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AMERICAN MASTERS: Fats Domino And The Birth Of Rock ’n’ Roll

Airs Friday, Feb. 26, 2016 at 11 p.m. on KPBS TV

Fats Domino at piano.

Credit: Courtesy of Getty Images

Above: Fats Domino at piano.

Fats Domino was one of the most popular rockers of the 1950s and early 60s. His achievements and record sales during that time were rivaled only by Elvis Presley. With his boogie-woogie piano playing rooted in blues, rhythm & blues, and jazz, he became one of the inventors, along with Presley, Chuck Berry, Jerry Lee Lewis and Little Richard of a revolutionary genre of music, rock ‘n’ roll. In celebration of Fats Domino’s 88th birthday, THIRTEEN’s AMERICAN MASTERS presents, “Fats Domino And The Birth of Rock ‘n’ Roll,” premiering nationwide during Black History Month on Friday, Feb. 26 on PBS. The one-hour documentary traces how Fats Domino’s brand of New Orleans rhythm and blues morphed into rock and roll, appealing to black and white audiences alike. Actor Clarke Peters narrates.

Photo credit: Courtesy of Rick Coleman Collection

Fats Domino at J&M Studio, Jan. 1950.

Photo credit: Courtesy of Charles L. Franck/Franck Bertacci Photograph Collection/Historic New Orleans Collection

Fats Domino (seated) and Dave Bartholomew, producer/songwriter/bandleader and longtime collaborator, who co-wrote and produced most of Fats’ hits, at piano.

Photo credit: Courtesy of Charles L. Franck/Franck Bertacci Photograph Collection/Historic New Orleans Collection

Fats Domino and Dave Bartholomew, producer/songwriter/bandleader and longtime collaborator, who co-wrote and produced most of Fats’ hits, at J&M Studio, 1956.

Photo credit: Courtesy of Getty Images

Fats Domino, 1970.

Photo credit: Courtesy of Haydee Ellis

Fats Domino at home, 2012.

Photo credit: Courtesy of Haydee Ellis

Joe Lauro, director/producer AMERICAN MASTERS "Fats Domino And The Birth Of Rock ‘n’ Roll," and Fats Domino.

Quote from AMERICAN MASTERS

“Fats Domino is one of America’s most beloved entertainers,” says Michael Kantor, executive producer of AMERICAN MASTERS. “In viewing this film, we come to understand the pivotal role he played in the popularization of the big beat style and the birth of rock ‘n’ roll, but also the important influence he had on the music of the 1960s and 1970s.”

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Fats Domino was born Antoine Domino, Jr. on Feb. 26, 1928. He was the last of eight Domino children and the only one of his siblings born in New Orleans. His journey from a poor childhood in the Lower Ninth Ward to a key figure in rock ‘n’ roll is told using vintage performances of Domino and his band interwoven with reminiscences of fellow architects of rock ‘n’ roll.

Among those interviewed are producer/songwriter/bandleader and longtime collaborator Dave Bartholomew, who co-wrote and produced most of Domino’s hits; J&M studio owner, engineer and producer Cosimo Matassa, who was involved in creating rock ‘n’ roll recordings by Domino, Little Richard, Ray Charles, Lloyd Price and many others; and saxophonist Herb Hardesty, a mainstay of both Domino’s and Bartholomew's bands.

As a child, Domino liked to tinker on the family piano. His life was changed forever when his sister married Harrison Verrett, a New Orleans musician (banjo player), who taught him how to play the piano and introduced him to the music scene. Domino wanted to play the piano so much that he quit school after fourth grade, and worked in a factory in order to perform in local nightclubs.

Among Domino’s musical influences were boogie woogie piano players Meade Lux Lewis ("Boogie Woogie"), Pete Johnson ("Low Down Dog"), and Amos Milburn ("Bad, Bad Whiskey"); and singers Big Joe Turner ("Low Down Dog") and Louis Jordan ("Caldonia").

While playing in the Ninth Ward clubs, Domino met Billy Diamond, a local bandleader and bass player, who invited him to play in his band at the Hideaway Club in New Orleans. It was Diamond who gave him the nickname “Fats”—even before Domino made a record—after the great piano player Fats Waller. Soon, Domino became a regular at the Hideaway Club, drawing crowds and accolades for his musical abilities.

However, it was his partnership with Bartholomew, pioneering R&B producer, songwriter, and New Orleans trumpeter, whose collaboration and guidance as collaborator, arranger and bandleader that would have the most profound impact on his career.

When Bartholomew took Lew Chudd, Imperial Records, to the Hideaway to hear Domino play "Swanee River Boogie," which was his specialty number at the club, Chudd signed Domino on the spot. Two weeks later, Domino recorded his first record, "The Fat Man," which attracted national attention, rising to #1 on the Feb. 1950 R&B charts. "The Fat Man" is often cited as one of the first records in the rock ‘n ’roll style. For the next five years, Domino and Bartholomew’s band recorded a steady stream of hits for Imperial Records.

