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  • The San Diego College of Continuing Education has partnered with the United Taxi Workers of San Diego in a free ride pilot program for students.
  • The three were texting each other during a panel discussion on Jewish life on campus last May, mocking and disparaging students’ complaints of antisemitism.
  • “Painting As” is an exhibition of new artworks by Matt Rich. Expanding the traditional definition of painting, these works include a looser, fluid exchange between the categorical elements of painted marks-on-surface-on-support. Each installation configures the painted canvas in space: mounting it directly to the wall; suspending or pulling it out off the wall; or allowing it to flop onto the floor. The ampersand ("&") is a frequent motif, self-referencing the additive process of building the paintings, as well as positing "and" (instead of "or") as a guiding ethos of acceptance and connection. On view Feb. 8 through Mar. 5 Artist reception: 12-2 p.m. Feb. 24 Gallery hours: 10:30 a.m. to 2 p.m. Monday through Thursday. Related links: Southwestern College Art Gallery: website | Instagram | Facebook
  • Comic-Con hotels are nearly impossible to book. But UC San Diego is now offering their dorms as one solution.
  • A trio of economists just won a Nobel Prize for their insights into how democratic and other inclusive institutions are critical for a nation's prosperity.
  • The U.S. women’s rugby team just won a historic Olympic medal for the country. To this longtime player and fan, it’s a pivotal moment for the sport and a reminder of how it changed her life.
  • A political update from Erie, Pa., which has been pivotal to, and a bellwether of, presidential election outcomes.
  • About the event: San Diego New Music and the Athenaeum Music & Arts Library present Labyrinth, a music and dance performance co-created by Kristopher and Dina Apple. Labyrinths have been used throughout history as devices for meditation, metaphors for storytelling, and as a bridge between the physical and metaphysical. Taking inspiration from these mythologies and practices, a cross-disciplinary ensemble weaves sound, movement, and text into a contemplative listening experience—a listening labyrinth. You are invited to the listening labyrinth—to follow the thread of now, gather your senses at each passing moment, and reflect on the potential for transformation. About the performers: Kristopher and Dina are music and dance makers from San Diego, California, whose work explores cross-disciplinary ensemble practices and performance-making that is often improvised and interactive. Kristopher is a violinist and composer working at the intersection of music, dance, text, and digital media. He teaches digital audio at the University of San Diego, accompanies dance classes at UC San Diego, MiraCosta College, and Palomar College, and has recently been a featured composer and performer with LITVAKdance, IMAGOmoves, and San Diego Dance Theater. Dina is a dance maker whose work investigates cross-disciplinary collaboration, practices of social choreography, and dance as a responsive and investigative act. She holds an MFA from UC San Diego and a BFA from San Diego State University and attended the Ricean School of Dance. Program: Kristopher Apple: Flowers And Other Far Thoughts I Ate the Minotaur Stir the Tide Ever Ever Performers: Kristopher Apple, co-director, composer, violin Dina Apple, co-director, choreographer, and dancer Peter Ko, cello Nathan Hubbard, percussion Kyle Adam Blair, piano Emily Aust, dancer Related links: San Diego New Music: website | Instagram | Facebook Athenaeum Music and Arts Library: website | Instagram | Facebook
  • Italy's women are the top-ranked fencers in the world with the foil. But in a tense Olympic final on Thursday, the U.S. women prevailed for the gold medal.
  • Kline Swonger is a cross-disciplinary artist whose research and sculptural work revolves around perception and psychology of space. She imagines place as residing simultaneously in both physical and emotional landscapes, the moments experienced in-between offering new perspective and opportunity for discovery. Through her work she explores the relationship formed when the boundary between internal and external dissolves, and the consequence of separation or fragmentation. She formally integrates spatial boundaries, subtle shifts in light and details, and manipulated materials which engage the senses into her works. Through aesthetically quiet sculpture installations with the world through their senses, space for reflection is created. Viewers are invited to explore their own thresholds of perception, noticing their engagement with the world through their senses. On view: Feb. 6 – March 1 (Closed: Feb. 16 and 19) Reception: Wednesday, Feb. 21, 11:30 a.m. to 2 p.m. Artist talk: Wednesday, Feb. 21, noon Weekend Reception: Feb. 24, 12-2 p.m. Gallery hours: Mon-Tue 2:30 p.m. - 7:30 p.m. Wed-Friday 11:00 a.m. - 3:00 p.m. Stay Connected with Kline Swonger on Instagram!
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