Cinema Junkie

Satisfy your celluloid addiction and mainline film 24/7 with Cinema Junkie’s Beth Accomando. So if you need a film fix, want to hear what filmmakers have to say about their work, feel like taking a deep dive into a genre, or just want to know what's worth seeing this weekend, then you've come to the right place. You can also find Beth's coverage of other arts and culture events here.
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Bringing 'The Heart' to life

'Batman Azteca' wows Comic-Con

Comic-Con Panel Highlight: Graphic India

Little Fish students get work reviewed at Comic-Con
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TCM Classic Film Festival is a four-day event held in Hollywood and showcasing films from the silents on up into the 1980s. In part one of this week's podcast I speak with TCM Film Festival programmer Charles Tabesh about what it takes to put on the festival and about the special Fox Appreciation presentation. In part two, I will speak with Fox archivist Schawn Belston about the studio's past and the challenges of restoring films.
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This spoiler-filled episode examines the hidden meanings of Jordan Peele's latest box office hit with the help of a UC Riverside professor of media and cultural studies.
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With Alfonso Cuaron’s recent multiple Oscar win and San Diego Latino Film Festival entering its second quarter century, I felt it was the perfect time to pull up an archive interview I did with Mexican director Guillermo del Toro.
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You may not know Milicent Patrick's name and that's precisely why filmmaker, monster lover, and author Mallory O'Meara decided to write "The Lady From the Black Lagoon." It reveals the lost legacy of this woman who created one of Hollywood's most iconic monsters.
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Cinema Junkie celebrates Black History Month by speaking with Keithan Jones, founder of Black Comix Day, about black comics and movies, and professor John Jennings about a new collective called Scary Black Folks.
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Films made between 1930 and 1934 have come to be known as pre-Code and display defiance of the self-censorship rules Hollywood laid down for itself. I will talk about the delicious naughtiness and sensational social realism of these films with Danny Reid of Pre-Code.com.
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Oscar nominations come out Jan. 22 and, since many people may not know a lot about what a film editor does, here is an archive edition of Cinema Junkie that will enlighten you about the art and craft of film editing.
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Cinema Junkie is technically on holiday break but here's something old and something new to start the year: an archive of my Reel Science episode plus my picks for the best films of 2018.
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Coming of age films are filling the theaters these days. Recently we have seen coming of age tales play out in 1980s Pittsburgh ("Adventureland") and Northern Australia ("The Black Balloon"), and coming up we travel to 1970s New Jersey ("Lymelife").
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Earlier this month "Fast and Furious" scored a surprising hit at the box office bringing in $72 million in three days. What's also surprising is that at the helm of this $80 million dollar Hollywood sequel is one time indie film darling Justin Lin. Today, "17 Again" -- the new film with Disney star Zac Efron -- opens, and in the director's chair is another independent filmmaker, Burr Steers.
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In "17 Again" (opening April 17 throughout San Diego) Mike O'Donnell (Disney star Zac Efron of "High School Musical" fame) is a star on his high school basketball court with a college scout in the stands and a bright future in his grasp.
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The San Diego Italian Film Festival may be the new kid on the block but they have been actively bringing films to San Diego both at their festival and for single screening film events. These are films that have not played in San Diego before and are unlikely to receive any kind of release here.
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Seth Rogen has become an unlikely star through a series of projects with Judd Apatow beginning with the TV series "Freaks and Geeks" in 1999 and reaching a peak with the feature film "Knocked Up" in 2007. Those projects played on Rogen's slacker appeal. Now Rogen tries something a little different with "Observe and Report" (opened April 10 throughout San Diego).
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For last year's closing night, FilmOut San Diego presented the world premiere of James Vasquez' homegrown film "Ready? Okay!" This San Diego-based charmer concerns a young boy named Josh who wants to join his school's cheer squad.
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Sugar (opened April 10 at Landmark Hillcrest Cinemas) is a baseball movie in the same way that Eight Men Out was a baseball movie. You cannot conceive of either film without the baseball backdrop but neither film is a formula sports movie in the sense of putting primary importance on the winning or losing of games.
Stripper Energy just received an Emmy for Journalistic Enterprise, you can watch the six-part video podcast now.