The crossover record that would sell to blacks and whites was Domino’s 1955 "Ain’t That a Shame." Within a week, the song was covered by Pat Boone. Vintage performances of Domino and his band featured in the film include "I’m in Love Again," "Blueberry Hill," "Blue Monday" and "Walking to New Orleans."

By the end of 1956, Domino was making appearances on major network television (e.g., THE STEVE ALLEN SHOW, THE PERRY COMO SHOW and THE ED SULLIVAN SHOW), and even in Hollywood films ("Girl Can’t Help It" and "Shake, Rattle and Rock").

In 1957, the Domino band traveled 13,000 miles across the United States working 355 shows, and selling out nightclubs and concert halls whenever they played. Yet, despite being the most popular rock ‘n’ roll band in the country, with a sizable number of white fans, Domino encountered racial segregation. As they toured, they were denied access to lodging, food and services, and forced to used “For Colored Only” facilities.

“He [Domino] had four major riots at his shows partly because of integration,” says Fats Domino biographer Rick Coleman. “But also the fact they had alcohol at these shows. So they were mixing alcohol, plus dancing, plus the races together for the first time in a lot of these places.” “There was this historic moment in American history,” says Coleman. “That the things were kinda coming together and people don’t really credit rock ‘n’ roll for integrating America, but it really did.”

By the end of 1963, a new generation of rockers was taking center stage. Though his days of top 10 hits were behind him, Domino continued to record. For the next 40 years, he toured internationally performing his hits at sold-out shows around the world. In 65 years, he never departed from his boogie woogie roots. And until his final public performance in 2006, Bartholomew and Hardesty were often in the band. Fats Domino currently lives in his native New Orleans.

AMERICAN MASTERS “Fats Domino And The Birth of Rock ‘n’ Roll,” is a production of Historic Music Library. Producers are Joe Lauro, Rich Nevins and Rick Coleman. Editor is Anthea Carr. Writers are Joe Lauro and Rick Coleman. Executive Producers are Celia Zantz, Daniel Wheeler and Dick Connette. Director is Joe Lauro. Associate Producers are Haydèe Ellis, Mark Balsam and Sherwin Dunner.

Past episodes and clips from AMERICAN MASTERS are available for online viewing. AMERICAN MASTERS is on Facebook, Instagram, Tumblr, and you can follow @PBSAmerMasters on Twitter.

Fats Domino and The Birth of Rock 'n' Roll - Preview

One of the most popular rockers of the 1950s and early 60s, Fats Domino and his record sales were rivaled then only by Elvis Presley. With his boogie-woogie piano playing rooted in blues, rhythm & blues, and jazz, he became one of the inventors, along with Presley, Chuck Berry, Jerry Lee Lewis and Little Richard, of rock ‘n’ roll, a revolutionary genre that united young black and white audiences.

Dave Bartholomew, Longtime Collaborator of Fats Domino

Dave Bartholomew is one New Orleans' great musicians and learned trumpet from the same man who taught Louis Armstrong to play. Bartholomew played with the best bands in New Orleans before he began working with Fats Domino in 1949. The songwriter, bandleader, producer co-wrote and produced most of Fats Domino's hits and was inducted into the Rock and Roll Hall of Fame in 1991. A film outtake.

Fats Domino Concerts: Riots and Rock n' Roll

White and black fans flocked to Fats Domino concerts, integrating many venues for the first time. Four riots took place in 1956. Saxophonist Herb Hardesty describes two concerts and says the riots weren't about race. This film excerpt includes Domino being interviewed about rock n' roll and it's possible influence on rioting. Domino says "music makes people happy. I know it makes me happy."

Fats Domino: I'm Ready, Performed with The Byrds, 1971

See Fats Domino perform "I'm Ready," his hit from 1959, with the rock band The Byrds backing him in 1971. Their appearance was on the local television show "Turn-On, Barry Richards Rock and Soul" on WDCA-TV in Washington DC. This is an outtake from Fats Domino and The Birth of Rock 'n' Roll.

Fats Domino Filmmaker Joe Lauro on Making the Documentary

Joe Lauro, director of Fats Domino and The Birth of Rock ‘n’ Roll, details the challenges of making a film about a living legend and a very private man. One hurdle was finding archival footage of Fats Domino's performances (which he did, in France). Lauro also had to win Domino's own interest and trust. Once he did, the "floodgates" opened, and Lauro could interview Domino's longtime bandmates.

Fats Domino of New Orleans, the Music Mecca

Fats Domino, born and raised in New Orleans, and so were his writing partner Dave Bartholomew and bandmates like drummer Earl Palmer. In the late 1940s and 1950s, Cosimo Matassa’s J&M music shop was the only recording studio in New Orleans and became the mecca for record companies looking to cash in on the New Orleans rhythm and blues sound.

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