Etheria Film Night. Founded in 2014, Etheria Film Night is a showcase of horror, science fiction, fantasy, action, thriller, and dark comedy directed by women and for an audience that includes producers, managers, showrunners, distributors, and genre fans. Etheria says its goal is to put the women directors who want to make genre films and TV in front of the people who want to hire them. Etheria is hosted by American Cinematheque and takes place at its Egyptian Theater. -
African Americans and Hollywood have a long, troubled, and complicated past. I am going to explore that history with Donald Bogle author of the new book "Hollywood Black: The Stars, the Films, the Filmmakers" from Turner Classic Movies. His comprehensive exploration begins in the silent era and wraps up with 2018's "Black Panther." Bogle has been writing about blacks in Hollywood and on screen for decades and over a half dozen books. -
Shakespeare has been dead for four centuries but this summer there is a film about his life called "All is True," an adaptation of the book "Ophelia" that looks at "Hamlet" from Ophelia's point of view, and a pair of his plays and a lecture about his work at the Old Globe Theatre. Cinema Junkie looks to the two new films, and then speaks with Globe artistic director and Shakespeare scholar Barry Edelstein
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Earlier this week I highlighted the film "Immobilité" that's being touted as the first "feature-length foreign film shot entirely on a mobile phone." The film by artist Mark Amerikia is showing in The Project Room for New Media at Chelsea Art Museum in New York through May 9, with a remix version exhibited in the Streaming Museum that presents exhibitions in cyberspace. The unique nature of the project inspired me to seek Amerika out for an interview. Here's what he had to say about his provocative new film.
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Following on the heels of the animated "Monsters Vs. Aliens," "Alien Trespass" (opening April 3 at Landmark's Hillcrest Cinemas) covers somewhat similar ground. Both films present us with an alien who comes to earth and then the films try to use the trappings of 50s sci-fi movies to sell the premise. But unlike "Monsters Vs. Aliens," "Alien Trespass" is live action. It also comes from R. W. Goodwin who should know what he's doing since he worked on the cult TV show "The X-Files," which frequently dealt with aliens although usually in a more serious vein.
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Most films that deal with border issues focus on immigrants and immigration along the California or Texas state lines. But the new film "Sin Nombre" (opening April 3 at Landmark's Hillcrest Cinemas) shows us how people living deeper in Mexico and Central America get to that border. The film played last month at the San Diego Latino Film Festival and just about everyone I spoke to at the fest was recommending it. I spoke with first time feature filmmaker Cary Fukunaga at the festival just before he presented the film to a full house.
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Just a quick reminder that the San Diego Latino Film Festival is not the only festival in town screening films this week. The San Diego Italian Film Festival will screen Incantesimo Napoletano/A Neopolitan Spell on Thursday, March 12 at 7:00 pm at the Museum of Photographic Arts in Balboa Park. The tageline for the film asks: "In Naples, what could be worse than not being Neapolitan?" Written and directed by Paolo Genovese, "Incantesimo Napoletano" serves up a fanciful tale about the shock felt by a fifth-generation Neopolitan couple whose daughter's first words are in Milanese. Mama mia! This film features Chiara Papa, Gianni Aiello, Serena Improta and Clelia Bernacchi. Although it's nice to have choice it's too bad these festivals are up against each other.
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Here's a little twist on Trailer Tuesday: Instead of posting a preview of a big Hollywood movie or cool indie title you get to see an entire movie.
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The teen critics have spoken out on The Last House on the Left (opened March 13 throughout San Diego) and I was curious to hear what they had to say since they weren't even born when the original film came out (OK, that made me feel old). I was glad that at least one of them had seen the original and found it more disturbing than the remake. -
The 16th San Diego Latino Film Festival kicked off last night with films, music, and a gala party. Now we can get down to the business of seeing films. Here are a few suggestions for what you might want to seek out and mini-reviews of some of the films that I had a chance to screen in advance. All films are at the UltraStar Mission Valley Theaters at Hazard Center.
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Real life French teacher François Bégaudeau plays an on-screen version of himself in "The Class/Entre les murs" (held over at Landmark's La Jolla Village Theaters), based on his book about his own classroom experiences. We discussed the film on last month's Film Club but I also wanted to highlight the film on my blog. Director Laurent Cantet (who also made "Time Out" and "Heading South") collaborated with Bégaudeau to bring his story to the screen. The ressult is a documentary style portrait of teaching in a contemporary French school. Cantet chose to shoot multiple improvised takes using real students and multiple cameras to chronicle what happens in a single classroom of middle school age students. The film was nominated this year for an Oscar for Best Foreign Language Film and took home the Palm D'Or at Cannes. While there were definitely more worthy films to pick as the best of the year, the Cannes Award is telling because it reflects France's need and maybe desire to try and come to terms with its increasing multi-ethnice make-up, a fact that's been harder to ignore inlight of recent riots and protests.
Beth Accomando is taking a short break from film reviews and arts coverage to create a six-part video podcast called Stripper Energy. Check it out!